N - Fine Arts Acquisitions during November 2018
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Aspen : the magazine in a box
New York : Aspen Magazine, 1965-1971
"The magazine in a box" idea was conceived by Phyllis Johnson and each issue had a different designer and editor. Issued as a multimedia magazine that comes in a box and includes booklets, sound discs (33 1/3 rpm), and 8mm film reels.
Rauner Rare Book NX1 .A874
뉴미디어 아트 / 마크 트라이브, 리나 제나 지음 ; 황철희 옮김
Tribe, Mark, author
Sŏul : Maroniebuksu Taschen, 2008
Baker Berry Korea N6490 .T784164 2008
Delacroix, Eugène, 1798-1863, artist
New York, NY : Metropolitan Museum of Art, 
The sphinx of modern painting / Sébastien Allard and Côme Fabre -- The act of looking in Delacroix's early narrative paintings / Asher Miller -- "Painting his thoughts on paper": Delacroix and his journal / Michèle Hannoosh -- Eugène and his masters: becoming Delacroix / Mehdi Korchane -- Delacroix and the Exposition Universelle of 1855 / Dominique de Font-Réaulx.
Sherman ND553.D33 A4 2018
轨迹 : 中国美术考古研究 = Trajectory : research on the art and archaeology of China / 汤池著
汤池, 1933- author
本书收录汤池教授50年来从事美术史教学和美术考古研究所撰写的学术论著50篇, 近30万字. 内容重点涉及史前美术, 先秦时期绘画和雕塑, 秦汉时期雕塑和汉代墓室壁画, 魏晋南北朝时期墓室壁画, 佛教造像等
Baker Berry East Asian N7343 .T352 2014
西域壁画全集 / 新疆石窟研究所编
Wulumuqi Shi : Xinjiang wen hua chu ban she, 2017
1-3. Kezi'er shi ku bi hua -- 4. Kumutula shi ku bi hua -- 5. Senmusaimu shi ku, Kezi'ergaha shi ku bi hua -- 6. Baizikelike shi ku bi hua -- 7. Gu dai fo jiao si yuan mu shi bi hua.
Baker Berry East Asian ND2849.X56 X58 2017
How to look at stained glass : a guide to the church windows of England
London : I.B. Tauris, 2018
Exploring a church -- How a stained-glass window is made -- A-Z of stained glass -- 50 places to see stained glass.
The magical qualities of stained glass have an enduring appeal, but church windows tend to be ignored as a form of creative and artistic expression. How to Look at Stained Glass is a fresh, unstuffy guide, which explores the medium by themes, patterns, designs, and effects. Using an A-Z format to reveal a multitude of fascinating details - all the way from apples to zig-zags - it makes looking at gloriously colourful, artistically important windows entertaining and rewarding. This layman's guide requires no previous historical, artistic or religious knowledge and the A-Z miscellany is in keeping with the pot-luck mix of windows to be found in most churches. It covers all the major periods and styles from medieval to modern, Victorian to post-war, eighteenth century to Arts and Crafts, figurative to abstract, and examines the fascinating and evolving iconography of stained glass.
Sherman NK5343 .B86 2018
The Way Back : The Paintings of George A. Weymouth, A Brandywine Valley Visionary
Blaugrund, Annette, author
New York, NY : Rizzoli Electa ; 2018
American artist George A. Frolic Weymouth (1936 2016) was a visionary conservationist, coachman, and accomplished painter. Like his friend and artistic mentor Andrew Wyeth, Weymouth worked chiefly in egg tempera and watercolour to create a highly personal panorama of the landscapes and people he knew in Chadds Ford, Pennsylvania, where he lived. Weymouth, a sixth-generation member of the du Pont family, was not only a skilful painter but also a seminal force in preserving tens of thousands of acres of picturesque scenery around the Brandywine River in Pennsylvania and Delaware. Weymouth also cofounded the Brandywine River Museum of Art, home to a distinguished collection of American art dating to the mid-nineteenth century and renowned for its holdings representing three generations of the Wyeth family of artists. Richly illustrated with Weymouth s paintings and sketches from throughout his career, this large-format volume also includes a chronology of the artist s fascinating life, illustrated with many personal and archival images.
Sherman Oversize ND237.W49 A4 2018
中国古代物质文化史 : 绘画.墓室壁画(汉) / 刘婕, 李小旋, 邵菁菁 著
Beijing : Kai ming chu ban she, 2017
Baker Berry East Asian ND2848 .L58 2017
Frank Stella unbound : literature and printmaking
Abbaspour, Mitra, author
Princeton, NJ Princeton University Art Museum, 
Focusing on the vital role of literature in the development of the artistic practice of Frank Stella (b. 1936), this insightful book looks at four transformative series of prints made between 1984 and 1999. Each of these series is named after a literary work - the Had Gadya (a playful song traditionally sung at the end of the Passover Seder), Italian Folktales, compiled by Italo Calvino, Moby-Dick by Herman Melville, and The Dictionary of Imaginary Places by Alberto Manguel and Gianni Guadalupi. This investigation offers a critical new perspective on Stella: an examination of his interdisciplinary process, literary approach, and interest in the lessons of art history as crucial factors for his artistic development as a printmaker. Mitra Abbaspour, Calvin Brown, and Erica Cooke examine how Stella's dynamic engagement with literature paralleled the artist's experimentation with unconventional printmaking techniques and engendered new ways of representing spatial depth to unleash the narrative potential of abstract forms.00Exhibition: Princeton University Art Museum, USA (19.05-23.09.2018); Museum of Contemporary Art Jacksonville, USA (06.10.2018-13.01.2019).
Sherman NE539.S72 A4 2018
Extraordinary ideas - realized
James Turrell ; publisher, Stiftung Frieder Burda
Berlin : Hatje Cantz Verlag, 
For more than fifty years, James Turrell (*1943, Los Angeles), one of the most prominent artists of our time, has devoted himself to the exploration of the (im)materiality and perception of light. Turrell succeeds like no other artist in making it possible to experience light as an artistic medium through the senses and the intellect alike. He himself describes his art as "perceptual art." In his large installations the artist floods accessible spaces with light, which spills out in soft seas of color or intensely glowing, luminous fogs, taking viewers to the limits of their perception. This book provides a comprehensive view of Turrell's oeuvre and unites works of art from various phases of his career from the 1960s onward. Exhibition: Museum Frieder Burda, Baden-Baden, Germany (09.06. - 28.10.2018).
Sherman N6537.T78 A4 2018
edited by Camille Morineau and Lucia Pesapane ; translators, Martyn Back, Rebecca Law
Paris, France : 11 Conti Monnae de Paris ; 
"Two notions intersect in the 'Women House' exhibition: a gender (female) and a space (the domestic sphere). Architecture and public space have traditionally been male preserves, whereas domestic space has been that of women; this historic fact is not, however, inevitable, as the exhibition demonstrates. Is the 'woman-house' a refuge or a prison, or can it become a space for creativity? The exhibition and accompanying catalogue reflect the complexity of possible points of view on the subject, which are not only feminist but also poetic and nostalgic. Women artists turn the house inside out: a symbol of isolation becomes a symbol of the construction of identity, the intimate becomes political, private space becomes public space, and the body turns into a piece of architecture. According to different cultural contexts and generations of artists, the house becomes a body-house, a homeland-house, or even a world-house."
Sherman N72.F45 W66 2017
Edward Hopper in Vermont
Clause, Bonnie T
Hanover ; University Press of New England, 
Edward Hopper: the answer is in the paintings -- Initial forays into Vermont (1927) -- "Subjects for a painter ... at every hand" (1928-36) -- On the Slaters' farm, South Royalton (1937 and 1938) -- Hopper's Vermont landscapes -- Where are all the children?
This work is an account of Edward Hopper's sojourns in Vermont with his wife, Jo, illustrated by the watercolors and drawings that he made there. Edward and Jo Hopper first discovered Vermont in 1927, making day trips from the Whitney Studio Club's summer retreat for New York artists in Charlestown, New Hampshire. In 1935 and 1936 the Hoppers again traveled to Vermont, this time from their summer home in Cape Cod, in Edward's continuing search for new places to paint. During these quests they identified the White River and what Edward considered to be Vermont's "finest" river valley, and they returned there for longer visits in 1937 and 1938, boarding at Robert and Irene Slater's Wagon Wheels farm in South Royalton. These "vacations" were a change from the usual tempo of their lives, a break from the studio-bound easels, canvas, and oils, and an opportunity to paint something different, to be in a new place and paint en plein air. Over the course of his Vermont sojourns, Edward Hopper produced some two dozen paintings, watercolors that are among the most distinctive of his regional works, strongly characterized by place. In this volume, the author tells the story of the Hoppers' visits to Vermont, their stays on the Slater farm, and their introduction to farm life. She locates the sites shown in Hopper's Vermont paintings, identifies two watercolors not previously recognized as Vermont scenes, and traces the development of Hopper's singular interpretations of the Vermont landscape. Here the author details the provenance of the Vermont paintings through the years, tracking the history of sales leading to the works' ultimate homes with private collectors and museums. Showcasing all the Vermont paintings in color, this volume tells the story of the creation, collection, and business of producing great art.
Sherman ND237.H75 C58 2012
Innovative impressions : prints by Cassatt, Degas, and Pissarro
Sarah Lees, Richard R. Brettell
Tulsa, Oklahoma : Philbrook Museum of Art, 
A Brief History of Artistic Collaboration / Richard R. Brettell -- Innovative Impressions : Cassatt, Degas, and Pissarro as Painter-Printmakers / Sarah Lees -- Catalogue of the Exhibition / Sarah Lees, with the assistance of Corinne Kannenberg.
"A study of the prints of three Impressionist artists and their collaborative working relationships, c.1875 to 1895, accompanied by a catalogue of the works in the exhibition"--
Sherman NE647.6.I4 I56 2018
Odyssey : Jack Whitten sculpture 1963-2017
Katy Siegel ; with contributions by Aleesa Alexander, Kwame Anthony Appiah, Kelly Baum, Meredith A. Brown, Kellie Jones, Courtney J. Martin, Richard Shiff, Jack Whitten, and Karli Wurzelbacher ; co-curated by Katy Siegel and Kelly Baum
New York, NY : the Baltimore Museum of Art, 
Sherman NB237.W465 A4 2018
Enduring ideals : Rockwell, Roosevelt & the four freedoms
Plunkett, Stephanie Haboush, author
Stockbridge, Massachusetts : Norman Rockwell Museum ; 
Illuminates both the historic context in which FDR articulated the Four Freedoms -- Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear -- and the role of Rockwell's paintings in bringing them to life for millions of people, rallying the public behind the War effort and changing the tenor of the times. In telling the story of how Rockwell's works were transformed from a series of paintings into a national movement, the exhibition also demonstrates the power of illustration to communicate ideas and inspire change. Also includes numerous other examples of painting, illustration, and more, by both Rockwell and a broad range of his contemporaries, from J.C. Leyendecker and Mead Schaeffer, to Ben Shahn, Dorothea Lange, and Gordon Parks, among others.
Sherman ND237.R68 A4 2018
The Americas revealed : collecting colonial and modern Latin American art in the United States
edited by Edward J. Sullivan
[New York, New York] : The Frick Collection ; 
Acquisitive passions : observations on collecting the art of the Americas in the United States / Edward J. Sullivan -- Evolving taxonomies at the Museum of Modern Art in the 1930s and 40s and the definitions of the "Latin American collection" / Miriam Margarita Basilio -- Hot styles and Cold War : collecting practices at the Museum of Modern Art and other museums in the sixties / Delia Solomons -- The Philadelphia story / Joseph Rishel -- Cargadores : collecting Rivera, Mexican modernism, and bearing the burdens of historiography / Anna Indych-López -- An American museum : representing the arts of Mexico at the Metropolitan Museum of Art / Ronda Kasl -- Building a model of diversity : Grace McCann Morley and collecting modern Latin American art in San Francisco / Berit Potter -- Inverted strategies : an exhibition as matrix for a permanent collection / Mari Carmen Ramírez -- Beyond Mexico : the evolution of Phoenix Art Museum's Latin American collection / Vaness K. Davidson -- Robert and Richard Huber's adventures in collecting / Suzanne Stratton-Pruitt -- Expanding paradigms : the Colección Patricia Phelps de Cisneros and the changing of Latin American art / Gabriel Pérez-Barreiro -- Collecting Latin American art in the United States from New Spain to today : a life's story / Estrellita B. Brodsky.
"Explores the formation of public and private collections of Spanish Colonial and modern Latin American art throughout the United States, and the impact of the ever-changing political landscape of Latin American countries"--Provided by publisher.
Sherman N6502 .A494 2018
百貨店の展覧会 : 昭和のみせもの, 1945--1988 / 志賀健二郎
志賀健二郎, 1950- author
Tōkyō : Chikuma Shobō, 2018
Baker Berry Japan NX584.A1 S49 2018
Farm to table
Kang, Grace book artist,
[Brooklyn, NY : Grace Kang, 2010]
Sherman Special N7433.4.K363 F37 2010
Sargent : the masterworks
Herdrich, Stephanie L., author
New York, NY : Rizzoli Electra, a division of Rizzoli International Publications, Inc., 2018
Sargent in Paris and beyond : early career to 1887 -- Professional success : Sargent in the United States and England, 1887-1925 -- Beyond the portrait studio, 1900-1925 -- Chronology.
An introduction to the painter's work, 'Sargent: The Masterworks' features 100 of his most beloved paintings. Illustrating all aspects of his diverse oeuvre portraits, landscapes, mural commissions in oil and watercolour, this handsome new book includes works from both private and public collections, including the Metropolitan Museum of Art's infamous 'Madame X'. Author Stephanie L. Herdrich draws on a wealth of new research to provide both an essential overview and a more nuanced understanding of the great American painter. Richly illustrated, the book s three chapters cover the artist's career from his childhood and early years in Paris, to his mid-career portraits made in England and United States, and his later years painting out of doors. An illustrated chronology contains fascinating details and archival imagery about the artist's life. Sargent's cosmopolitan upbringing and education made him perfectly suited to capture the upwardly mobile bourgeoisie and aristocrats of his era, creating sensual portraits that depict his sitters with startling vibrancy. Though he achieved tremendous success in portraiture, Sargent focused on painting outdoors after 1900, achieving the most brilliant and personal images of his career. One of the greatest portraitists and watercolourists of his time, Sargent remains one of the most well-known and well-loved of all American artists.
Sherman ND237.S3 H47 2018
Looking at men : anatomy, masculinity, and the modern male body
Callen, Anthea, author
New Haven : Yale University Press, 2018
Looking at men' considers how art, medicine, and sport in the 19th century overlapped to reinforce notions of masculinity. Through a shared violence of human dissection, pugilism, and war, men in artistic and medical professions secured their masculine status and professional authority. This volume scrutinizes the relationships between the heteronormative, the homosocial, and the homoerotic in art and depictions of anatomy. Close analysis of works by Cezanne, Courbet, Degas, Delacroix, Gericault, Millet, Pissarro, and others offers fresh insight, reinforced by parallels illustrated in literary descriptions of bodies in Frankenstein, Jekyll and Hyde, and Sherlock Holmes. Anthea Callen examines how ideas of healthy male "normality" and a modern virile masculinity were constructed and negotiated through these artistic and literary representations; she also measures these virile body images against actual, classed, or racialized male bodies, delivering lively scholarship that spans art history, history of science, literature, and anthropology, as well as studies of masculinity and sexuality.
Sherman N7626 .C35 2018
Imagen y verdad en el mundo hispánico : construcción, deconstrucción, reconstrucción
coordinado por Christelle Colin, Pascale Peyraga, Isabelle Touton, Cristina Giménez Navarro, Marie-Pierre Ramouche
Villeurbanne : Editions Orbis Tertius, 
Conceptos fundamentales -- Verdad y conocimiento: la imagen mediadora -- Verdad y construcción/deconstrucción del poder: la imagen militante -- Deconstrucción de un poder patriarcal/reconstrucción de un imaginario emancipador: la imagen iconoclasta -- Verdad e emágenes del pasado: la función heurística de la imagen.
Baker Berry NX180.S6 I445 2015
日本画とは何だったのか : 近代日本画史論 / 古田亮
Tōkyō : Kabushiki Kaisha Kadokawa, Heisei 30 
Baker Berry Japan ND1054.5 .F87 2018
Leonardo : discoveries from Verrocchio's studio : early paintings and new attributions
Kanter, Laurence B., author
New Haven : Yale University Art Gallery, 2018
Presents exciting, original conclusions about Leonardo da Vinci's early life as an artist and amplifies his role in Andrea del Verrocchio's studio. This groundbreaking re-examination of the beginnings of Leonardo da Vinci's (1452-1519) life as an artist suggests new candidates for his earliest surviving work and revises our understanding of his role in the studio of his teacher, Andrea del Verrocchio (1435-1488). Anchoring this analysis are important yet often overlooked considerations about Verrocchio's studio-specifically, the collaborative nature of most works that emerged from it and the probability that Leonardo must initially have learned to paint in tempera, as his teacher did. The book searches for the young artist's hand among the tempera works from Verrocchio's studio and proposes new criteria for judging Verrocchio's own painting style. Several paintings are identified here as likely the work of Leonardo and others long considered works by Verrocchio or his assistant Lorenzo di Credi (1457/59-1536) may now be seen as collaborations with Leonardo sometime before his departure from Florence in 1482/83. In addition to Laurence Kanter's detailed arguments, the book features three essays presenting recent scientific analysis and imaging that support the new attributions of paintings, or parts of paintings, to Leonardo--Vendor's note.
Sherman NB623.L6 K36 2018
Make arts for a better life : a guide for working with communities
Schrag, Brian, author
New York, NY : Oxford University Press, 
Baker Berry NX180.A77 S37 2018
Nascita di una nazione : tra Guttuso, Fontana e Schifano
a cura di Luca Massimo Barbero
Venezia : Marsilio, 2018
Sherman N6918 .N374 2018
La flor en la cultura mexicana : Museo Nacional de Antropología
textos: Alejandro de Ávila Blomberg and 10 others
Ciudad de México : Museo Nacional de Antropología, 2018
Presentaciones / María Cristina García Cepeda, secretaria de Cultura; Diego Prieto Hernández, director general del INAH; y Antonio Saborit, director del Museo nacional de Antropología e Historia -- La flor en la cultura mexicana / Sofía Martínez del Campo -- Cuicapeuhcayotl. El origen de las flores y los cantos / Miguel León-Portilla -- La escultura de Xochipilli, príncipe de las flores / Bertina Olmedo Vera -- Las flores de Xochipilli, un acercamiento taxonómico / Aurora Montúfar López -- La flor: alegoría de divino / María Maquívar -- Gramáticas y textos florales del siglo XIX / José Ortiz Lanz -- Flor: metáfora de mujer. Representaciones estéticas en la segunda mitad del siglo XIX y principios del XX / Eva Ayala Canseco -- De criollas, desnudos y flores / Andrea Noriega -- Descubrir la belleza de lo propio: el arte mexicano de la posrevolución / Mireida Velázquez Torres -- Cantos del colibrí: las flores y la marcación semántica en las lenguas mexicanas / Alejandro de Ávila Blomberg -- La flor: polisemia y síntesis de lo diverso / Martha Turok W. -- Secciones : La flor, metáfora de lo precioso -- La flor, descripción de lo desconocido -- La flor, alegoría de lo divino -- La flor, símbolo de lo bello -- La flor, síntesis de lo diverso.
Sherman ND1400 .A4 2018
Classic beauties : artists, Italy, and the esthetic ideals of the 18th century
authors of essays, Sergej Androsov, Thera Coppens, Eric Moormann, Bernard Woelderink ; authors of biographies, Sergej Androsov, Tatyana Bushmina, Ekaterina Deryabina, Maria Garlova ; authors of object descriptions, Sergej Androsov SA, Alexandr Babin AB, Tatyana Bushmina TB, Lyubov Davydova LD, Ekaterina Deryabina ED, Maria Garlova MG, Ronald de Leeuw RL, Anna Trofimova AT, Anna Vilenskaya AV, Natascha Wieman NW
Amsterdam : Hermitage, 
"Halverwege de achttiende eeuw is Europa in de ban van de opgravingen in Italië. De schoonheid van de klassieke kunstschatten die bovenkomen, slaan in als een bom. De classic beauties worden dé inspiratiebron voor kunstenaars en zullen een eeuw lang de smaak bepalen. In de kunsten, vooral de beeldhouwkunst, wordt het naakte lichaam herontdekt. Kunstenaars en jonge Europese aristocraten gaan op Grand Tour, een maandenlange reis om de klassieke opgravingen en kunstwerken met eigen ogen te zien. Ook Goethe en de 'graaf en gravin van het Noorden', de latere Russische tsaar Paul I en Maria Fjodorovna, ondernemen de tocht naar Italië. In de Eeuwige Stad ontmoeten ze beroemde schilders en beeldhouwers als Pompeo Batoni, Anton Raphael Mengs, Angelika Kauffmann en de beroemde Antonio Canova. In 'Classic Beauties' volgt de lezer de Italiëgangers en de levensverhalen van de belangrijkste neoclassicistische kunstenaars. Door deze verhalen én de vele illustraties ontstaat een levendig beeld van een bijzonder tijdvak. Naast Paul en Maria Fjodorovan ondernam ook hun dochter, de Nederlandse koningin Anna Pavlovna, de tocht naar Italië, samen met haar dochter Sophie en zoon Alexander. Ook van die reis doet dit boek verslag".
Sherman N6916.5.N45 C53 2018
Medusa : jewellery & taboos
edited by Anne Dressen, Michèle Heuzé and Benjamin Lignel
Paris : Paris Musées, 
Sherman NK7306 .M44 2017
Ink worlds : contemporary Chinese painting from the collection of Akiko Yamazaki and Jerry Yang = 墨境 : 山崎朗子楊致遠藏當代水墨畫 / Richard Vinograd, Ellen Huang with contributions from Michael Knight, Yanzhi Wang, Likun Yang, Yechen Zhao
Vinograd, Richard Ellis, author
Stanford, CA : Iris & B. Gerald Cantor Centre for Visual Arts ; 2018
"Ink arts have flourished in China for more than two millennia. Once primarily associated with elite culture, ink painting is now undergoing a popular resurgence. Ink Worlds explores the modern evolution of this art form, from scrolls and panel paintings to photographic and video forms, and documents how Chinese ink arts speak to present-day concerns while simultaneously referencing deeply historical materials, themes, and techniques. Presenting the work of some two dozen artists from China, Taiwan, Hong Kong, and the United States in more than fifty full-color reproductions, the book spans pioneering abstract work from the late 1960s through twenty-first century technological innovations. Nine illustrated essays build a compelling case for understanding the modern form as a distinct genre, fusing art and science, history and technology, painting and film into an accessible theory of contemporary ink painting. The Yamazaki/Yang collection is widely recognized as one of the most important private collections of contemporary Chinese ink art. Ink Worlds is the first book to represent the collection in its entirety. From its atmospheric mountainscapes to precise calligraphy, this book is a revelation, bringing together the past, present, and future of an enduring and adaptable art form."--
Sherman ND2068 .V56 2018
Adel Abdessemed : otchi tchiornie ; Adel Abdessemed : l'antidote
Bruxelles : Fonds Mercator, 
Adel Abdessemed : otchi tchiornie / sous la direction de = edited by Denis Gielen ; auteurs = authors, Éric de Chassey, Denis Gielen, Donatien Grau, Mark Nash -- Adel Abdessemed : l'antidote / sous la direction de = edited by Thierry Raspail ; auteurs = authors, Paul Ardenne, Kamel Daoud, Thierry Raspail, Michele Robecchi, Octavio Zaya.
The Algerian-born French artist Adel Abdessemed (b. 1971) works in a wide variety of media including animation, installation, performance, sculpture, and video; through his art he addresses contemporary themes and he reflects the bleak picture of the present day. His works, unsettling in their simultaneous beauty and raw reality, have made Abdessemed one of the most visible international artists of our time. This volume is composed of two distinct parts, each showcasing and examining one of two series of brand new, site-specific works created by Abdessemed for the Museum of Contemporary Arts in Grand-Hornu and the Musée d'Art Contemporain in Lyon. Exhibition: macLYON, France (09.03.-08.07.2018) / MAC's, Grand Hornu, Belgium (03.03.-03.06.2018).
Sherman N6853.A22 A4 2018
The complete works of Percier and Fontaine
Percier, Charles, 1764-1838, author
New York : Princeton Architectural Press : 
Palais, maisons, et autres édifices modernes dessinés à Rome (1798) -- Recueil de décorations intérierures (1812) -- Choix des plus célèbres maisons de plaisance de Rome et de ses environs (1824) -- Plans de plusieurs châteaux, palais et résidences de souverains de France, d'Italie, d'Espagne et de Russie, dessinés sur une même échelle pour être comparés A.P.P.P.L.P.D.R.D.R (1838).
"Charles Percier and Pierre Fontaine were the official government architects of Napoleon, as well as two of the most celebrated teachers at the legendary Ecole des Beaux-Arts, and were responsible for developing the highly influential neoclassical Empire, or Directoire, style of design. Their designs and renovations can be seen throughout the monuments and structures of Napoleonic France, including extensive renovations to the Louvre and Tuileries palaces, construction of the Arc de Triomphe de Carrousel, as well as their true masterpiece, the Empress Josephine's Chateau de Malmaison, where they designed every interior detail, helping invent and shape the modern field of interior design. This will be the definitive edition on the work of Percier and Fontaine, bringing together their four most influential volumes on architecture and interior design, comprising detailed studies of the most important classical and neoclassical architecture across Europe, as well as their own designs, and featuring an introduction by esteemed architecture critic and historian Barry Bergdoll"--
Sherman NA957 .P47 2018
René Magritte : the fifth season
Magritte, René, 1898-1967, artist
San Francisco, California : San Francisco Museum of Modern Art, 2018
The fifth season / Caitlin Haskell -- Odalisques of revolt / Michel Draguet -- Mad or bad? Magritte's artistic rebellion / Abigail Solomon-Godeau -- Otherworldly: Magritte's L'empire des lumières / Sandra Zalman -- The hypertrophy of objects / Clare Elliott -- Self-portrait as anonymous artist / Caitlin Haskell -- "The act of painting is hidden": the materials and technique of René Magritte / Katrina Rush.
"When René Magritte reached his 40s, something unexpected happened. The painter, who had honed an iconic Surrealist style between 1926 and 1938, suddenly started making paintings that looked almost nothing like his earlier work. First he adopted an Impressionist aesthetic, borrowing the sweet, hazy palette of Pierre-Auguste Renoir-which he described as "sunlit Surrealism." Then his style shifted again, incorporating popular imagery, the brash colors of Fauvism and the gestural brushwork of Expressionism. And then Magritte returned to his classic style as if nothing had happened. René Magritte: The Fifth Season looks at the art Magritte made during and after the stylistic crises of the 1940s, revealing his shifting attitudes toward painting. Subjects explored in this volume include the artist's Renoir period; the période vache, with its Fauvist- and Expressionist-style paintings that are little known to American audiences; the "hypertrophy of objects" paintings, a series that plays with the scale of familiar objects; and the enigmatic Dominion of Light suite, paintings that suggest the simultaneous experience of day and night. Featuring full-color plates of approximately 50 oil paintings, and a dozen of the artist's gouaches, René Magritte: The Fifth Season offers a new understanding of Magritte's special position in the history of 20th-century art. In a career of almost half a century, Belgian Surrealist René Magritte (1898-1967) probed the distance between object, language and image. Even as he playfully explored new styles, his painting practice remained consistent in its cautionary message not to equate the observable world with reality in all its fullness."--Publisher's description.
Sherman ND673.M35 A4 2018
Dialogue on the errors and abuses of painters
Gilio, Giovanni Andrea, -1584, author
Los Angeles : The Getty Research Institute, 
Gilio on painters of sacred images / Michael Bury -- Gilio's point of view / Carol M. Richardson -- Gilio's text and the English translation / Lucinda Byatt.
Giovanni Andrea Gilio's Dialogue on the Errors and Abuses of Painters (1564) is one of the first treatises on art published in the post-Tridentine period. It remains a key primary source for the discussion of the reform of art as it unfolded at the time of the Council of Trent and the Catholic Reformation. Through a spirited conversation among six protagonists, Gilio grapples with a host of issues, from the relationship between poetry and painting, to the function of religious images, to the effects such images have on viewers. The primary focus is the proper representation of history, especially sacred history, and Michelangelo's Last Judgment fresco in the Sistine Chapel is the exemplary case. Michelangelo's painting is both praised and condemned as an example of the possibilities and limits of art. Although Gilio's dialogue is often used to point out the Roman Catholic Church's more controlling view of art and artists, the unabridged text--here translated into English in full for the first time--reveals the nuanced and provisional debates about how subject matter should be represented in this crucial period--Cover page 4.
Sherman ND615 .G48513 2018
Reuse and renovation in Roman material culture : functions, aesthetics, interpretations
edited by Diana Y. Ng, University of Michigan-Dearborn; Molly Swetnam-Burland, College of William and Mary, Virginia
Cambridge, United Kingdom ; Cambridge University Press, 2018
This book explores the spoliation of architectural and sculptural materials during the Roman empire. Examining a wide range of materials, including imperial portraits, statues associated with master craftsmen, architectural moldings and fixtures, tombs and sarcophagi, arches and gateways, it demonstrates that secondary intervention was common well before Late Antiquity, in fact, centuries earlier than has been previously acknowledged. The essays in this volume, written by a team of international experts, collectively argue that re-use was a natural feature of human manipulation of the physical environment, rather than a sign of social pressure. Re-use often reflected appreciation for the function, form, and design of the material culture of earlier eras. Political, social, religious, and economic factors also contributed to the practice. A comprehensive overview of spoliation and re-use, this volume examines the phenomenon in Rome and throughout the Mediterranean world.--
Sherman NA310 .R48 2018
Emotion and the seduction of the senses, Baroque to neo-Baroque
edited by Lisa Beaven and Angela Ndalianis
Kalamazoo : Medieval Institute Publications, Western Michigan University, 
Feeling Baroque in art and neuroscience : joy, sadness, pride, and a Spinozist solution to the quest for happiness / Monika Kaup -- The Baroque sublime : the affective power of landscape / Helen Langdon -- "Their jarring spheres confound" : John Milton's Paradise lost as a counter-Baroque war machine / Justin Clemens -- "To make them gaze in wonder" : emotional responses to stage scenery in seventeenth-century opera / Katrina Grant -- The role of emotions in the characters of Pedro Calderón de la Barca's Autos sacramentales / Javier de la Rosa, Adriana Soto-Corominas, and Juan Luis Suárez -- Clouds and calculated emotions in the production of neo-Baroque spatial illusions in Las Vegas hotels and casinos / Peter Krieger -- Mirrors of reason, illusion, and infinity : the case of the Villa Patrizi / David Marshall -- Infinite bodies : the Baroque, the Counter-Reformation relic and the body of James II / Matthew Martin -- Chican@ saints : the persistence of religious bodies in Mexican America / Kat Austin -- The ecstasy (?) of Saint Teresa / John Weretka -- Faith and fetish : objects and the body in Catholic devotional practice / Lisa Beaven -- Hannibal : Baroque horror vacui and the theatre of senses / Angela Ndalianis.
This book examines the relationship between the cultural productions of the baroque in the seventeenth century and the neo-baroque in our contemporary world. The volume illuminates how, rather than providing rationally ordered visual realms, both the baroque and the neo-baroque construct complex performative spaces whose spectacle seeks to embrace, immerse, and seduce the senses and solicit the emotions of the beholder.
Baker Berry NX650.E46 E46 2018
Learning from madness : Brazilian modernism and global contemporary art
Cabañas, Kaira Marie, 1974- author
Chicago : The University of Chicago Press, 2018
Introduction: toward discomfort -- Clinical-artistic tableaux -- Common creativities -- Physiognomic gestalt -- Bispo's contemporaneity -- Monolingualism of the global.
Sherman N71.5 .C33 2018
Andrea del Sarto
Sebregondi, Ludovica, author
Firenze : Giunti, 
Sherman ND623.S2 S43 2018
Arte e magia
Zanchi, Mauro, author
Firenze : Giunti editore, 
Sherman N8222.M3 Z36 2018
Русская культура под знаком революции : / под редакцией : Валериия Гречко, Су Кван Кима, Сусуму Нонака
Гречко, Валерий, едитор
Belgrade ; Logos, 2018
Sherman N8236.P5 G74 2018
현대 뮤지엄 건축 : 여섯 가지 키워드 로 읽기 - 상징성, 입구 홀, 자연 채광, 동선, 전통, 오늘 의 경향 / 이 관석
이 관석, 1961- author
Kyŏnggi-do P'aju-si : Yŏrhwadang, 2014
Baker Berry Korea NA6690 .Y53 2014
Contemporary Japanese houses
edited by Zhao Xiang
Mulgrave, Victoria : Images Publishing, 2018
Reasons for diversity of Japanese houses -- Basic living requirements of houses -- Issues on living space -- Two aspects of housing design -- Design themes of different houses -- References -- Case studies. Rural style ; Reflecting culture and customs ; Reflecting openness ; Emphasizing middle space ; Getting close to nature ; Adapting to modern lifestyle.
Over forty projects showcase the immense variety among Japanese detached houses constructed over the past three years. Some of these houses are designed around the concept of 'intermediate space' featuring courtyards, landscapes, and tearooms. Others take 'how to respond to the environment' as the design theme, employing green building techniques and outdoor insulation, etc; while still others are inspired by the question of 'how to implement one's lifestyle', focusing on urban housing, family reconstitution, and variability. Readers will learn about the meaning of and the story behind these designs through project descriptions, experiencing the conciseness which defines Japanese house design. In addition to this, Professor Zhao Xiang from Fukuoka University discusses the reasons for this diversity. His informative description of architecture and design theory will help the reader understand the methods behind Japanese house creation, and this book also includes useful reference materials, which can be used as a basis for new houses in the Japanese style.
Sherman NA7451 .C66 2018
Jean Delville : art between nature and the absolute
Cole, Brendan, author
Newcastle Upon Tyne : Cambridge Scholars Publishing, 2015
Sherman ND673.D383 C65 2015
Paglen, Trevor, artist,
London ; Phaidon Press, 2018
The first complete monograph on an artist whose work investigates surveillance and government secrecy in the digital age. Trevor Paglen's art gives visual geography to hidden forces, relentlessly pursuing what he calls the 'unseeable and undocumentable' in contemporary society. Blending photography, installation, investigative journalism, and science, Paglen explores the clandestine activity of government and intelligence agencies, using high-grade equipment to document their movements and reveal their hidden inner workings. This book presents over three decades of Paglen's groundbreaking work, making visible the structures and technologies that impact our lives.
Sherman N6537.P22 A4 2018
Facing the monumental : Rebecca Belmore
edited by Wanda Nanibush
Toronto, Ontario : Art Gallery of Ontario, 2018
"In a 2012 performance piece, Rebecca Belmore transformed an oak tree surrounded by monuments to colonialism in Toronto's Queens Park into a temporary 'non-monument' to the Earth. For more than 30 years, she has given voice in her art to social and political issues, making her one of the most important contemporary artists working today. Employing a language that is both poetic and provocative, Belmore's art has tackled subjects such as water and land rights, women's lives and dignity, and state violence against Indigenous people. Writes Wanda Nanibush, 'by capturing the universal truths of empathy, hope and transformation, her work positions the viewer as a witness and encourages us all to face what is monumental.' Rebecca Belmore: Facing the Monumental presents 28 of her most famous works, including Fountain, her entry to the 2005 Venice Biennale, and At Pelican Falls, her moving tribute to residential school survivors, as well as numerous new and in-progress works. The book also includes an essay by Wanda Nanibush, Curator of Indigenous Art at the AGO, that examines the intersection of art and politics. It will accompany an exhibition at the Art Gallery of Ontario scheduled from 12 July to 21 October 2018. Rebecca Belmore is one of Canada's most distinguished artists. She has won the Hnatyshyn Award (2009), the Governor General's Award in Visual and Media Arts (2013), and the Gershon Iskowitz Prize (2016). A member of Lac Seul First Nation, she was the first Aboriginal woman to represent Canada at the Venice Biennale. She has also participated in more than 60 one-person and group exhibitions around the world" -- Provided by publisher.
Sherman N6549 .B456 A4 2018
Hill, Anita, author,
London ; Phaidon Press, 
This timely entry in the Contemporary Artists series focuses on Mark Bradford, the Los Angeles-based artist best known for his large-scale abstract paintings that examine the class, race, and gender-based economies that structure urban society. His collages and installations, made of materials scavenged from the streets, have created a unique body of work that still stands as a strong response to the impromptu networks that emerge within a city. In this new title, his life and work are explored as never before.--Amazon.com
Sherman N6537.B6813 A4 2018b
Benedetti, Maria Teresa, author
Firenze : Giunti editore, 
Sherman ND497.B8 B46 2018
The forces of form in German modernism
Maskarinec, Malika, author
Evanston, Illinois : Northwestern University Press, 
Sherman N6868.5.M63 M374 2018
The collector : the story of Sergei Shchukin and his lost masterpieces
Semenova, N. I︠U︡. author
New Haven : Yale University Press, 2018
"Sergei Shchukin was a highly successful textiles merchant in the latter half of the nineteenth century, but he also had a great eye for beauty. He was one of the first to appreciate the qualities of the Impressionists and Post-Impressionists and to acquire works by Cezanne, Matisse, and Picasso. A trailblazer in the Russian art world, Shchukin and his collection shocked, provoked, and inspired awe, ridicule and derision among his contemporaries. This is the first English-language biography of Sergei Shchukin, written by art historian Natalia Semenova and adapted by Shchukin's grandson André Delocque. Featuring personal diary entries, correspondence, interviews, and archival research, it brings to light the life of a man who has hitherto remained in the shadows, and shows how despite his controversial reputation, he opened his collection to the public, inspiring a future generation of artists and changing the face of the Russian art world."--Provided by publisher.
Sherman N5276.2.S5 S4613 2018
The sacred home in Renaissance Italy
Brundin, Abigail, author
Oxford : Oxford University Press, 2018
How did religion colour daily life in the Italian Renaissance home? Peering into the privacy of family rites of passage - childbirth, marriage, and death - the authors expose patterns of piety that helped individuals to confront both the dangers and delights of everyday life, using such material objects as books, artworks, jewellery, and relics.
Sherman N7952.A1 B786 2018
London ; Phaidon Press Limited, 2018
According to Snarkitecture, every day is today -- Not art/Not architecture -- Technical index -- Studio.
The first monograph on Snarkitecture, a New York-based collaborative and innovative design studio. Fast becoming one of the world's most sought-after studios, Snarkitecture has designed installations, architecture, products, and furniture for a diverse range of clients including COS, Kith, Calvin Klein, the New Museum, Kartell, and Beats by Dr. Dre. This book presents more than 70 of their projects and investigates how its founders, artist Daniel Arsham and architect Alex Mustonen, work at the interface between their disciplines to come up with some of the most beguiling and fascinating designs seen in recent years.
Sherman N72.A75 S64 2018
Marguerite Zorach : an art-filled life
Zorach, Marguerite, 1887-1968, artist
Rockland, Maine. : Farnsworth Art Museum, 
"The Farnsworth Art Museum has brought together sixty paintings and textiles by Marguerite Thompson Zorach that were made between 1910 and 1965. A number of important shows have examined her work in context of William and Marguerite Zorach's artistic partnership. This exhibition examines Zorach's singular range of skills and the self-fulfillment she found through her art."
Sherman ND237.Z59 M37 2017
Эпизоды модернизма : от истоков до кризиса / Глеб Напреенко, Александра Новоженова
Moskva : NLO, 2018
Baker Berry NX456.5.M64 N37 2018
The Cistercian reform and the art of the book in twelfth-century France
Reilly, Diane J., author
Amsterdam : Amsterdam University Press, 
Communal singing and reading of Latin texts formed the core of Christian ritual and occupied hours of the Benedictine monk's day. These monks also illustrated the texts, and the full meaning of these images is often only revealed when analysed in concert with the oral and written word that originally accompanied them. The earliest manuscripts of the Cîteaux, copied and illustrated during a period of intense reform at the monastery, demonstrate the interdependence between art, liturgy, and reform.
Sherman ND3149.C5 R45 2018
Brand new art from China : a generation on the rise
Pollack, Barbara author
London ; I.B. Tauris, 2018
"A unique and visionary generation of young Chinese artists are coming to prominence in the art world - just as China cements its place as the second largest art market on the planet. Building on the new frontiers opened up by the Chinese artists of the late 1980s and 1990s, artists such as Ai Wei Wei who came to the West and became household names, this new generation are provocative, exciting and bold. But what does it mean to be a Chinese artist today? And how can we better understand their work? Here, renowned critic Barbara Pollack presents the first book to tell the story of how these Chinese millennials, fast becoming global art superstars, negotiate their cultural heritage, and what this means for China's impact on the future of global culture."--Provided by publisher.
Sherman N7345.6 .P65 2018
Designs of destruction : the making of monuments in the twentieth century
Allais, Lucia, author
Chicago : The University of Chicago Press, 2018
Introduction: monument survival -- "Wardens of civilization": conservation and diplomacy at the 1931 Athens Conference -- "Battles designed to preserve": the allies' lists of monuments in World War II -- Unwitting city planning: maps of monuments and the American bombing of Europe, 1943-1945 -- Bridge: let's visit UNESCO house -- "Stones also die": UNESCO and the decolonization of museums, 1960-1975 -- Integrities: the salvage of Abu Simbel, 1960-1980 -- Coda: viscosities.
The twentieth century was the most destructive in human history, but from its vast landscapes of ruins was born a new architectural type: the cultural monument. In the wake of World War I, an international movement arose which aimed to protect architectural monuments in large numbers, and regardless of style, hoping not only to keep them safe from future conflicts, but also to make them worthy of protection from more quotidian forms of destruction. This movement was motivated by hopeful idealism as much as by a pragmatic belief in bureaucracy. An evolving group?including architects, intellectuals, art historians, archaeologists, curators, and lawyers?grew out of the new diplomacy of the League of Nations. During and after World War II, it became affiliated with the Allied Military Government, and was eventually absorbed by the UN as UNESCO. By the 1970s, this organization had begun granting World Heritage status to a global register of significant sites?from buildings to bridges, shrines to city centers, ruins to colossi.0Examining key episodes in the history of this preservation effort?including projects for the Parthenon, for the Cathedral of St-Lô, the temples of Abu Simbel, and the Bamyian Buddahs ?Lucia Allais demonstrates how the group deployed the notion of culture to shape architectural sites, and how architecture in turn shaped the very idea of global culture. More than the story of an emergent canon, Designs of Destruction emphasizes how the technical project of ensuring various buildings? longevity jolted preservation into establishing a transnational set of codes, values, practices. Yet as entire nations? monumental geographies became part of survival plans, Allais also shows, this paradoxically helped integrate technologies of destruction?from bombs to bulldozers?into cultural governance.
Sherman NA111.5 .A45 2018
John McAndrew's modernist vision : from the Vassar College Art Library to the Museum of Modern Art in New York
Bacon, Mardges, author
Hudson, New York : Princeton Architetural Press, 
John McAndrew's Modernist Vision' tells the compelling story of the architect, scholar, and curator John McAndrew, who played a key role in redefining modernism in the United States from the 1930s onward. The designer of the Vassar College Art Library-arguably the first modern interior on a college campus-and the curator of architecture at the Museum of Modern Art in New York from 1937 to 1941, McAndrew was instrumental in creating a distinct and innovative aesthetic that bridged the European modernist lineage and American regional vernacular. Providing a fascinating glimpse into McAndrew's life, his associations with important architects and artists, and the historical context that shaped his work, this book is a thoroughly researched testament to a man who left a powerful mark on the evolution of American architecture.
Sherman NA737.M4355 B33 2018
The politics of painting : fascism and Japanese art during the Second World War
Ikeda, Asato, author
Honolulu : University of Hawaiʻi Press, 
Japanese paintings, fascism, and war -- Yokoyama Taikan's paintings of Mount Fuji -- Yasuda Yukihiko's camp at Kisegawa and modern aesthetics -- Uemura Shōen's Bijin-ga -- Fujita Tsuguharu and events in Akita (1937).
This rich and nuanced study examines a set of paintings produced in Japan during the 1930s and early 1940s that have received little scholarly attention. Asato Ikeda views the work of four prominent artists of the time - Yokoyama Taikan, Yasuda Yukihiko, Uemura Shoen, and Fujita Tsuguharu - through the lens of fascism, showing how their seemingly straightforward paintings of Mount Fuji, samurai, beautiful women, and the countryside supported the war by reinforcing a state ideology that justified violence in the name of the country's cultural authenticity. She highlights the politics of "apolitical" art and challenges the postwar labeling of battle paintings - those depicting scenes of war and combat - as uniquely problematic. Although these artists employed different styles and favored different subjects, each maintained close ties with the state and presented what he considered to be the most representative and authentic portrayal of Japan. Ikeda reveals the global dimensions of wartime nationalist Japanese art and opens up the possibility of dialogue with scholarship on art produced in other countries around the same time, particularly Nazi Germany and Fascist Italy.
Sherman ND1055.4 .I42 2018
Tunirrusiangit : Kenojuak Ashevak and Tim Pitsiulak
curated by Koomuatuk Curley, Taqralik Partridge, Jocelyn Piirainen, and Laakkuluk Williamson Bathory with Anna Hudson and Georgiana Uhlyarik
Toronto, Ontario : Art Gallery of Ontario ; 2018
Director's foreword / Stephan Jost -- Gracious acceptance of their gifts / Jocelyn Piirainen -- Tunirrusiangit: the gift of collaboration / Anna Hudson and Georgiana Uhlyarik -- I am the light of happiness / Laakkuluk Williamson Bathory -- Kenojuak Ashevak: works -- Hunting as culture / Koomuatuk Curley -- Tim Pitsiulak: works -- Kuujjuatuqaq after an arguement: two poems / Taqralik Partridge.
"Kenojuak Ashevak shot to fame in 1970 when Canada Post printed The Enchanted Owl, a print of a black-and-red plumed nocturnal bird, on a postage stamp. She later became known as the magic-marker-wielding 'grandmother of Inuit art,' famous for her fluid graphic storytelling and her stunning depictions of wildlife. She was a defining figure in Inuit art and one of the first Indigenous artists to be embraced as a contemporary Canadian artist. Ashevak's legacy inspired her nephew, Timootee (Tim) Pitsiulak, to take up drawing at the Kinngait Studios. In his relatively short career, he became a popular figure, known for drawing animal figures with a hunter's precision and capturing the technological presence of the South in Nunavut. Tunirrusiangit, 'their gifts' or 'what they gave' in Inuktitut, celebrates the achievements of two remarkable artists who challenged the parameters of tradition while consistently articulating a compelling vision of the Inuit world view. Published to coincide with a major exhibition at the Art Gallery of Ontario, opening on 16 June and continuing until late August, Tunirrusiangit features more than 60 reproductions of paintings, drawings, and documentary photographs. Completing the book are essays by contemporary artists and curators Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik, Koomuatuk Curley, Laakkuluk Williamson Bathory, and Taqralik Partridge that address both the past and future of Inuit identity" -- Provided by publisher.
Sherman NC142.N67 T86 2018
Art on the walls : murals in New England : a book of postcards
Rehoboth, Mass. : RJD Enterprises, ©2005
Sherman ND2638.N38 A88 2005
Gurlitt : status report : 'degenerate art' - confiscated and sold : Nazi art theft and its consequences
editor, Kunstmuseum Bern and Kunst- und Ausstellungshalle der Bundesrepublik Deutschland GmbH ; editorial team, Andrea Baresel-Brand, Meike Hopp, Agnieszka Lulińska ; translation, Josephine Cordero Sapien and 3 others
[Munich] : Hirmer Verlag, [2017?]
Sherman N8795.3.E85 B47 2017
废墟的故事 : 中国美术和视觉文化中的"在场"与"缺席" = A story of ruins : presence and absence in Chinese art and visual culture / [美]巫鸿著 ; 肖铁译 ; 巫鸿校
巫鸿, 1945- author
Shanghai : Shanghai ren min chu ban she, 2017
Baker Berry East Asian N7340 .W8125 2017
Zeng Fanzhi - Van Gogh
Zeng, Fanzhi, 1964- artist
Amsterdam : Van Gogh Museum, 
The Van Gogh Museum invited the celebrated Chinese artist Zeng Fanzhi to present recent work inspired by Vincent van Gogh. Although the two artists differ greatly in historical period and place of origin, their art is very similar in substance. This similarity is apparent in the themes that Van Gogh and Zeng both perpetually explore, such as style, identity and personality, and the question of self-control and the outside world's degree of control over the individual. It is evident too in their powerful, searing paintings. Van Gogh's original paintings became famous partly for their vigorous, seemingly inimitable brushwork - the painter's individual 'handwriting'. Zeng has responded to this same brushwork with handwriting from a very different cultural tradition, namely that of Chinese calligraphy. He has done so at a time when Van Gogh has become immensely popular in countries like China and Japan. The result is a Van Gogh seen through Chinese eyes, in a way Vincent himself could never have imagined. Zeng takes meanings from the past and reuses them, over and over again, to generate valuable new meanings. This book focuses on Zeng's recent work, inspired by Van Gogh's iconic self-portraits, and explores the position and importance of the self-portrait within his oeuvre.
Sherman ND1049.Z34 A4 2017