M - Music Acquisitions during March 2019

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Ritmica ostinata
Vogel, Wladimir, composer
München : Musikproduktion Höflich, 2018
Paddock M1045.V8 E88 2018

All-night vigil : opus 37
Rachmaninoff, Sergei, 1873-1943, composer
Madison, CT : Musica Russica, [1992]
Paddock M2015.R32 V74 1992

Three stones : for female voice (2006)
Sørensen, Bent, 1958- composer
Copenhagen : Wilhelm Hansen, [2018]
Paddock M1624.8.S67 T47 2018

Lied vom blinden Mädchen : (Lied vom weissen Käse) = Song of the blind girl : song of the white cheese : for voice and piano
Weill, Kurt, 1900-1950, composer
[New York] : European American Music Corporation, 2018
Paddock M1621.W45 L542 2018

Sonatine pour flûte & piano
Boulez, Pierre, 1925-2016, composer
Paris : Durand Editions, 2017
Paddock M242.B68 S66 2017

Der verdoppelte Vitalin : Variationen für Klavier und Violine : in der Art der "Doubles" des Settecento komponiert auf die Ciaccona des Tomaso Antonio Vitali (1663-1745), genannt "Il Vitalino" = Il Vitalino raddoppiato : Variations for piano and violin : composed in the style of seventeenth century "doubles" on the Ciaconna by Tomaso Antonio Vitali (1663-1745), named "Il Vitalino" : (1978/2003)
Henze, Hans Werner, 1926-2012, composer,
Mainz : Schott, [2018]
Paddock M220.H46 V58 2018

French impressions : piano solo
Lanz, David, 1950- composer
Milwaukee, WI : Hal Leonard, [2017]
As dreams dance -- Conversation avec les Etoiles -- French blue -- French impressions -- Love Is truth -- Marees de Matin -- Midnight kiss -- Passages -- Prieres du soir -- The river at night -- Still life #2 -- The wandering path.
Paddock M32.8.L36 F74 2017

Pulse : for winds, strings, piano, and electric bass
Reich, Steve, 1936- composer
[New York] : Hendon Music : [2018]
Paddock M942.R45 P85 2018

... sofferte onde serene ... : per pianoforte e nastro magnetico
Nono, Luigi, composer
Milano : Ricordi, 1992
Paddock M285.E4 N66 1992

From factory girls to K-pop idol girls : cultural politics of developmentalism, patriarchy, and neoliberalism in South Korea's popular music industry
Kim, Gooyong, author
Lanham, Maryland : Lexington Books, [2019]
Paddock ML3502.K6 K5737 2019

Candide choral suite : SATB chorus and piano
Bernstein, Leonard, 1918-1990, composer
New York : Boosey & Hawkes, [2018]
The best of all possible worlds -- Oh, happy we -- It must be so -- This world (Candide's lament) -- Make our garden grow.
Paddock M1508.B46 C36 2018

Misterioso : per flauto e pianoforte = for flute and piano (1963)
Penderecki, Krzysztof, 1933- composer
Mainz : Schott, [2018]
Paddock M242.P45 M57 2018

Songs of travel : for voice & orchestra
Vaughan Williams, Ralph, 1872-1958, composer,
London : Boosey & Hawkes, [2018]
Paddock M1617.V38 S66 2018

La gran Aventura de la bachata urbana
Jiménez, Máximo, author
Santo Domingo, República Dominicana : Editorial Funglode, Fundación Global Democracia y Desarrollo, 2018
Paddock ML421.A94 J56 2018

Composition for oboe (1965)
Tower, Joan, 1938- composer
New York : American Composers Alliance, Inc., [2017]
Paddock M67.T69 C66 2017

Del otro lado de la fiesta
Trincado, Cristian, author
[Córdoba] : Caballo Negro Editora, [2017]
Paddock ML3540.5 .T75 2017

Max Reger : der konservative Modernist
Schwalb, Michael, author
Regensburg : Friedrich Pustet Verlag 2018
Die Lebensdaten von Max Reger (1873?1916) fallen ebenso zufällig wie bedeutungsvoll mit den Koordinaten des Deutschen Kaiserreichs zusammen. Nach erster musikalischer?Aufrüstung? führte Regers Werkausstoß in eine Innerlichkeit, die sich den Tendenzen der Epoche entgegenstellt. Seine Fortschrittlichkeit gründet auf musikalischer Rückschau, die sich mehr an Bach und Brahms orientierte als am Zeitgeist der?Neudeutschen?. Trotz vielfältiger Würdigungen ist Reger noch immer ein weithin Unbekannter? nicht nur im Ausland, sondern auch im deutschen Musikleben. Nach seiner Biografie von Hans Pfitzner (2016) legt der Musiker und Rundfunkredakteur Michael Schwalb nun diese konzise und farbige Studie über Max Reger vor.
Paddock ML410.R25 S39 2018

Más ramas que raíces : diálogos musicales entre el Caribe y el continente africano
Montes-Pizarro, Errol L., author
San Juan : Ediciones Callejón, 2018
Capítulo 1. Más ramas que raíces: Intercambios, autogestión y movimientos musicales en la diáspora africana -- Capítulo 2. Sobre el gumbé, la palmwine music y sus derivados -- Capítulo 3. Las independencias africanas y modernidades alternativas: El son, el bolero y la salsa en África occidental y central -- Capítulo 4. Y de vuelta al Caribe.

ʺMás ramas que raíces es un aporte fundamental a los Estudios Culturales y musicales contemporáneos. Es producto de años de entusiasta y minuciosa investigación y apasionado estudio de los diálogos (ires y venires) entre al música africana y la afro-latinoamericana. Muestra contundente las limitaciones de la visión americana predominante de concebir la afro desde la metáfora de la raíz, mientras vamos descubriendo en su lectura la importancia de conocer los desarrollos musicales de ambos continentes desde otra óptica más dialógica. Es además lectura amena, que aprovechará tanto el especialista como un amplio público lector general.ʺ--Back cover.
Paddock ML3486.A1 M668 2018

Read & riot : a Pussy Riot guide to activism
Tolokonnikova, Nadezhda, 1989- author
San Francisco : HarperOne, an imprint of HarperCollins Publishers, [2018]
Rule no. 1: Be a pirate -- Rule no. 2: Do it yourself -- Rule no. 3: Take back the joy -- Rule no. 4: Make your government shit its pants -- Rule no. 5: Commit an art crime -- Rule no. 6: Spot an abuse of power -- Rule no. 7: Don't give up easy. Resist. Organize. -- Rule no. 8: Break out from prison -- Rule no. 9: Create alternatives -- Rule no. 10: Be a (wo)man.

The face of modern protest is wearing a brightly colored ski mask. Nadya Tolokonnikova, founding member of the Russian activist group Pussy Riot, is a creative activist, professional protestor, brazen feminist, shocking visual artist, and force to be reckoned with. Her spontaneous, explosive approach to political action has involved jumping over barbed wire, kissing police officers, giving guerilla performances in crowded subway cars, and going on a hunger strike to protest the abuse of prisoners. She's been horse-whipped by police in Sochi, temporarily blinded when officers threw green paint in her eyes, and monitored by the Russian government. But what made Nadya an activist icon overnight happened on February 21, 2012, when she was arrested for performing an anti-Putin protest song in a Moscow church. She was sent to a Russian prison for 18 months and emerged as an international symbol of radical resistance, as calls to "Free Pussy Riot" resounded around the world. With her emblematic ski mask, black lipstick, and unwavering bravery, Nadya has become an emissary of hope and optimism despite overwhelming and ugly political corruption. Read & Riot is structured around Nadya's ten rules for revolution (Be a pirate! Make your government shit its pants! Take back the joy!) and illustrated throughout with stunning examples from her extraordinary life and the philosophies of other revolutionary rebels throughout history. Rooted in action and going beyond the typical "call your senator" guidelines, Read & Riot gives us a refreshing model for civil disobedience, and encourages our right to question every status quo and make political action exciting--even joyful.
Paddock ML421.P88 T67 2018

An anniversary for Lenny : for solo piano
Corigliano, John, 1938- composer
New York, NY : G. Schirmer, Inc., [2018]
Paddock M25.C67 A66 2018

Stanzas before time : voice (tenor) and harp
Wuorinen, Charles, composer
New York : C. F. Peters, [2018]
Paddock M1624.4.W86 S8 2018

Sonatine for clarinet and piano, 1928
Berkeley, Lennox, 1903-1989, composer
London : Chester Music, [2017]
Paddock M250.B475 S66 2017

L'oiseau de feu : Suite pour orchestre (1919) = The firebird : Suite for orchestra (1919) = Der Feuervogel : Suite für Orchester (1919)
Stravinsky, Igor, 1882-1971, composer
Mainz : Schott, [2018]
Introduction -- L'oiseau de feu et sa danse -- Variation de l'oiseau de feu -- Ronde de princesses -- Danse infernale du roi Kastchei -- Berceuse -- Final.
Paddock M215.S762 Z4 2018

Mahalia Jackson and the black gospel field
Burford, Mark, 1967- author
New York, NY : Oxford University Press, [2019]
Introduction: "Miss Jackson and her art (gospel singing)" -- Family affairs, part I: the Clarks of Louisiana -- Family affairs, part II: Black Baptists and Chicago gospel -- Gospel singing as Black popular culture -- Apollo Records and the birth of religious pop -- Mahalia Jackson's Apollo recordings -- Hearing voices -- Gospel according to Bill Russell -- "Singing comes as natural as breathing": The Mahalia Jackson show -- "The world's greatest gospel singer" -- "I'm still just Mahaly to you all": the meanings of fame.
Paddock ML420.J17 B87 2019

Which side are you on? : 20th century American history in 100 protest songs
Sullivan, James, 1965 November 7- author
New York, NY : Oxford University Press, [2019]
Nonviolence -- Workers unite -- Civil rights -- The rights of women -- The environment -- Freedom of speech -- Gay pride -- Immigration and the "other" -- No nukes -- Into the twenty-first century.

When he emerged from the nightclubs of Greenwich Village, Bob Dylan was often identified as a "protest" singer. As early as 1962, however, Dylan was already protesting the label: "I don't write no protest songs," he told his audience on the night he debuted "Blowin' in the Wind." "Protest" music is largely perceived as an unsubtle art form, a topical brand of songwriting that preaches to the converted. But popular music of all types has long given listeners food for thought. Fifty years before Vietnam, before the United States entered World War I, some of the most popular sheet music in the country featured anti-war tunes. The labor movement of the early decades of the century was fueled by its communal "songbook." The Civil Rights movement was soundtracked not just by the gorgeous melodies of "Strange Fruit" and "A Change Is Gonna Come," but hundreds of other gospel-tinged ballads and blues. In 'Which Side Are You On', author James Sullivan delivers a lively anecdotal history of the progressive movements that have shaped the growth of the United States, and the songs that have accompanied and defined them. Covering one hundred years of social conflict and progress across the twentieth century and into the early years of the twenty-first, this book reveals how protest songs have given voice to the needs and challenges of a nation and asked its citizens to take a stand - asking the question "Which side are you on?" --
Paddock ML3917.U6 S85 2019

Enjoying the operatic voice : a neuropsychoanalytic exploration of the operatic reception experience
Zuccarini, Carlo, author
Wilmington, Delaware : Vernon Press, [2018]
Setting the scene -- A (very) concise history of opera -- The historical tension between words and music in opera - Prima la musica o le parole? -- The ' layers' of opera -- Feminism, queer theory, gender and opera -- Opera at the nexus of psychoanalysis and the neurosciences (neuropsychoanalysis) -- Opera and psychoanalysis -- Applying psychoanalysis to music - some considerations -- The voice and the gaze -- The big 'O' in opera -- Symbolic, imaginary and real -- The operatic voice and the fetish -- The transitional experience of opera -- Music and (neuro)science -- The origins of music and singing -- Music: culture, society, language and memory -- The overlap between the neural processing of music and language -- How music is processed in the brain and enjoyed -- The music and emotion debate -- Music, emotion, gender and sexuality -- The duet between psychoanalysis and neuroscience -- What is the origin and nature of the powerful emotional response that is evoked in some listeners by the operatic voice? -- Does enjoyment of the operatic voice have something erotic about it? -- The reception of the operatic voice: from the neural processing of acoustic input to the subjective experience of vocal jouissance - a theoretical formulation -- Grand finale.

"There has been a long-standing and mutually-informing association between psychoanalysis, literature and the arts. Surprisingly, given the oral/aural basis of the 'talking cure', music has largely been overlooked by psychoanalysis. Notably, neuroscientific research investigating music reception and production has been steadily increasing in range and scope over the years. However, in order to avoid confounding factors, empirical studies have focused primarily on non-vocal music. Remarkably, operatic vocal music has not featured prominently in either field. Yet the multi-dimensional, multi-layered nature of opera, which fuses together a number of different arts, would appear to provide fertile soil for both disciplines. This book aims to fill that gap, providing a stepping stone for further research. It leverages the individual strengths of psychoanalysis and neuroscience both separately and jointly as the inter-discipline of neuropsychoanalysis. By combining various theories of mind with knowledge about music processing in the brain, this book comprehensively examines the operatic reception experience, providing an account in subjective as well as objective terms. It explores the bittersweet enjoyment of operatic vocal music, which can literally move an operaphile to tears. The explanation for this may be found in a number of subjective dynamics that are unique to the reception of opera, rather than in any distinct objective neural processes, which are common to the reception of all music. These subjective dynamics, which are recruited during neural processing, are triggered by the equally unique features of the operatic voice, in combination with a number of auxiliary elements that are specific to opera. This book will be of interest to academics in a broad range of science and arts disciplines related to music perception and performance, such as music psychology and operatic performance. It may also appeal to passionate operaphiles who wish to understand what drives their addiction"--Publisher's description.
Paddock ML1700 .Z83 2018

The Cambridge companion to the harpsichord
edited by Mark Kroll
Cambridge, United Kingdom ; Cambridge University Press, 2019
Paddock ML651 .C36 2019

Discordant notes : marginality and social control in Madrid, 1850-1930
Llano, Samuel, author
New York, NY : Oxford University Press, [2018]
Part I. Rlamenquismo, race, and social disorder. The rise of Flamenquismo in Madrid, 1888-1898 ; Flamenquismo and race ;Flamenco, Flamenquismo, and social control ; Anti-flamenquismo and mass entertainment : Eugenio Noel ; Madrid, Cante Jondo, and nostalgia -- Part II. Organ grinders, "aural hygiene", and space. A public nuisance ; Early debates ; The persecution of organilleros ; A new order? ; The demise and enshrining of organilleros -- Part III. Workhouse bands, confinement, and social aid. Confinement, mendicancy, and the making of the street musician ; Inside the workhouse ; Conquering the public space ; The band and social disorder -- Conclusion.

Scholarship on urban culture and the senses has traditionally focused on the study of literature and the visual arts. Recent decades have seen a surge of interest on the effects of sound the urban space and its population. These studies analyse how sound generates identities that are often fragmentary and mutually conflicting. They also explore the ways in which sound triggers campaigns against the negative effects of noise on the nerves and health of the population. Little research has been carried out about the impact of sound and music in areas of broader social and political concern such as social aid, hygiene and social control. Based on a detailed study of Madrid from the 1850s to the 1930s, Discordant Notes argues that sound and music have played a key role in structuring the transition to modernity by helping to negotiate social attitudes and legal responses to problems such as poverty, insalubrity, and crime. Attempts to control the social groups that own unwanted musical practices such as organ grinding and flamenco performances in taverns raised awareness about public hygiene, alcoholism and crime, and triggered legal reform in these areas. In addition to scapegoating, marginalising and persecuting these musical practices, the authorities and the media used workhouse bands as instruments of social control to spread "aural hygiene" across the city.
Paddock ML3917.S73 L53 2018

The shining : opera in two acts
Moravec, Paul, 1957- composer
[Verona, N.J.] : Subito Music Publishing, [2018]
Paddock M1503.M8288 S4 2018

Six variations for cello
Tower, Joan, 1938- composer
New York : American Composers Alliance, 2017
Paddock M52.T69 V37 2017

Hommagesquisse : per violoncello : (2015)
Fedele, Ivan
Milano : Edizioni Suvini Zerboni, [2018]
Paddock M52.F43 H66 2018

Circles : for piano (1964)
Tower, Joan, 1938- composer
New York : American Composers Alliance, Inc. 2017
Paddock M25.T73 C57 2017

EN : für Viola solo
Huber, Nicolaus A
Wiesbaden : Breitkopf & Härtel, ©2007
Paddock M47.H83 E5 2007

Después de vivir un siglo : una biografía de Violeta Parra
Herrero A., Víctor author
Barcelona : Lumen, noviembre de 2017
Biography of V. Parra (1917-1967), Chilean singer, songwriter, folklorist and visual artist.
Paddock ML420.P26 H37 2017b

8. Sinfonie : Lieder der Vergänglichkeit : für drei Soli (SMezBar), gemischten Chor und Orchester = for three soloists (SMezBar), mixed choir and orchestra (2004-5/2007)
Penderecki, Krzysztof, 1933- composer
Mainz : Schott, [2018]
Nachts / Joseph von Eichendorff -- Ende des Herbstes, 1. Strophe / Rainer Maria Rilke -- Der brennende Baum / Bertold Brecht -- Bei einer Linde / Eichendorff -- Flieder / Karl Kraus -- Frühlingsnacht / Hermann Hesse -- Ende des Herbstes, 2. Strophe / Rilke -- Sag' ich's euch, geliebte Bäume? / Johann Wolfgang von Goethe -- Im Nebel / Hesse -- Der Blütengarten / Hans Bethge -- Abschied / Eichendorff -- Vergänglichkeit / Hesse -- Ende des Herbstes, 3. Strophe / Rilke -- Herbsttag / Rilke -- O grüner Baum des Lebens / Achim von Arnim.
Paddock M1001 .P414 no.8 2018

The bells : for carillon
Wuorinen, Charles, composer
[New York] : Edition Peters, [2018]
Paddock M172.W86 B45 2018

Die Musik bei den Augsburger Reichstagen im 16. Jahrhundert
Kelber, Moritz, 1983- author
München : Allitera Verlag, 2018
Paddock ML275.2 .K45 2018

Tell all the truth : for mezzo-soprano & piano
Moravec, Paul, 1957- composer
[Verona, N.J.] : Subito Music, [2018]
1. I never saw a moor -- 2. The truth -- 3. Wild nights -- 4. My life closed twice -- 5. You left me.
Paddock M1621.4.M653 T45 2018

Ottoni : for brass ensemble
Lindberg, Magnus, 1958- composer
London : Boosey & Hawkes, [2018]
Paddock M957.4.L615 O8 2018

Three songs for (mezzo) soprano and piano
Andriessen, Hendrik, 1892-1981, composer
Rijswijk : Donemus, [2017]
What shall I do : (1913) / text: Mary Clemmer (approximately 1:30) -- Cantilena della madre per il figlio malato : (1943) / text: Angiolo Silvio Novaro (approximately 5:15) -- Luci serene : (1966) / text: Ridolfo Arlotti (approximately 2:00).
Paddock M1620.A53 S66 2017

Talea : for solo cello (1997)
Parsons, Michael, 1938-
Lebanon, NH : Frog Peak Music, [2018]
Paddock M52.P277 T35 2018

La serpiente do oro = (The golden serpent) : tuba
Abbinanti, Frank, composer
Lebanon, NH : Frog Peak Music, [2018]
Paddock M97.A225 S47 2018

Cola de lagartiji = (The lizard's tail) : tuba
Abbinanti, Frank, composer
Lebanon, NH : Frog Peak Music, [2018]
Paddock M97.A225 C65 2018

Unengraced : for two flutes
La Berge, Ann, composer
Lebanon, NH : Frog Peak Music, [2007?]
Paddock M289.L23 U5 2007z

Die traurig Stein = The sad stone : tuba
Abbinanti, Frank, composer
Lebanon, NH : Frog Peak Music, [2018]
Paddock M97.A225 T73 2018

No. 16 : for solo piano
Ayres, Richard, 1965-
Lebanon, NH : Frog Peak Music, 1994
Paddock M25.A974 N6 1994

Vocalize : a large number of voices
Corner, Philip
Lebanon, NH : Frog Peak Music, 2002, ©1961
Paddock M1470.C67 V63 2002

I︠A︡zykovai︠a︡ lichnostʹ muzykanta : Aleksandr Skri︠a︡bin, Klod Debi︠u︡ssi : monografii︠a︡
Sedykh, A. P. author
Belgorod : Izdatelʹskiĭ dom "Belgorod" : 2016
Paddock ML410.S5988 S439 2016

Making music American : 1917 and the transformation of culture
Bomberger, E. Douglas, 1958- author
New York, NY : Oxford University Press, [2018]
Prologue-New Year's Eve 1916 -- The old order-January 1917 -- Anxiety-February 1917 -- Noise-March 1917 -- Explosions-April 1917 -- Middle America-May 1917 -- Winding up-June 1917 -- Summer-July-August 1917 -- Anticipation-September 1917 -- Preparation-October 1917 -- Implosions-November 1917 -- Fallout-December 1917 -- Epilogue-New Year's Day.
Paddock ML200.5 .B66 2018

Piano pieces (1983-2000)
Asplund, Christian, 1964-
Lebanon, NH : Frog Peak Music, 2008, [2018]
Paddock M25.A87 P53 2018

Nana & Victorio : for solo percussionist
Garland, Peter, 1952-
[United States : publisher not identified] ; [1991?]
1. Victorio -- 2. Dress for war -- 3. The Incorrigibles -- 4. Geronimo -- 5. Nanay -- 6. Nana & Victorio.
Paddock M146.G37 N3 1991

Czech owls, too (after Leos Janacek) : for solo piano (2015-16)
Richards, Eric, 1935-
[Lebanon, NH] : [Frog Peak Music], [2017]
Paddock M25.R484 C94 2017

James Brown : black and proud
Fauthoux, Xavier, author,
San Diego, CA : IDW, 2018
"Born in the South during the height of segregation, James Brown went on to become a global sensation, using his immeasurable talent to grasp what he believed was the American Dream. Join the charismatic, hard working, and sometimes tyrannical bandleader on a journey down the roads of America with a group of talented musicians spreading the sound of funk and soul throughout the country. Told against the backdrop of a changing America during the Civil Rights era of the 1960s, this is the story of a man and his band that would go on to revolutionize the world of pop music."--Back cover.
Paddock ML420.B818 F3813 2018

Transcendental sonnets : (on poems by James Very) : SATB chorus and piano
Gann, Kyle, composer
Lebanon, NH : Frog Peak Music, [2016]
The son -- Enoch -- Love -- Faith -- The word.
Paddock M1533.G35 T73 2016

A glass clown : voice and piano
Báthory-Kitsz, Dennis, 1949-
Lebanon, NH : Frog Peak Music, [2011]
Paddock M1621.B375 G53 2011

Il quarto libro de' concerti : a due, tre, quattro e cinque voci con due Messe e Magnificat a 4 e 5 : opera settima : Milano 1642
Trabattone, Egidio, -approximately 1650, composer
Padova : Centro Studi Antoniani, 2012
A due voci. Saluto te, o bone Iesu ; Laetare exulta ; Ave suprema Virginum ; Rosa vernans ; Sanctifica me ; Dulce est et iucundum ; Veni amor ; Sagitasti cor meum ; In caelis iubilant Sancti ; O Iesu mi dulcissime ; Lauda, Sion, Salvatorem -- A tre voci. Ardebat igne ; Veni, dilecta mea ; Laetentur caeli ; Quam pulchri sunt ; Ave mundi spes, Maria -- A quattro voci. Egredimini, fideles ; Festivis gaudiis ; Venite gentes ; Te virgo lilium / Bartolomeo Trabattone ; O quam pulchra ; Messa breve ; Magnificat primo tono -- A cinque voci. Festiva vox psallentium ; Gaudete, filiae Sion ; Messa concertata ; Magnificat primo tono.
Paddock M3.1.T73 C663 2012

La vie-- ulcérant(e) : für zwei Countertenöre und kleines Ensemble : 1995
Neuwirth, Olga, 1968-
München : Ricordi, [20--?], ©1995
Paddock M1528.N48 V5 2000z