M - Music Acquisitions during November 2018

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Werke für gemischten Chor a cappella. I
Reger, Max, 1873-1916, composer
Stuttgart : Carus Verlag, [2018]
Tantum ergo in g, WoO VI/2 -- Gloriabunter in te omnes, WoO VI/3 -- Sechs ausgewählte Volkslieder, WoO VI/10 -- Acht ausgewählte Volkslieder, WoO VI/11 -- Drei Chöre, op. 39 -- Maria, Himmelsfreud, WoO VI/12 -- Zwölf deutsche geistliche Gesänge, WoO VI/13 -- Sieben geistliche Volkslieder, WoO VI/14 -- Der evangelische Kirchenchor, WoO VI/17 -- Acht "Tantum ergo", op. 61a -- Acht Marienlieder, op. 61d -- Sechs Trauergesänge, op. 61g -- Acht Grabgesänge, WoO VI/15 -- Palmsonntagmorgen, WoO VI/18 -- Komm, Heiliger Geist, WoO VI/19 -- Kompositionen, op. 79f.
Paddock Ref M3.1.R43 W47 2010 Abt.2 Bd.8

Exit music : for orchestra (2006-07)
Sørensen, Bent, 1958- composer
Copenhagen : Wilhelm Hansen, [2018]
Paddock M1045.S68 E95 2018

Den lille havfrue = The little mermaid : for soprano solo, tenor solo, girl's choir and orchestra : (2004-2005)
Sørensen, Bent, 1958- composer
[Copenhagen] : Edition Wilhelm Hansen, [2018]
Stormen = The tempest -- Stilheden = The silence -- Festen = The party.
Paddock M1543.S67 L55 2018

It is pain flowing down slowly on a white wall : for accordion and strings (2010-11)
Sørensen, Bent, 1958- composer
Copenhagen : Edition Wilhelm Hansen, [2018]
Paddock M1040.S65 I8 2018

Lacrymae : for orchestra, 1984
Sørensen, Bent, 1958-
Copenhagen : Wilhelm Hansen, ©1993
Paddock M1045.S68 L3 1993

Diluvium universale : (Dialogo del Noë)
Carissimi, Giacomo, 1605-1674, composer
Roma : Istituto Italiano per la Storia della Musica, 2010
Paddock M2000.C27 D5 2010

Interconnecting music and the literary word
edited by Fausto Ciompi, Roberta Ferrari and Laura Giovannelli
Newcastle upon Tyne : Cambridge Scholars Publishing, 2018
Paddock ML79 .I58 2018

Flight : flute and electronic sound : (1989)
Sims, Ezra, 1928-2015
Lebanon, NH : Frog Peak Music, [2013?]
Paddock M298.S567 F55 2013

Drüber --- : für acht aktive Schreier, Violoncello, Synthesizer und Tonband : 1972-73
Stäbler, Gerhard, 1949-
Hanover, NH : Distributed by Frog Peak Music, a composers' collective, [between 1980 and 1993]
Paddock M1528.S73 D7

There is no tune : for chamber chorus
Berio, Luciano, 1925-2003, composer
Milano : Ricordi, [2018]
Paddock M1531.B47 T54 2018

The last violin : for violin and piano
Del Tredici, David, composer
New York : Boosey & Hawkes, [2014]
Paddock M221.D344 L3 2014

Symphony no. 2 for large orchestra
Diamond, David, 1915-2005, composer
New York : Peermusic Classical, [between 2010 and 2018?]
Paddock M1001 .D47 no.2 2010z

Symphony no. eleven (1989-1991)
Diamond, David, 1915-2005, composer
New York : Peer International, [2016]
Commissioned by the Philharmonic Society of New York for its 150th anniversary.
Paddock M1001 .D47 no.11 2016

Symphony no. 1 for large orchestra
Diamond, David, 1915-2005, composer
New York ; Hamburg : [2015?]
Paddock M1001 .D47 no.1 2015

Songs of social protest : international perspectives
edited by Aileen Dillane, Martin J. Power, Eoin Devereux, and Amanda Haynes
London ; Rowman & Littlefield International, [2018]
Paddock ML3916 .S658 2018

Symphony no. 7, for large orchestra
Diamond, David, 1915-2005, composer
New York : Southern Music Publishing Co., Inc. : [between 2010 and 2017?]
Paddock M1001 .D47 no.7 2010z

Michael Jackson : on the wall
Cullinan, Nicholas, editor,
London : National Portrait Gallery, [2018]
The last modernist / Nicholas Cullinan -- A life and afterlife of shape-shifting / Margo Jefferson -- Michael, before and after / Zadie Smith --- Plates / Lucy Dahlsen -- Timeline / Lucy Dahlsen -- Artist biographies / Helena Cuss.

Michael Jackson is one of the most influential cultural figures to come out of the 20th century and his legacy continues into the 21st century. His significance is widely acknowledged when it comes to music, music videos, dance, choreography and fashion, but his considerable influence on contemporary art is an untold story. Since Andy Warhol first used his image in 1982, Jackson has become the most depicted cultural figure in visual art by an extraordinary array of leading contemporary artists. For the first time, Michael Jackson: On the Wall will bring together the works of over forty of these artists, drawn from public and private collections around the world, including new works made especially for the exhibition.
Paddock ML88.J25 C85 2018

Symphony no. 5 : for large orchestra
Diamond, David, 1915-2005, composer
New York : Southern Music Publishing Co., Inc. : 1968
Paddock M1001 .D47 no.5 1968

Symphony no. 3 : for large orchestra
Diamond, David, 1915-2005, composer
New York : Southern Music Publishing Co, Inc. : 1969
Paddock M1001 .D47 no.3 1969

Hexadactyl : for guitar
Wuorinen, Charles, composer
Leipzig : Edition Peters, [2018?]
Paddock M127.W86 H49 2018

Fantasy suite : for solo guitar
Schuller, Gunther, composer
New York, NY : Associated Music Publishers, Inc., [2018]
Sarabande -- Fantasia parodistica -- Forlana -- Toccata.
Paddock M127.S48 F36 2018

An orbicle of jasp : for cello and piano : (1998-1999)
Wuorinen, Charles, composer
[New York] : C. F. Peters, [2018]
In one movement. A challenging and complex work.
Paddock M233.W86 O73 2018

Broken beauty : musical modernism and the representation of disability
Straus, Joseph Nathan, author
New York, NY : Oxford University Press, [2018]
Representing disability -- Narrating disability -- Stravinsky's aesthetics of disability -- Madness -- Idiocy -- Autism -- therapeutic music theory and the tyranny of the normal.
Paddock ML3877 .S77 2018

Toccata per pianoforte
Fedele, Ivan, composer
Milano : Edizioni Suvini Zerboni, [2018]
Paddock M25.F43 T63 2018

Sonata for solo piano
Diamond, David, 1915-2005, composer
New York : Peermusic Classical, [2017?]
Paddock M23.D541 S66 2017

Solastalgia : for piccolo flute and orchestra (2016)
Tüür, Erkki-Sven, 1959- composer
Leipzig : Edition Peters, [2018?]
Paddock M1034.P5 T88 2018

Le poids des vies non vécues : for orchestra
Tüür, Erkki-Sven, 1959- composer
Leipzig : Edition Peters, [2018?]
Paddock M1045.T97 P65 2018

Kadenzen : Konzert für Violine und Orchester von György Ligeti = Cadenzas : Concerto for violin and orchestra by György Ligeti : (2011)
Adès, Thomas, composer
Mainz : Schott, [2018]
Paddock M1012.5.L54 A34 2018

Sonata no. 2 : for violin and piano
Diamond, David, 1915-2005, composer
New York : G. Schirmer, [1982]
Paddock M219 .D53 no.2 1982

Sonata for violin and piano
Diamond, David, 1915-2005
New York : G. Schirmer ; [198-?], ©1950
Paddock M219.D53 no.1 1980z

Psalm for large orchestra
Diamond, David, 1915-2005, composer
New York ; Peermusic Classical, [2015?]
Paddock M1045.D53 P73 2015

Concert piece for orchestra,1939
Diamond, David, 1915-2005
New York : Peer Music ; [2007?]
Paddock M1045.D53 C66 2007

Concerto for small orchestra
Diamond, David, 1915-2005
New York : Southern Music ; ©1970
I) Fanfare -- Prelude and fugue 1 -- II) Prelude and fugue 2 -- Interlude -- Transition -- Fanfare (Coda).
Paddock M1042.D53 C66 1970

Concerto, for piano and orchestra. Reduction for 2 pianos
Diamond, David, 1915-2005
New York, Southern Music Pub. Co. [1966] Pl.no. 968-62
Paddock M1011.D53 C66 1966

This sacred ground : a setting of Abraham Lincoln's Gettysburg Address : for mixed and children's choruses, baritone solo and orchestra
Diamond, David, 1915-2005, composer
New York : Peermusic, [2015?]
Paddock M1533.D53 T45 2015

Música y construcción de identidades : poéticas, diálogos y utopías en Latinoamérica y España
Victoria Eli Rodríguez, Elena Torres Clemente (eds.)
Madrid : Sociedad Española de Musicología, 2018
Paddock ML199 .M8815 2018

Heinrich Neuhaus : a life beyond music
Razumovskaya, Maria, author
Rochester, NY : University of Rochester Press, 2018
Cosmopolitan wanderings -- A return to Russia -- Becoming a poet of a belated silver age -- Heinrich the great: between Russian and international musings -- Not ordinary pedagogy.

"Heinrich Neuhaus (1888-1964) was one of the most charismatic and sought after pianist-pedagogues of the twentieth century, earning a formidable reputation in the West as one of the pillars of Russian pianism through the success of his star pupils Emil Gilels and Sviatoslav Richter, and his book About the Art of Piano Playing. Maria Razumovskaya's book is the first critical study of this masterful artist. It explores what went on in his teaching studio but also seeks to understand the vibrant circumstances that underpinned Neuhaus's unique outlook and approach. These circumstances include his formative years of study in Europe alongside Karol Szymanowski (his cousin) and the renowned pianist Artur Rubinstein, the turbulence of life during the Russian Civil War, Neuhaus's meteoric rise to fame in Moscow, and his lifelong friendship with the poet Boris Pasternak. The book draws on previously unseen documents relating to Neuhaus's arrest and imprisonment in the infamous Lubyanka for criticizing the Soviet regime. By revealing how these influences helped form Neuhaus's distinct vision of a performer's subjectivity - what he called an artist's autopsychography - the book emphasizes important aesthetic principles and practices that were adopted by creative artists eager to escape the banality and limitations imposed by Socialist Realism. Maria Razumovskaya is a recital pianist and researcher, and teaches at the Guildhall School of Music and Drama."--Provided by publisher.
Paddock ML417.N34 R39 2018

Quattro cantate per soprano e basso continuo con violini
Benedetti, Francesco Maria, 1683-1749, composer
Padova : Centro Studi Antoniani, 2018
Verdi erbette e vaghi fiori -- Mie pupille dolenti -- Piansi, è ver -- Del Golgota sull'alte, orride cime.
Paddock M1613.3.B46 C36 2018

Elegy in memory of Maurice Ravel, for string orchestra and percussion
Diamond, David, 1915-2005
New York, Southern Music Pub. Co. [1950]
Paddock M1160.D53 E44 1950

Missa H-Moll BWV 232¹
Bach, Johann Sebastian, 1685-1750
Neuhausen-Stuttgart : Hänssler-Verlag, 1983
Paddock ML96.5 .B186 1983

Music and the moderni, 1300-1350 : the ars nova in theory and practice
Desmond, Karen, author
Cambridge, United Kingdom ; Cambridge University Press, 2018
1. Introduction -- 2. Subtilitas and the ars nova -- 3. Jean des Murs, Quadrivial Scientist -- 4. Arts Old and New -- 5. From Trees to Degrees -- 6. Notational Dots and the Line of Musical Time -- Epilogue.

Music theorists labelled the musical art of the 1330s and 1340s as 'new' and 'modern'. A close reading of writings on music theory and the polyphonic repertory from the first half of the fourteenth century reveals a modern musical art that arose due to specific innovations in music notation. The French ars nova employed as its theoretical fundament a new system for arranging musical time proposed by the astronomer and mathematician Jean des Murs. Challenging prevailing accounts of the ars nova, this book presents the 'new art' within the intellectual context of its time, revises the datings of Jean des Murs's writings on music theory, and presents the intersection of theory and practice for a crucial era in the history of music. Through contemporaneous accounts, Desmond explores how individuals were involved in 'changing' music in early fourteenth-century France, and the technical developments they pursued that precipitated this stylistic change.
Paddock ML172 .D47 2018

Mnemosyne : Erinnerung und Vergessen : für Sopran, 18 Streicher und Schlagzeug = for soprano, 18 strings and percussion
Ruzicka, Peter, 1948- composer
Hamburg : Sikorski, [2016]
Paddock M1613.3.R99 M64 2016

Vampyrotheone : für drei Solisten und drei Ensembleformationen, 1995
Neuwirth, Olga, 1968- composer
München : Ricordi, [2013], ©1995
Paddock M985.N48 V36 2013

The Haskell school of music : from signals to symphonies
Hudak, Paul, author
Cambridge, United Kingdom ; Cambridge University Press, 2018
This book explores the fundamentals of computer music and functional programming through the Haskell programming language. Functional programming is typically considered difficult to learn. This introduction in the context of creating music will allow students and professionals with a musical inclination to leverage their experience to help understand concepts that might be intimidating in more traditional computer science settings. Conversely, the book opens the door for programmers to interact with music by using a medium that is familiar to them. Readers will learn how to use the Euterpea library for Haskell (http://www.euterpea.com) to represent and create their own music with code, without the need for other music software. The book explores common paradigms used in algorithmic music composition, such as stochastic generation, musical grammars, self-similarity, and real-time interactive systems. Other topics covered include the basics of signal-based systems in Haskell, sound synthesis, and virtual instrument design.
Paddock ML74.4.H37 H84 2018

Spleen III : für baritonsaxofon (1994/2000)
Neuwirth, Olga, 1968-
Munich : Ricordi Germany 2005, [2018]
Paddock M107.N48 S65 2018

The Doctor Faustus dossier : Arnold Schoenberg, Thomas Mann, and their contemporaries, 1930-1951
edited by E. Randol Schoenberg ; with an introduction by Adrian Daub ; translated by Adrian Feuchtwanger and Barbara Zeisl Schoenberg
Oakland, California : University of California Press, [2018]
Introduction : Californian haunting : Mann, Schoenberg, Faustus / Adrian Daub -- Letters, diaries, etc. (1930-1948) -- Letters, diaries, etc. (1948-1951) -- Additional reading -- Appendices.

"This complete edition of letters and documents between Arnold Schoenberg and Thomas Mann brings together two towering figures of twentieth-century music and literature, both of whom found refuge in Los Angeles during the Nazi era. Culminating in the famous dispute over Mann's novel Doctor Faustus, the correspondence, diary entries, and related articles provide a glimpse inside the private and public lives of these two great artists, the outstanding figures of the German-exile community in California. In the thicket of the controversy was Theodor Adorno, then a budding philosopher, whose contribution to the Faustus affair would make enemies of both families. Gathered here for the first time in English, the letters in this essential volume are complemented by rich primary source materials and an introduction by Germanic scholar Adrian Daub that contextualizes the impact the artists had on twentieth-century thought and culture"--Provided by publisher.
Paddock ML410.S283 A4 2018

Anthèmes 1 : pour violon seul (1992) : transposition pour alto seul (2008)
Boulez, Pierre, 1925-2016, composer
Wien : Universal Edition, [2017]
Paddock M49.B68 A58 2017

Totentanz : for mezzo-soprano, baritone and orchestra : (2013)
Adès, Thomas, composer
London : Faber Music Ltd, [2017]
Paddock M1528.A24 T68 2017

Chaconne for orchestra (1986-7)
Matthews, David, 1943-
London : Faber Music, 1990
Paddock M1045 .M458 op.43 1990

Suite für Theremin und Ensemble (1999) : aus "Bählamms Fest"
Neuwirth, Olga, 1968- composer
München : Ricordi, [2013]
Paddock M1003.N53 B35 2013

Nova/Minraud : für Sopran und elektronische Zuspielung : 1998
Neuwirth, Olga, 1968- composer
München : Ricordi, [2012]
Paddock M1613.3.N48 N68 2012

Nocturne op. 33 pour piano = für Klavier = for piano : (1907)
Kœchlin, Charles, 1867-1950, composer
Mainz : Schott, [2017]
Paddock M25 .K63 op.33 2017

Konzert für Viola und Orchester = Concerto for viola and orchestra
Sperger, Johann Matthias, 1750-1812, composer
Schwerin : Edition Massonneau, [2018]
Paddock M1014.S64 C66 2018

Six sonates pour deux bassons, violoncelles, ou violes, suivies d'un nombre de pieces qui peivent se jouer seul. & facilement = Duette für zwei Fagotte, Violoncelli oder Viole da gamba und eine Suite für ein Bassinstrument und Basso continuo
Boismortier, Joseph Bodin de, 1689-1755, composer
Bremen : Edition Baroque, [2018]
Sonata I [D minor] -- Sonata II [B♭ major]) -- Sonata III [E minor] -- Sonata IV [A major] -- Sonata V [G minor] -- Sonata VI [F major] -- Suite de pièces qu'on peut jouer seul.
Paddock M254.B64 S66 2018

Utwory zebrane na fortepian = Collected pieces for piano. Vol. 2
Zarzycki, Aleksander, 1834-1895, composer
Gdynia : Eufonium, [2018]
Deux nocturnes, op. 10 no. 1 ; no. 2 -- Deux morceaux, op. 19 no. 1 (Chant d'amour) ; no. 2 (Barcarolle) -- Deux morceaux, op. 24 no. 1 (Sérénade) ; no. 2 (Valse-impromptu) -- Trois morceaux, op. 34 no. 1 (Chant du printemps) ; no. 2 (Romance) ; no. 3 (En valsant) -- Berceuse (Dernière pensée musicale).
Paddock M22.Z37 U892 2018

Extensions : for trumpet and tape
Dodge, Charles, 1942-
Lebanon, NH : Frog Peak Music, [2009?]
Paddock M87.D64 E9 2009

Springer handbook of systematic musicology
Rolf Bader (Ed.)
Cham, Switzerland : Springer Verlag, [2018]
Systematic musicology : a historical interdisciplinary perspective / Albrecht Schneider -- Part A. Musical acoustics and signal processing: Vibrations and waves ; Waves in two and three dimensions / Wilfried Kausel -- Construction of wooden musical instruments / Chris Waltham, Shigeru Yoshikawa -- Measurement techniques / Thomas Moore -- Some observations on the physics of stringed instruments / Nicholas Giordano -- Modeling of wind instruments / Benoit Fabre, Joël Gilbert, Avraham Hirschberg -- Properties of the sound of flue organ pipes / Judit Angster, András Miklós -- Percussion musical instruments / Andrew C. Morrison, Thomas D. Rossing -- Musical instruments as synchronized systems / Rolf Bader -- Room acoustics : fundamentals and computer simulation / Michael Vorländer.

Systematic musicology is a highly interdisciplinary field, which it was ever since its ancient origins with philosophers like Pythagoras, Archytas of Tarrent or Aristoxenos. Here the connection between music, mathematics, geometry, astronomy, well-being, politics and other fields were discussed. Today the topics discussed range from musical acoustics and philosophy to musical applications in modern music production and distribution, next to many related topics. Still the aim of the discipline is to understand music, its production and perception, its cultural, historical and philosophical background in a systematic way. The 'Handbook of systematic musicology' is trying to reflect this interdisciplinary nature.
Paddock ML12 .S6756 2018

Dixie Dewdrop : the Uncle Dave Macon story
Doubler, Michael D. 1955- author
Urbana : University of Illinois Press, [2018]
Paddock ML420.M13858 D68 2018

Fantasia for brass quintet and organ (2013)
Bolcom, William, composer
New York : Edward B. Marks Music Company : [2017]
Introit and dance -- Canzonetta -- Caprice Canadien -- Cavatina -- Fugato giocoso.
Paddock M602.B65 F36 2017

Tractatus de tonis = Treatise on the tones
Guido, de Sancto Dionysio, author
Kalamazoo, Michigan : Medieval Institute Publications, Western Michigan University, [2017]
Paddock MT5.5 .G85 2016

Fondamenta : Hommage à Joseph Brodsky : für Bassklarinette, Baritonsaxophon und Violoncello
Neuwirth, Olga, 1968-
München : Ricordi, [2011], 1998
Paddock M362.N48 F66 2011

Cantos : B♭clarinet, English horn, flute, oboe, Horn in F, two violins, viola, violoncello, contrabass
Paccione, Paul
Lebanon, NH : Frog Peak Music, 1997
Paddock M1045.P33 C36 1997

Quintet for clarinet, 2 violas, and 2 'cellos
Diamond, David, 1915-2005
New York : Southern Music Pub. Co., ©1957
Paddock M562.D53 Q5 1957

Roses are falling : 5 songs for mezzo-soprano and piano (1998)
Sørensen, Bent, 1958- composer
[Copenhagen] : Edition Wilhelm Hansen, [2018]
Paddock M1621.S67 R67 2018

Konzert in e für Violine und Orchester = Concerto in E minor for violin and orchestra, op. 64 : 1844/1845
Mendelssohn-Bartholdy, Felix, 1809-1847, composer
Kassel : Bärenreiter, [2018]
Paddock M1012 .M37 op.64 2018

La libertà : a farewell song for Faustina Bordoni : soprano voice, violin and basso continuo
Greene, Maurice, 1696-1755, composer
Launton : Edition HH Ltd, [2018]
Paddock M1621.3.G74 L5 2018

Tre duetti concertanti : per due clarinetti, op. 7 = Three duets for two clarinets
Gambaro, Vincenzo, 1785-1828, composer
Winterthur, Schweiz : Amadeus Verlag, 2018
Paddock M289 .G36 op.7 2018

Sechs Klaviersonaten = Six piano sonatas, op. 40
Franck, Eduard, 1817-1893, composer
Wiesbaden : Breitkopf & Härtel, [2018]
1. Sonate F-Dur (op. 40, no. 1) -- 2. Sonate C-Dur (op. 40, no. 2) -- 3. Sonate g-Moll (op. 40, no. 3) -- 4. Sonate Es-Dur (op. 40, no. 4) -- 5. Sonate F-Dur (op. 40, no. 5) -- 6. Sonate c-Moll (op. 40, no. 6).
Paddock M23 .F736 op.40 2018

VIII. symfonie G Dur = Symphony no. 8 in G major = Symphonie Nr. 8 in G, op. 88
Dvořák, Antonín, 1841-1904, composer
Kassel : Bärenreiter, [2018]
Allegro con brio -- Adagio -- Allegretto grazioso -- Allegro ma non troppo.
Paddock M1001 .D97 op.88 2018

Hymne au soleil : solo A, chœur (SATB), piano = Hymn to the sun : solo A, coro (SATB), piano : LB 24
Boulanger, Lili, 1893-1918, composer
Stuttgart : Carus, [2018]
Paddock M1552.B68 H9 2018

Die lustigen Weiber von Windsor
Nicolai, Otto, 1810-1849
[Berlin, Germany] : Brilliant Classics, [2013]
Disc 1. Act 1 ; Act 2 beginning -- disc 2. Act 2 conclusion ; Act 3.
Paddock Compact Disc M1500.N535 L88 2013

Telluride Bluegrass Festival : forty years of festivation
Mustard, Pastor, author
Lyons, Colorado : Planet Bluegrass, ©2014
Paddock ML3520 .M87 2014

Three poems by Wallace Stevens : for speaker, B♭ clarinet and percussion
Feldman, Barbara Monk, 1953-
Lebanon, NH : Frog Peak Music, ©1997, [2000]
Mozart, 1935 -- The sun this March -- The owl in the sarcophagus.
Paddock M1625.F44 P6 2000z

Empty notes
Wilkinson, Clive (Composer), composer
Lebanon, NH : Frog Peak Music, [2012]
Paddock M385.W55 E57 2012

La Verge de Palau-solità : Sardana : [for] piano
Blancafort, Manuel, 1897-1987
Barcelona : Editorial de Música Boileau, 2017
Paddock M25.B556 V47 2017

Voci : (Orchesterübung 1972-1973) : Partitura
Donatoni, Franco, 1927-2000
Milano : Edizioni Suvini Zerboni, ©1973, [2012]
Paddock M1045.D66 V63 2012

Sardana simfònica : piano
Blancafort, Manuel, 1897-1987, composer
Barcelona : Editorial de Música Boileau, [2017]
Paddock M35.B53 S27 2017

Punk crisis : the global punk rock revolution
Patton, Raymond A., author
New York, NY : Oxford University Press, [2018]
Introduction -- Punk ethnoscapes : New York-London-Kingston-Berlin-Warsaw-New York -- Prophets of Postmodern provocation -- Subcultural capital -- The politics of aesthetics : punk in the East and West -- Thatcher, Reagan, Jaruzelski -- Punk Tiermondisme, punk tribalism, and the late Cold War roots of antiglobalization -- Culture wars -- 1989 : conculsion and epilogue.
Paddock ML3534 .P375 2018

Singing the congregation : how contemporary worship music forms evangelical community
Ingalls, Monique Marie, author
New York, NY : Oxford University Press, [2018]
Introduction : Music making congregations : Contemporary worship music and evangelical modes of congregating -- Making Jesus famous : The quest for an authentic worship experience in the concert congregation -- Singing heaven down to Earth : The conference congregation as pilgrim gathering and eschatological community -- Finding the church's voice : Contemporary worship as musical positioning in a Nashville church congregation -- Bring worship to the streets : The praise march as public congregation -- Worship on screen : Building networked congregations through audiovisual worship media -- Conclusion : Worship music on national and global stages : The mainstream model and its alternatives.
Paddock ML3187.5 .I65 2018

Indian string musical instruments making & makers
Banerjee, Kaushik, author
Kolkata : Parul, 2017
Paddock ML842.I4 B36 2017

Rave on : global adventures in electronic dance music
Collin, Matthew, author
Chicago : The University of Chicago Press, [2018]
Introduction: Let the music use you -- Techno cities #1: Detroit -- Techno cities #2: Berlin -- Fantasy island: Ibiza -- Electric dream machine: Las Vegas -- House nation: South Africa -- Interlude: Pirates of the Black Sea -- Temporary autonomous zone: France -- The party at the end of the road: Israel -- The outer limits: Shanghai -- Aliens in the desert: Dubai -- The promised land: New York.
Paddock ML3540.5 .C67 2018

Pastorel-la : piano
Blancafort, Manuel, 1897-1987, composer
Barcelona : Editorial de Música Boileau, [2017]
Paddock M25.B556 P37 2017

Hommage à Fauré : piano
Blancafort, Manuel, 1897-1987, composer
Barcelona : Editorial de Música Boileau, [2017]
Paddock M25.B556 H66 2017

Lustige Variationen : über das Volkslied "Hab mein' Wagen vollgeladen" : für Klarinette, Fagott und Klavier
Dessau, Paul, 1894-1979, composer
Leipzig : Edition Peters, [2018]
Paddock M317.D477 L8 2018

Selected anniversaries for piano
Bernstein, Leonard, 1918-1990, composer
New York : Boosey & Hawkes, [2018]
From Seven anniversaries: For Aaron Copland ; In memoriam: Alfred Eisner ; In memoriam: Nathalie Koussevitzky ; For Sergei Koussevitzky ; For William Schuman -- From Four anniversaries: For Felicia Montealegre ; For Johnny Mehegan -- From Five anniversaries: For Elizabeth Rudolf ; For Lukas Foss ; For Susanna Kyle -- From Thirteen anniversaires: For Shirley Gabis Rhoads Perle ; For Stephen Sondheim ; For Craig Urquhart ; For Leo Smit ; In memoriam: Helen Coates ; In memoriam: Ellen Goetz.
Paddock M22.B476 P53 2018

Sacri musicali affetti : opus 5
Strozzi, Barbara, 1619-1677, composer
[Los Alamos, New Mexico?] : Cor Donato Editions, [2016]
1. Mater Anna -- 2. In medio maris -- 3. Gaude Virgo -- 4. Salve, sancta caro -- 5. Hodie oritur -- 6. Erumpebat -- 7. O Maria -- 8. Parasti in dulcedine -- 9. Erat Petrus -- 10. Surgite, surgite -- 11. Salve Regina -- 12. Nascente Maria -- 13. Oleum effusum -- 14. Iubilemus.
Paddock M2113.S87 S23 2016

Ideology in Britten's operas
Harper-Scott, J. P. E. 1977- author
Cambridge, United Kingdom ; Cambridge University Press, 2018
Part I : Mappa mundi. Defining ideology ; Ideological narratives -- Part II : The ship of state. From manifest violence to its historical sediment ; The occultation of history -- Part III. New world. Women and children ; A shadow falls on castle walls.

This thematic examination of Britten's operas focuses on the way that ideology is presented on stage. To watch or listen is to engage with a vivid artistic testament to the ideological world of mid-twentieth-century Britain. But it is more than that, too, because in many ways Britten's operas continue to proffer a diagnosis of certain unresolved problems in our own time. Only rarely, as in Peter Grimes, which shows the violence inherent in all forms of social and psychological identification, does Britten unmistakably call into question fundamental precepts of his contemporary ideology. This has not, however, prevented some writers from romanticizing Britten as a quiet revolutionary. This book argues, in contrast, that his operas, and some interpretations of them, have obscured a greater social and philosophical complicity that it is timely - if at the same time uncomfortable - for his early twenty-first-century audiences to address. --
Paddock ML410.B853 H37 2018