N - Fine Arts Acquisitions during August 2017

New Acquisitions > August 2017 > N - Fine Arts

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日本画家研究の実験室 / 吉田俊英
吉田俊英, 1949- author
Nagoya-shi : Chūnichi Shinbunsha, 2015
Baker Berry Japan ND1058 .Y675 2015

Almost nothing : observations on precarious practices in contemporary art
Dezeuze, Anna, author
Manchester : Manchester University Press, 2017
Introduction : almost nothing -- Junk aesthetics in a throwaway age -- 'At the point of imperceptibility' -- 'Good-for-nothing' -- Joins in the age of 'liquid modernity' -- Futility and precarity -- Postscript : on the humanism of precarious works.
Sherman N6490 .D439 2017

傅雷谈艺录 : 增订本 / 傅敏编
傅雷, 1908-1966, author
Beijing : Sheng huo, du shu, xin zhi san lian shu dian, 2016
Baker Berry East Asian NX620 .F77 2016

JapanAmerica : points of contact, 1876-1970
Nancy E. Green, Neil Harris, Hina Hirayama, Christopher Reed, Steve Ridgely, Alicia Volk, Bert Winther-Tamaki ; edited by Nancy E. Green and Christopher Reed
Ithaca, New York : Herbert F. Johnson Museum of Art, Cornell University, [2016]
"The Herbert F. Johnson Museum of Art is delighted to present 'JapanAmerica: Points of Contact, 1876-1970', which explores the role of artistic exchanges in Japanese-American relations through the lens of international expositions, those 'world's fairs' that periodically give countries the opportunity to show off the best and most innovative aspects of their contemporary culture to hundreds of thousands of visitors. It highlights the cross-cultural dialogue that developed between Japan and the United States over nearly a century, providing a stunning visual overview of the powerful influence that Japanese aesthetics had on American avant-garde painting, printmaking, decorative art, and design. Through a wide selection of outstanding artworks and the re-creation of several ephermeral displays shown at various fairs, 'JapanAmerica' vividly illustrates American perceptions of Japan and the ways that these perceptions were conditioned by Japan's contributions to international expositions. The show chronicles the changes within the two cultures as the world's artistic, political, and social landscape underwent major upheavals."
Sherman N6510 .J37 2016

French moderns : Monet to Matisse, 1850/1950
edited by Richard Aste and Lisa Small ; texts by Richard Aste, Lisa Small, Cora Michael, Jai Imbrey, and Jessica Larson
New York, NY : Scala Arts Publishers, Inc. and Brooklyn Museum, 2017
Sherman N6848.5.M63 B76 2017

汉代绘画形态中的循环因素研究 = The research of circulating factors in the form of painting in Han dynasty / 王伟著
王伟, 1974- author
Beijing : Wen wu chu ban she, 2016
Ben shu shi 'Xi'an mei shu xue yuan you xiu bo shi wen ku' de yi zhong. Ben shu dui cun shi de Han dai mu zang hui hua zuo pin de xing tai jie gou te zheng jin xing miao shu, gui lei he shi jue xin li pou xi, chan ming Han dai hui hua xing tai zhong cun zai zhu yi zhong xun huan de zhi jue shi yang, bing tan tao le xun huan yin su de gen yuan, yuan liu ji qi yan xu, chan ming xun huan yin su yun han yu Zhongguo chuan tong hui hua zhi zhong, ju you xian ming de min zu te se. Ben shu zi liao xiang shi, guan dian xin ying, tu wen bing mao, ju you jiao gao de xue shu jia zhi.
Baker Berry East Asian ND1043.23 .W35 2016

陕南传统民居考察 / 李琰君
李琰君 (Architecture teacher), author
Xi'an : Shanxi shi fan da xue chu ban zong she, 2016
Ben shu zuo zhe huai zhe dui Zhongguo chuan tong min ju jian zhu wen hua bao hu yu chuan cheng de shi ming gan, shen ru Qin Ba shan shui shen chu, yong wen zi he tu pian ji lu le na xie ji jiang xiao shi de xiang cun ju luo, min ju jian zhu he ju zhu min su. bing cong jian zhu xue, yi shu xue, she hui xue, li shi xue deng kua xue ke shi jiao, jie du le shan nan di qu chuan tong min ju de te se, cheng yin ji xian zhuang. cong zhong wo men bu jin neng kui jian Zhongguo chuan tong min ju zhi mei, geng neng shen ceng ci li jie shan nan di yu wen hua de shen ke nei han.
Baker Berry East Asian NA7449.S44 L5 2016

中国伊斯兰教建筑艺术 = Chinese Islamic architectural art / 白学义, 白韬著
白学义, 1944- author
Yinchuan Shi Ningxia ren min chu ban she, 2016
Baker Berry East Asian NA6040 .B46 2016

Malaguzzi, Silvia, author
Firenze : Giunti, [2017]
Sherman ND553.W3 M35 2017

A companion to Byzantine illustrated manuscripts
edited by Vasiliki Tsamakda
Leiden ; Brill, [2017]
This volume offers an overview of Byzantine manuscript illustration, a central branch of Byzantine art and culture. Just like written texts, illustrations bear witness to Byzantine material culture, imperial ideology and religious beliefs, as well as to the development and spread of Byzantine art. In this sense illustrated books reflect the society that produced and used them. Being portable, they could serve as diplomatic gifts or could be acquired by foreigners. In such cases they became ?emissaries? of Byzantine art and culture in Western Europe and the Arabic world. The volume provides for the first time a comprehensive overview of the material, divided by text categories, including both secular and religious manuscripts, and analyses which texts were illustrated in Byzantium, and how.
Sherman ND2930 .C66 2017

Francis Kéré : radically simple
Kéré, Diébédo Francis, 1965- architect
München : Hatje Cantz, 2016
Building is a social act -- Radically simple -- Burkina Faso, Gando Projects -- Primary School Complex -- The story of the architect from Gando -- Projects in Burkina Faso -- Projects in Mali, Kenya, Mozambique, Sudan -- A man of the people -- The architect as culture broker.

"Unlike almost any other architect, Diébédo Francis Kéré (born 1965 in Burkina Faso) stands for the association of constructive, social, and cultural aspects of building. He made a name for himself not only with his designs for Christoph Schlingensief's Opera Village Africa. He has received numerous international awards, primarily for his building projects in his native country of Burkina Faso including the 2004 Aga Khan Award for Architecture. His structures join his formal training at the Technische Universität Berlin with the traditional building methods of Burkina Faso. In doing so, he places local social and historical needs at the center of his design concepts. The innovative thing about this work is: he relies on the inhabitants. They are trained to become professionals and thus the constructors of their own future. This first monograph on his extensive oeuvre provides unique insight into the creative work of this outstanding architect and renders visible the fact that architecture not only revolves around buildings, but always around people as well. Exhibition: Architekturmuseum TU München in der Pinakothek der Moderne, Germany (starting 11.2016)." --Publisher.
Sherman NA1599.B873 K472x 2016

Bruce Goff : architecture of discipline in freedom
Henderson, Arn, author
Norman : University of Oklahoma Press, [2017]
Sherman NA737.G56 H46 2017

Music for teacups
Haviland, Melissa, artist
Tallahassee, Florida : Small Craft Advisory Press, 2012
Sherman Special N7433.4.H38 M87 2012

Dubuffet drawings, 1935-1962
Isabelle Dervaux ; with contributions by Cornelia H. Butler, Margaret Holben Ellis and Lindsey Tyne, Alex Potts ; and texts by Jean Dubuffet
New York, New York : Thames & Hudson, in association with the Morgan Library & Museum, [2016]
A frenzy of drawing / Isabelle Dervaux -- Delineation and proliferation in Dubuffet's drawing / Alex Potts -- On drawing : selections from letters and other writings; translated by Richard Howard / Jean Dubuffet -- Myth and manipulation : deconstructing and reconstructing Dubuffet's imprints and their assemblages / Margaret Holben Ellis and Lindsey Tyne -- Plastic man : Dubuffet and the contemporary / Cornelia H. Butler -- 1935-45 : early drawings -- 1945-47 : portraits -- 1947-48 : Sahara -- 1949-52 : from corps de dames to radiant lands -- 1953-57 : butterfly collages and assemblages of imprints -- 1958-60 : textures and beards -- 1961-62 : Paris circus.

Jean Dubuffet (1901-1985) achieved international recognition in the late 1940s for his paintings inspired by children's drawings, the art of psychiatric patients, and graffiti. Drawing played a major role in the development of his art as he explored on paper new subjects and techniques, experimenting with nontraditional tools and modes of application. Despite his essential role in the postwar avant-garde and his continuous influence on the art of the following decades, Dubuffet has received less attention than other artists of his generation, such as Jackson Pollock or Willem de Kooning. This will be the first major museum exhibition devoted to works on paper by one of the most important French artists of the 20th century. Featuring more than one hundred drawings representing Dubuffet's development during his most innovative decades the exhibition will include rarely seen works and major loans from public and private collections in the United States and France. Exhibition: Morgan Library & Museum, New York, USA (30.09.2016-02.01.2017) / Hammer Museum, Los Angeles, USA (29.01.-30.04.2017).
Sherman N6853.D78 A4 2016b

Voulkos : the breakthrough years
London : Black Dog Publishing Limited ; [2016]
Introduction / Glenn Adamson -- List of lenders -- Gender and rupture / Jenni Sorkin -- 1957 juror's statement / Peter Voulkos -- Out of clay / Andrew Perchuk -- Remembering Voulkos / Jim Melchert, Ruby Neri -- Back to black / Glenn Adamson -- Remembering Voulkos / Mary Heilmann and Arlene Shechet -- "Dump and death" / Elissa Auther -- Thrown and painted: The exhibition plates / Barbara Paris Gifford.

Peter Voulkos: The Breakthrough Years' is the first monograph in over 20 years on the artist Peter Voulkos. Covering the most prolific span of Voulkos career, from the early 1950s to the 1970s, this book includes both his well-known ceramic works as well as his largely overlooked paintings. While Voulkos work has most often been discussed in relation to the practice of ceramics, the writers in this book explore the artist s work through the scope of art history and in a contemporary light. In addition to engaging with the breakthrough years of Voulkos practice, a focus is also put on his legacy today, as numerous artists explore the expressive language of clay that he helped to re-invent. The book includes texts from writers Andrew Perchuk, Deputy Director at The Getty Research Institute; and Jenni Sorkin, Assistant Professor in Contemporary Art at UC Santa Barbara. Published in collaboration with the Museum of Arts and Design, New York."--
Sherman NB237.V64 A4 2016

Barbie : the icon
Capella, Massimiliano, author
New York : Glitterati Incorporated, 2015
Barbie evolution -- Timeline -- Barbara Millicent Roberts -- Style icon -- Superstar... forever.

"Barbie has always represented that a woman has choices. Even in her early years, Barbie did not have to settle for only being Ken's girlfriend or an inveterate shopper. She had the clothes, for example, to launch a career as a nurse, a stewardess, a nightclub singer. I believe the choices Barbie represents helped the doll catch on initially, not just with daughters--who would one day make up the first wave of women in management and professionals--but also with mothers."--Ruth Handler, Inventor of Barbie.
Sherman Oversize NK4894.3.B37 C3713 2015

Early Greek portraiture : monuments and histories
Keesling, Catherine M., 1965- author
Cambridge, United Kingdom ; Cambridge University Press, 2017
Introduction : Why portraits? -- Portraits among Heroes and Gods. From votive statues to honorific portraits -- Arete, heroism, and divine choice in early Greek portraiture -- Portraits in Greek sanctuaries -- Documenting Archaic and Classical Greek History. Retrospective portraits as historical documents -- Early Greek portraits under Roman rule : removal, renewal, reuse, and reinscription -- Conclusion : The limits of representation.

"In this book, Catherine M. Keesling lends new insight into the origins of civic honorific portraits that emerged at the end of the fifth century BC in ancient Greece. Surveying the subjects, motives and display contexts of Archaic and Classical portrait sculpture, she demonstrates that the phenomenon of portrait representation in Greek culture is complex and without a single, unifying history. Bringing a multi-disciplinary approach to the topic, Keesling grounds her study in contemporary texts such as Herodotus' Histories and situates portrait representation within the context of contemporary debates about the nature of arete (excellence), the value of historical commemoration and the relationship between the human individual and the gods and heroes. She argues that often the goal of Classical portraiture was to link the individual to divine or heroic models. Offering an overview of the role of portraits in Archaic and Classical Greece, her study includes local histories of the development of Greek portraiture in sanctuaries such as Olympia, Delphi and the Athenian Acropolis"--Provided by publisher.
Sherman NB1296.3 .K44 2017

Ghost trees : Pointe Aux Chênes, LA
Burgess, Michele, artist,
San Diego : Brighton Press, 2017
Sherman Special N7433.4.B865 G5 2017

Mir iskusstva : khronologicheskai︠a︡ rospisʹ soderzhanii︠a︡, 1899-1904
Lurʹe, F. M. compiler
Sankt-Peterburg : Izdatelʹskiĭ dom "Kolo", 2012
Baker Berry NX28.R82 M57 2012

Ivan Gavrilovich Blinov, knizhnykh del master iz Gorodt︠s︡a : k 70-letii︠u︡ so dni︠a︡ konchiny
Gudkov, A. G. author
Kolomna : Izdatelʹskiĭ dom "Liga", 2015
Sherman NK3635.B54 G84 2015

Ficciones de género : artes, cuerpos y masculinidades
Karine Tinat, coordinadora
México, D.F. : El Colegio de México, Programa Interdisciplinario de Estudios de la Mujer, 2016
Introducción / Karine Tinat -- Sentido o sensibilidad : masculinidad moderna y el proyecto de nación en tres novelas del México independiente (1857-1869) / Martín Humberto González Romero -- Representaciones de masculinidad no hegemónicas y de estigmas asociados al VIH/sida : un análisis de la obra del Taller Documentación Visual (México, 1989-1999) / Fidel García Reyes -- Seducción, sexualidad y violencia : tres prácticas corporales para el ejercicio del poder en la película post-pornográfica Baise-moi (Francia, 2000) / Luis Guillermo Álvarez Corona.
Baker Berry NX650.M296 F53 2016

The Russian experiment in art, 1863-1922
Gray, Camilla
New York, NY : Thames and Hudson, 2002, ©1986
Sherman N6987 .G7 2002

江戶のバロック : 日本美術のあたらしい見かた / 谷川渥監修
谷川渥, author
Tōkyō : Kawade Shobō Shinsha, 2015
Baker Berry Japan N7353.5 .T36 2015

Rubens : works in collaboration, Jan Brueghel I & II
Mulders, Christine van, author
London : Harvey Miller Publishers, [2016]
"Peter Paul Rubens and Jan Brueghel the Elder were collaborating as painters as early as c. 1598, before Rubens's stay in Italy, but the most important period of their alliance spans from 1609 to 1621. After the death of Jan Brueghel the Elder in 1625, his son Jan the Younger continued the partnership with Rubens until the latter's death in 1640. The collaborative oeuvre of Rubens and Brueghel can be roughly divided into three groups: Madonnas in garlands of flowers, interiors with allegories, and landscapes with mythological and religious themes. Following his Italian sojourn and after his appointment as court painter to the Archdukes Albert and Isabella in 1609, Rubens also developed artistic relationships with other colleagues including Paul Bril and Frans Snyders. Works in collaboration with Brueghel from this period include the beautiful Mars Disarmed by Venus (Los Angeles, J. Paul Getty Museum), the Garden of Eden (The Hague, Mauritshuis) and the Louvre Madonna, made for Cardinal Federico Borromeo. The culmination of the two men's creative relationship is the five-part series of the Allegories of the Senses of 1617-1618 (Madrid, Prado), which lies at the heart of the present volume. The cycle depicts the Five Senses against a backdrop of princely splendour and is an extraordinary feat both artistically and in terms of its iconography. During the twenties Brueghel and Rubens co-produced multiple landscapes with history scenes, mainly in response to the demand for such works from a growing regular clientele. Diana's Departure for the Hunt and Sleeping Diana and Nymphs (Paris, Musée de la Chasse et de la Nature) are fine examples. Although Rubens maintained lifelong working partnerships with other artists, the works he produced in conjunction with Brueghel form a special group, reflecting the personal friendship that existed between the two men"--Provided by publisher.
Sherman ND673.R9 C63 pt.27/1

日本のアール。デコの建築家 : 渡辺仁から村野藤吾まで / 吉田鋼市
吉田鋼市, 1947- author
Chiba-ken Matsudo-shi : Ōkokusha, 2016
Baker Berry Japan NA1555.4 .Y675 2016

伪满洲国文艺大事记 / 刘春英, 吴佩军, 冯雅编著
刘春英, author
Haerbin : Bei fang wen yi chu ban she, 2017
Baker Berry East Asian NX583.A3 L58 2017

Fallen glory : the lives and deaths of history's greatest buildings
Crawford, James (Writer on aerial photography), author
New York : Picador, 2017
Uncovering the biographies of some of the most fascinating lost and ruined buildings, an engaging compendium of 21 structures from around the globe, including The Tower of Babel, The Bastille, the Berlin Wall and the Twin Towers of the World Trade Center, 'Fallen Glory' is a unique guide to a world of vanished architecture.
Sherman NA209 .C73 2017

La terre, le feu, l'esprit : chefs-d'oeuvre de la céramique coréenne : 27 avril-20 juin 2016, Grand Palais, Salon d'honneur
Paris : Réunion des musées nationaux-Grand Palais, [2016]
Sherman NK4168.6.A1 T47 2016

絵解き「江戶名所百人美女」江戶美人の粋な暮らし / 山田順子著
山田順子, 1953-
京都 : 淡交社, 2016
Baker Berry Japan N7353.6.U82 Y36 2016

Werklinien = Work lines
Beuys, Joseph, artist
[Kleve] : Freundeskreis Museum Kurhaus und Koekkoek-Haus Kleve e.V., [2016]
Sherman N6888.B463 A4 2016

Johannes Teyler and Dutch colour prints
compiled by Ad Stijnman ; edited by Simon Turner
Ouderkerk aan den IJssel : Sound & Vision Publishers, in co-operation with the Rijksmuseum Amsterdam, 2017
Sherman NE674.T49 A4 2017

De Pascale, Enrico, author
Firenze : Giunti, [2017]
Sherman ND623.B317 D47 2017

Giosetta Fioroni : Roma anni '60
Fioroni, Giosetta, 1932- artist
Cinisello Balsamo, Milano : Silvana editoriale, [2016]
Sherman N6923.F53 A4 2016

Das Bild der Stadt Rom im Frühmittelalter : Papststiftungen im Spiegel des Liber Pontificalis von Gregor dem Dritten bis zu Leo dem Dritten
Bauer, Franz Alto
Wiesbaden : L. Reichert, 2004
Sherman NA5620.A1 B3 2004

The paintings of Guercino : a revised and expanded catalogue raisonné
Turner, N. J. L. 1947-
Roma : Ugo Bozzi Editore, 2017
Sherman ND623.B23 T87 2017

Chagall and music
edited by Ambre Gauthier and Meret Meyer
Montreal, Quebec : The Montreal Museum of Fine Arts, [2016]
Sherman N6999.C46 A4 2016

Adiós utopia : art in Cuba since 1950
Miami, Florida : Cisneros Fontanals Art Foundation, 2017
Adiós Utopia : Art In Cuba Since 1950. How to tell a story without damaging it / Ella Fontanals-Cisneros -- Ephiphany, Drum and Coca Cola : The Present and Past of the Utopic in Cuban Art / Antonio Eligio (Tonel) -- Performing Revolution : From Volumen Uno to Memoria de la postguerra / Rachel Weiss -- Tomorrow Was Another Day / Iván de la Nuez -- The 50s and 60s in Cuban Art : Two Decades of Essences and Revolutions / Elsa Vega -- Chronology 1950-1969 -- Art and Utopia 1970 to 1990 : Two Decades in War / Gerardo Mosquera -- Chronology 1970-1989 -- Text for an Adiós : Utopian Art on a Downhill Course / René Francisco -- Chronology 1990-2015 -- Bringing Adiós Utopia to Museum Audiences in the United States / Olga Viso, Gary Tinterow -- Adiós Utopia : Dreams and Deceptions in Cuban Art Since 1950 -- 1/ Abstraction: Universalism and Artistic Language -- 2/ Cult and Deconstruction of the Revolutionary Nation -- 3/ Poster Art -- 4/ Salomón's Wisdom -- 5/ The Imposition of Words: Discourse, Rhetoric and Media Controls -- 6/ Sea, Borders, Exile -- 7/ Inverted Utopias -- LIst of Works -- About the Authors -- Acknowledgments.
Sherman N6603.2 .A34 2017

Rodin : le livre du centenaire : Paris, Grand Palais, Galeries nationales, 22 mars-31 juillet 2017
Rodin, Auguste, 1840-1917, artist
Paris : Réunion des musées nationaux, 2017
Sherman NB553.R7 A4 2017

Power and pathos at the National Gallery of Art : Hellenistic bronzes from Italian collections
edited by Susan MacMillan Arensberg, Luigia Melillo
Roma : Gangemi editore SpA international publishing, [2015]
Sherman NB140 .P692 2015

Avery index to architectural periodicals
New York, N.Y. : Columbia University
"The Avery Index to Architectural Periodicals database offers a comprehensive listing of journal articles on architecture and design, including bibliographic descriptions on subjects such as the history and practice of architecture, landscape architecture, city planning, historic preservation, and interior design and decoration. It contains more than 440,000 thousand entries surveying over seven hundred American and international journals."

Drawing and the senses : an early modern history
Fowler, Caroline O., author
Turnhout, Belgium : Brepols, [2016]
A study of drawing and philosophy in artistic practice, important not only for art history but also for literature studies, intellectual history, religious history, history of the book,and history of science. 00Leon Battista Alberti wrote in 'De pictura' (1435) that painting is divine because, ?as they say of friendship, a painting lets the absent be present.? Absence and Presence in Early-Modern Drawing Pedagogy examines this relationship between absent and present objects and subjects in early-modern artistic pedagogy. This book studies the intersections among artistic treatises, natural philosophy and theology from 1400-1700, arguing that drawing pedagogy sought to teach the painting of histories that stimulated in the viewer the sensation of being present before the historical moment, the person, the still life. The manifestation of presence remained not only in the sensation of sight but also in all the sensory perceptions of touch, taste, smell and the sixth sense of sensing, the experience of existence. This book demonstrates the pedagogical means by which artists sought to teach the simulation of presence (and the sensorial perception of absence).
Sherman NC86 .F69 2016

José Clemente Orozco : murales
Olga Ramírez Campuzano, coordinación general
Guadalajara, Jalisco : Instituto Cultural Cabañas, [2016]
Presentaciones / Myriam Vachez Plagnol, Olga Ramirez Campuzano -- Orozco : vida y obra / Renato González Mello -- English texts -- Presentations / Myriam Vachez Plagnol, Olga Ramirez Campuzano -- Orozco : life and work / Renato González Mello.

Catalogue of the murals created by José Clemente Orozco in the Instituto Cultural Cabañas in Guadalajara, Jalisco. This edition graphically documents 57 restored murals related to the Mexican Conquest that Orozco made between 1937 and 1939 in the walls, vaults, lunettes, pendentives and dome of the Capilla Mayor of the Institute. The murals were restored in 2015. "May this book serve to recognize the conservation work as well as to pay a well-deserved tribute to what is considered a masterpiece of this great Mexican muralist. There has been much scholarly work on Mexican muralism over different periods of time; that is why it is important to point out that texts have not been included in this publication. The decision was made with the intention to highlight the magnificence of the great work of art."--Page 143.
Sherman Oversize ND259.O7 J67 2016

Seth Price : social synthetic
Price, Seth
Amsterdam : Stedelijk Museum Amsterdam ; [2017]
In 2017, the Stedelijk Museum presents the first survey of the American artist Seth Price. The show is a comprehensive overview of his artistic career so far, encompassing more than 140 works made since 2000, including sculpture, installation, 16mm film, photography, drawing, painting, video, clothing and textiles, web design, music and sound, and poetry. Price will be exhibiting a number of new works.00Exhibition: Stedelijk Museum Amsterdam, The Netherlands (15.04-03.09.2017) / Museum Brandhorst, München, Germany (2017).
Sherman N6537.P688 A4 2017

Antony Gormley : living room
Verschaffel, Bart
Brussels, Belgium : Xavier Hufkens, [2017]
Encounters with Antony Gormley's practice can be seen as a search for the meaning of the human figure. Yet his oeuvre possesses a far more stringent, radical, and systemised nucleus. Gormley's earliest pieces were casts of his own body, though they are copies that are neither self-portraits nor portraits. Instead, they represent an area or a space that divests the bodily form from both the individual and the physical. He operates not in biology and psychology, but rather geometry and architecture, and as this catalogue demonstrates, such figures also comfortably inhabit the white cube. The publication includes a conversation with the artist and Benno Tempel.
Sherman NB497.G67 A4 2017

Franz West: Galerie Eva Presenhuber, 95-15
West, Franz, 1947-2012, artist
Zürich : JRP/Ringier, [2017]
Sherman N6811.5.W454 A4 2017

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