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N - Fine Arts Acquisitions during February 2017

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Marfa modern : artful interiors of the West Texas high desert
Thompson, Helen, 1948- author
New York, New York : The Monacelli Press, [2016]
Mystic cinder block -- The box box -- Handmade heartfelt -- Filling station contemporary -- A different perspective -- Art in place -- Outside the box -- Dance hall minimal -- Private compound -- Bunkhouse modern -- Material aesthetic -- Modern element -- Off the grid - Mod squad -- Sky island -- The power of paint -- Ranch on the horizon -- Downtown vernacular -- Tumbling tripartite -- The zen of adobe -- Sky watch.

This book provides a glimpse at twenty-one houses in and around Marfa, Texas to examine creative life and design.
Sherman NK2011.M37 T57 2016

Public art/public space : the sculptural environments of Barbara Grygutis
Grygutis, Barbara, artist
[San Francisco Bay Area, USA] : ORO Editions, [2016]
This work chronicles the work of Barbara Grygutis, a pioneering public artist whose large-scale sculptural environments shape the spaces they inhabit. It also features twenty groundbreaking works accompanied by retrospectives from public art professionals on Grygutis herself, her work, and what her extensive contributions could mean for the works of tomorrow.
Sherman NB237.G88 A4 2016

Bâtisseurs d'éternité : Musée de Saint-Antoine-l'Abbaye, exposition du 10 juillet au 9 octobre 2016
préface Jean-Pierre Barbier, Jean Guibal
Grenoble : Département de l'Isère, Patrimoine en Isère, [2016]
Sherman NA1043 .B38 2016

中国艺术批评通史. History of Chinese art criticism / 叶朗主编 ; 朱良志副主编 ; 刘桂荣, 查律著. 宋元卷 =
刘桂荣, author
Hefei : Anhui jiao yu chu ban she, 2015
Baker Berry East Asian N7485.C6 L57 2015

The Situationist International in Britain : modernism, surrealism, and the avant-garde
Cooper, Sam, 1983- author
London : Routledge, Taylor & Francis Group, [2017]
Introduction -- Surrealism in England, or English Surrealism -- Alexander Trocchi and the Dissolution of the Avant-Garde -- The English Section of the Situationist International -- Long Live King Mob -- British Situationism Today.

"This book tells, for the first time, the story of the Situationist International's influence and afterlives in Britain, where its radical ideas have been rapturously welcomed and fiercely resisted. The Situationist International presented itself as the culmination of the twentieth century avant-garde tradition -- as the true successor of Dada and Surrealism. Its grand ambition was not unfounded. Though it dissolved in 1972, generations of artists and writers, theorists and provocateurs, punks and psychogeographers have continued its effort to confront and contest the 'society of the spectacle.' This book constructs a long cultural history, beginning in the interwar period with the arrival of Surrealism to Britain, moving through the countercultures of the 1950s and 1960s, and finally surveying the directions in which Situationist theory and practice are being taken today. It combines agile historicism with close readings of a vast range of archival and newly excavated materials, including newspaper reports, underground pamphlets, Psychogeographical films, and experimental novels. It brings to light an overlooked but ferociously productive period of British avant-garde practice, and demonstrates how this subterranean activity helps us to understand postwar culture, late modernism, and the complex internationalization of the avant-garde. As popular and academic interest in the Situationists grows, this book offers an important contribution to the international history of the avant-garde and Surrealism. It will prove a valuable resource for researchers and students of English and Comparative Literature, Modernism and the Avant-Gardes, Twentieth Century and Contemporary History, Cultural Studies, Art History, and Political Aesthetics." -- Publisher's description
Baker Berry NX456.I58 C66 2017

¡Pobre de mí, no soy sino un triste pintor! : cartas de Luis Caballero a Beatriz González
Caballero, Luis, 1943- author
Bogotá : Universidad Jorge Tadeo Lozano, [2014]
28 cartas de Luis Caballero a Beatriz González -- Introducción / Beatriz González Aranda -- Las cartas -- CARTA I. Paris, 2 de enero de 1963 -- CARTA II. Paris, 7 de febrero de 1963 -- CARTA III. Paris, abril de 1963 -- CARTA IV. Paris, 9 de junio de 1963 -- CARTA V. Paris, 23 de marzo [1964] -- CARTA VI. 5 de agosto [1964] -- CARTA VII. Paris, 20 de octubre [1964] -- CARTA VIII. Paris, 25 de abril [1965] -- CARTA IX. Paris, 27 de diciembre [1965] -- CARTA X. Paris, enero -- CARTA XI. Paris, 13 de mayo [ca. 1969] -- CARTA XII. Paris, 17 de noviembre [1969] -- CARTA XIII. Paris [ca. 1969] -- CARTA XIV. Paris, [ca. diciembre de 1970] -- CARTA XV. Paris, 10 de junio [1972] -- CARTA XVI. Paris, 30 de julio [1972] -- CARTA XVII. Paris, 30 de julio [1972] -- CARTA XVII. Paris, 30 de julio [1972] -- CARTA XVIII. Paris, 22 de septiembre [1972] -- CARTA XIX. Paris, 6 de noviembre [1972] -- CARTA XX. -- 11 de diciembre [1972] -- CARTA XXI. Paris, 17 de agosto [1974] -- CARTA XXII. Paris 22 de enero -- CARTA XXIII. Paris, 26 de mayo [ca. 1976] -- CARTA XXIV. [ca. 1987] -- CARTA XXV. -- 17 de agosto [1988] -- CARTA XXVI. Paris, 15 de junio [ca. 1989] -- CARTA XXVII. Paris, [ca. 1990] -- CARTA XXVIII. Paris, 30 de septiembre de 1992.
Sherman ND379.C23 A3 2014

Vitamin P3 : new perspectives in painting
Tom Melick and Rebecca Morrill, editors
London : Phaidon, 2016
"At last--The next instalment in the popular Vitamin series--The world's hottest painters, selected by international experts. Since the publication of the first Vitamin P in 2002, painting has continued to evolve and excite, with new generations responding to its historic importance and taking it in unexpected directions. A central pillar of artistic practice, painting also has enduring appeal, dominating the art market. Vitamin P3 takes the conversation forward, spotlighting more than 100 outstanding artists who are engaging with--and pushing the boundaries of--the medium of paint"--Provided by publisher.
Sherman ND196.2 .V58 2016

A modernidade impressa : artistas ilustradores da Livraria do Globo- Porto Alegre
Paula Ramos
Pôrto Alegre : Editora da UFRGS, [2016]
Mensagem do patrocinador / Petrobras -- Prefacio / Rafael Cardoso -- Introdução. A ilustração na periferia da "História da Arte" -- Livraria do Globo -- Mansueto Bernardi e o espaço para lós novos -- Ernst Zeuner e seção de desenho -- A Revista do Globo -- "Esta revista que hoje nasce já tem uma história" -- Modernidade nas capas ilustradas da Revista do Globo -- A seção editora -- O fabuloso universo dos livros infanto-juvenis Coleção Infantil e Burrinho Azul Biblioteca de Nanquinote -- Coleção Aventura -- Coleção Cinderela -- A tessitura da imagem -- O veios expressionistas de Edgar Koetz -- Nelson Boeira Faedrich encontra Simões Lopes Neto -- João Fahrion: lirismo e melancolia Epilogo Fontes e acervos consultados.

Catalogue of the graphic art produced by the main graphic artists working for the Librería do Globo throughout the first half of the 20th century.
Sherman NE2333.5.L58 A4 2016

Imperfect chronology : Arab art from the modern to the contemporary : works from the Barjeel Art Foundation
edited by Omar Kholeif with Candy Stobbs
New York : Prestel, [2015]
Celebrating the Barjeel Art Foundation's expansive collection, this book maps a genealogy from modern to contemporary Arab art and offers one of the most extensive presentations of modern Arab art in print.
Sherman N7265.3 .B37 2015

Islamic heritage architecture and art
editors, C.A. Brebbia, A. Martínez Boquera
Southampton : WIT Press, [2016]
Sherman NA380 .I584 2016

Alison Berger : glass and light
Berger, Alison (Glass artist), artist
New York, N.Y. : Skira Rizzoli, 2016
Sherman Oversize NK5198.B474 A4 2016

Sunnylands : America's midcentury masterpiece
Lyle, Janice, author
New York : The Vendome Press, [2016]
Sherman NA737.J628 L95 2016

中国艺术批评通史. 叶朗主编 ; 朱良志副主编 ; 崔树强著. 清代卷 = History of Chinese Art Criticism /
崔树强, author
Hefei : Anhui jiao yu chu ban she, 2015 nian 10 yue
Baker Berry East Asian N7485.C6 C85 2015

Sterling Ruby
Fowle, Kate, interviewer
London : Phaidon Press Ltd., 2016
Interview / Kate Fowle in conversation with Sterling Ruby -- Survey. Encounters with Sterling Ruby / Franklin Sirmans -- Focus. Stoves / Jessica Morgan -- Studio visit -- Artist's writings. Apologetics, 2015 / [Sterling Ruby].
Sherman N6537.R777 A4 2016b

中国艺术批评通史. History of Chinese art criticism / 陈旭光[and 5 others]著 ; 叶朗主编, 朱良志副主编. 现代卷 =
陈旭光, 1965- author
Hefei : Anhui jiao yu chu ban she, 2015
Baker Berry East Asian N7485.C6 C44 2015

中国艺术批评通史. History of Chinese art criticism / 叶朗主编 ; 朱良志副主编 ; 朱志荣[and 5 others]著. 明代卷 =
朱志荣, author
Hefei : Anhui jiao yu chu ban she, 2015
Baker Berry East Asian N7485.C6 Z57 2015

中国艺术批评通史. History of Chinese art criticism / 叶朗主编 ; 朱良志副主编 ; 刘成纪著. 先秦两汉卷 =
刘成纪, 1967- author
Hefei : Anhui jiao yu chu ban she, 2015
Baker Berry East Asian N7485.C6 L56 2015

中国艺术批评通史. History of Chinese art criticism / 叶朗主编 ; 朱良志副主编 ; 黎萌著. 隋唐五代卷 =
黎萌, 1976- author
Hefei Shi : Anhui jiao yu chu ban she, 2015
Baker Berry East Asian N7485.C6 L546 2015

中国艺术批评通史. History of Chinese art criticism / 叶朗主编 ; 朱良志副主编 ; 袁济喜, 何世剑, 黎臻著. 魏晋南北朝卷 =
袁济喜, author
Hefei : Anhui jiao yu chu ban she, 2015
Baker Berry East Asian N7485.C6 Y83 2015

Bjarne Melgaard
Melgaard, Bjarne, artist
New York, NY : Skira Rizzoli Publications, Inc., 2016
Australian-born Norwegian artist Bjarne Melgaard started his career in the mid-1990s with neo-expressionistic painting, sculpture, and installation. Organized chaos is one of his main principles in composition and content. His intense way of attacking the canvas paired with a total control of the line where the brush strokes and splashes of paint meet form a base for an explicit narrative. Covering the entirety of Melgaard's career, this book documents the artist's way of capturing the tension of the creative moment, which makes his stylistic role models Edward Munch and Emil Nolde ever present. The variety of dazzling layers in different techniques gives the work a painterly quality that sweeps the viewer into a myriad of colors, forms, and expressions. Liberatory, playful, and unstoppable, Melgaard's art provides an insight into subcultures that exist alongside the world of normality, and often investigates and pushes the boundaries of societal acceptance. The book showcases an artist whose variety and complexity of work have been praised worldwide.
Sherman Oversize N7073.M45 A4 2016

The concrete body : Yvonne Rainer, Carolee Schneemann, Vito Acconci
Archias, Elise, author
New Haven : Yale University Press, [2016]
Baker Berry NX511.N4 A73 2016

The experience of architecture
Plummer, Henry, 1946- author
London : Thames & Hudson Ltd, 2016
How does the experience of turning a door handle, opening a door from one space to lead into another, affect us? This book aims to understand how these everyday acts are influenced by architectural form, a concept that is vital for all architects to grasp if our buildings are to be anything more than a commercial or aesthetic enterprise. It considers how specific built elements and volumes can sustain or deny our powers of decision. Each chapter focuses on a different aspect of our daily interactions with architecture, looking at stairs, floors and paths, moving interior spaces, perception and perspective, transparency and the relationship between a building and its setting. This book is not just for architects and designers engaged in the production of space, but for all those who seek a richer understanding of their place in the built world.
Sherman NA2840 .P58 2016

Istanbul codex : contemporary artists from Turkey
editorial coordination, Enrico Bossan
[Crocetta del Montello] : Antiga edizioni, 2016
Sherman N7168.6 .I88 2016

Guatemala : memory and timeless avant-garde : contemporary artists from Guatemala
editorial coordination, Enrico Bossan
[Crocetta del Montello] : Antiga edizioni, 2016
Sherman N6576.7 .G83 2016

La coulure : histoire(s) de la peinture en mouvement, XIe-XXIe siècles
Cassegrain, Guillaume
Paris : Hazan Editions, ©2015
Il aura fallu attendre l'expressionisme abstrait des peintres américains pour revoir apparaître la coulure dans les images. Cy Twombly, Brice Marden, Morris Louis, en libérant le geste pictural des entraves dictées par les règles du passé, ont donné libre cours, sous des formes à chaque fois diverses et singulières, aux écoulements de peinture. Jackson Pollock en a même fait un motif spécifique avec lequel son style a par la suite été décrit. Le fameux dripping avec lequel il procède à l'invention de ses compositions n'est rien d'autre que ces "écoulements" de peinture industrielle sur la toile disposée à même le sol. Mais auparavant, dans la peinture classique, la coulure, bien que plus discrète, a également joué un rôle de tout premier ordre. Certains peintres de renom (Michel-Ange, Tintoret, Lucas Cranach, Caravage) ont su tirer parti de la force dynamique et expressive de ces coulures de peinture dans quelques-unes de leurs toiles ...
Sherman ND1500 .C355 2015

Amadeo Modigliani : l'œil intérieur
Modigliani, Amedeo, 1884-1920, artist
[Villeneuve d'Ascq] : LaM, [2016]
Sherman N6923.M55 A4 2016

Albert Besnard (1849-1934) : modernités Belle Époque
Besnard, Paul Albert, 1849-1934, artist
Paris : Petit Palais-Musée des beaux-arts de la Ville de Paris, [2016]
"Gloire de la peinture française de la Belle Époque, Albert Besnard (1849-1934) a conquis tous les honneurs durant sa longue carrière à force de travail et de créativité. Les grands chantiers parisiens lui offrent la possibilité de renouveler l'art du décor monumental, des murs de l'École de Pharmacie et de la Sorbonne aux plafonds de l'Hôtel de Ville, du Petit Palais et de la Comédie-Française. Le recours à des thèmes modernes, le symbolisme de son langage et la flamboyance de sa palette imposent sa puissante originalité. Besnard est aussi le peintre de la beauté féminine, qu'il s'agisse de portraits intimes au pastel, de nus sensuels ou d'effigies mondaines dont il est un auteur recherché. Voyageant en Algérie et aux Indes, il livre également une vision personnelle d'un Orient âpre et envoûtant, d'une brûlante féerie. Un Besnard plus secret se révèle enfin avec sa pratique de la gravure, qui lui permet d'aborder des sujets plus graves, les émotions existentielles de l'homme face à la mort, et montrer ainsi toute la complexité de sa personnalité et de son art."--Page 4 of cover.
Sherman ND553.B55 A4 2016

Fluid totality : Studio Zaha Hadid 2000-2015, University of Applied Arts Vienna
edited by Institute of Architecture, Zaha Hadid and Patrik Schumacher
[Vienna] : Institute of Architecture, [2015]
Sherman NA2310.A9 U5515 2015

Le salon de Mercure : chambre de parade du roi = The Mercury Salon : the King's ceremonial bedchamber
sous la direction de Pierre-Xavier Hans ; traduction: Jonathan Sly
Versailles : Art Lys, [2015]
Les lieux et l'usage = Salon and function -- Histoire de l'ameublement et du décor depuis 1673 = History of the furnishings and decor since 1673 -- La restauration et le remeublement de 2010 à 2012 = Restoration and refurnishing 2010-2012.
Sherman NK1449.V47 S25 2015

Perfect imperfect : the beauty of accident, age & patina
McCartney, Karen, author
Crows Nest NSW : Murdoch Books, 2016
Sherman NK2115 .M364 2016

Common frameworks : rethinking the developmental city in China
Christopher C.M. Lee (ed.)
Cambridge, MA : Harvard University Graduate School of Design, [2016]
Sherman NA9265 .C66 2016

Artist and empire : facing Britain's imperial past
edited by Alison Smith, David Blayney Brown and Carol Jacobi ; with contributions from Gus Casely-Hayford, Annie E. Coombes, Caroline Corbeau-Parsons, Paul Gilroy, Nicholas Thomas and Sean Willcock
London : Tate Publishing, 2015
"Over the past thirty years, our ideas about the cultures of Empire have been transformed. Contemporary reflections on Empire by writers and artists are widely published and displayed, and museums have witnessed a growing number of exhibitions devoted to aspects of the rich and varied visual culture that emerged in places under British governance, from the Americas to India and Australasia. And yet, since the vast Imperial exhibitions of the early twentieth-century there has been no wide-ranging presentation of the objects made across the British Empire. This publication, which accompanies a major Tate Britain exhibition, fills that gap. Through broad groupings within thematic chapters -- Mapping, Collecting, History, Portraiture, Cultural Exchange and the Return of Empire -- leading scholars focus on how particular objects tell the history of life under British rule. Paintings by well-known artists such as John Singer Sargent and Sidney Nolan are illustrated alongside Benin bronze heads and Mughal miniatures in a survey that ranges from sixteenth century colonialism through to the projection of Britain's imperial might in the late nineteenth century to its decline in the post-war era. Exploring how artists have represented and critiqued the diverse places, people and events that make up the legacy of Empire, our expert authors have created a vital book on a subject of broad contemporary interest." -- Publisher's description
Sherman N6764 .A795 2015

2016 an image of Ireland : contemporary artists from Ireland
editorial coordination, Enrico Bossan
[Crocetta del Montello] : Antiga edizioni, 2016
Sherman N6789.6 .A16 2016

Weise, gelehrt und erfahren : Philibert Delorme und die gesellschaftliche Verantwortung des Architekten in der französischen Renaissance
Naehrig, Niklas
Zürich : Gta Verlag, c2016
Kein anderer Architekt hat das Baugeschehen im Frankreich des 16. Jahrhunderts so sehr geprägt wie Philibert Delorme (um 1514-1570). Von Henri II an den französischen Hof geholt, bestimmte er als oberster Baubeamter das Erscheinungsbild der Monarchie nicht nur im Hinblick auf ihre Repräsentationsbauten. Nach Henris Tod wandte er sich dem Schreiben zu, ja er definierte das Fachbuch der Architektur neu und etablierte den Typus eines politischen Architekten, der seine Tätigkeit konsequent auf das Gemeinwohl ausrichtet. 00Diesen Architekten, der sich als genialer Künstler und gleichermassen als verantwortliches Mitglied einer kulturellen wie politischen Elite versteht, charakterisierte Delorme im Premier Tome (erschienen 1567) mit den Worten sage, docte & expert als 'weise, gelehrt und erfahren'. Philibert Delorme beschreibt einen Architekten, der in der Gegenwart einen Standpunkt bezieht und Architektur als Abbild der Verhältnisse sieht - und gelegentlich auch als Wunschbild solcher, die er sich erhofft.
Sherman NA1053.L59 A4x 2016

Drei Münchner Vorlesungen Heinrich Wölfflins : Die architektonischen Stilbildungen vom Mittelalter bis zur Neuzeit ; Grundbegriffe der Kunstgeschichte ; Geschichte der deutschen Kunst im 19. Jahrhundert
Wölfflin, Heinrich, 1864-1945, author
Passau : Dietmar Klinger Verlag, 2016
Rückblickend von seiner letzten beruflichen Station ? dem Lehrstuhl in Zürich ? erschienen Heinrich Wölfflin die Jahre an den deutschen Hochschulen als goldene Jahre: "Es hat zu meiner Zeit, in Berlin und München, Jahre gegeben, da man die besten Leute der Nation zu seinen Füssen und vor seinen Augen hatte. So etwas zwingt, das Beste zu geben." In diesem Buch sind erstmals die Vorlesungsmitschriften dreier Münchner Vorlesungen Wölfflins veröffentlicht, darunter seine berühmteste: Die Grundbegriffe der Kunstgeschichte, "eine Vorlesung", so Wölfflins Ankündigung, "wie ich sie noch nie gehalten habe und nie mehr halten werde". Mit dieser Vorlesung des Wintersemesters 1914 /15 bereitete er die Buchpublikation der Grundbegriffe vor und stellte sich zugleich der aktuellen Situation des ersten Weltkriegsjahres. Daneben enthält dieser Band Wölfflins weitgefassten Überblick über die mittelalterliche und neuzeitliche Architekturgeschichte (Wintersemester 1913 /14) sowie Die Geschichte der deutschen Kunst im 19. Jahrhundert (Sommersemester 1916). Auch dies eine Kriegsvorlesung. Von der hohen Wertschätzung, die Wölfflin der Kunst Frankreichs entgegenbrachte, rückte er dennoch nicht ab. 0Exhibition: Zentralinstitut für Kunstgeschichte München, Germany (28.10.2015-26.02.2016).
Sherman N7445.4 .W654 2016

Geklebte NS-Propaganda : Verführung und Manipulation durch das Plakat
Witamwas, Birgit, author
Boston : Walter de Gruyter GmbH, [2016]
Sherman NC1807.G3 W58 2016

Art and the brain : plasticity, embodiment, and the unclosed circle
Ione, Amy, author
Boston : Brill Rodopi, [2016]
In her new book 'Art and the Brain: Plasticity, Embodiment and the Unclosed Circle', Amy Ione offers a profound assessment of our ever-evolving view of the biological brain as it pertains to embodied human experience. She deftly takes the reader from Deep History into our current worldview by surveying the range of nascent responses to perception, thoughts and feelings that have bred paradigmatic changes and led to contemporary research modalities. Interweaving carefully chosen illustrations with the emerging ideas of brain function that define various time periods reinforces a multidisciplinary framework connecting neurological research, theories of mind, art investigations, and intergenerational cultural practices. The book will serve as a foundation for future investigations of neuroscience, art, and the humanities.
Baker Berry NX180.N48 I59 2016

Painting and publishing as cultural industries : the fabric of creativity in the Dutch Republic, 1580-1800
Rasterhoff, Claartje, author
Amsterdam : Amsterdam University Press, [2017]
Sherman N8600 .R37 2017

Turner et la couleur
Turner, J. M. W. 1775-1851
Aix-en-Provence : Hotel de Caumont centre d'art, c2016
La maîtrise de la couleur / Ian Warrell -- La peinture en plein air / Ian Warrell -- La théorie des couleurs à l'époque de Turner / Alexandra Loske -- Les nouveaux matériaux de la peinture / Joyce H. Townsend -- De la couleur au noir et blanc / Nicola Moorby -- Les voyages peints: des couleurs singulières / Nicola Moorby -- Turner en Provence / Roland Courtot -- La lumière de Gênes / Ian Warrell -- Chromomanie / Ian Warrell -- Turner, Goethe et les théoriciens de la couleur / Alexandra Loske -- Margate: les plus beaux ciels d'Europe / Ian Warrell -- Chronologie -- Bibliographie sélective.
Sherman ND497.T8 A4 2016

Antoine-Marie Chenavard : architecte lyonnais (1787-1883)
Dufieux, Philippe, author
Rennes : Presses Universitaires De Rennes, 2016
Cette monographie constitue la première étude consacrée au plus grand architecte lyonnais du XIXe siècle et dévoile une œuvre d'une fécondité insoupçonnée, servie par une iconographique demeurée à ce jour complètement inédite. Antoine-Marie Chenavard (1787-1883) compte pour l'une des figures les plus originales de l'architecture française du XIXe siècle. Œuvrant entre néo-classicisme et gothique troubadour, il signe de nombreux édifices publics dans la région lyonnaise. Mais c'est en matière de restauration des monuments médiévaux que l'architecte se distingue particulièrement au cours de sa longue carrière.
Sherman NA1053.C45 D83 2016

Picasso : sculptures
direction d'ouvrage, Cécile Godefroy, Virginie Perdrisot
Bruxelles : Palais des beaux-arts (BOZAR), [2016]
Sherman NB553.P45 A4 2016

Giorgione : La tempesta delle religioni attraverso I tre filosofi e nota comparativa con Leonardo da Vinci
Ruggiero, Oreste, author
Firenze : O.R.A.D., [2016]
Sherman Oversize ND623.G5 A7638 2016

Opwinding
Rudi Fuchs
Amsterdam : In samenwerking met het Stedelijk Museum Amsterdam, [2016]
"In Opwinding kijkt oud-directeur Rudi Fuchs terug op zijn lange loopbaan. Een bijna 1350 vierkante meter tellend overzicht biedt meer dan 100 werken, aankopen waarmee Fuchs een bepalende rol heeft gespeeld in het opbouwen van de kunstcollectie Nederland. Beleef de opwinding die Fuchs voelde bij zijn eerste ontmoeting met topstukken van o.a. Georg Baselitz, Jan Dibbets, Tracey Emin, Gilbert & George, Damien Hirst, Jannis Kounellis, Mario Merz, Piet Mondriaan, Bruce Nauman en A.R. Penck. De tentoonstelling biedt een overzicht van meer dan een halve eeuw hedendaagse kunst, van abstracte tot figuratieve schilderkunst, van inmiddels toonaangevende werken uit de collecties van het Stedelijk, Van Abbemuseum en het Gemeentemuseum Den Haag."
Sherman N6944 .O69x 2016

Rembrandts olifant : in het spoor van Hansken
Roscam Abbing, Michiel, author
Amsterdam : Leporello Uitgevers, 2016
"Rembrandts olifant - in het spoor van Hansken' is het verhaal van de beroemdste olifant van de 17e eeuw. Met haar begeleider Cornelis van Groenevelt trok ze jarenlang door Europa, overal haar kunsten vertonen. Ze kon een geweer afschieten, hanteerde een degen en wist dieven aan te wijzen. Hansken is te zien op reclameplaten, tegeltjes en op tekeningen van Rembrandt en andere kunstenaars. Dit boek is een vervolg op 'Rembrandt olifant - het verhaal van Hansken' (2006). Michiel Roscam Abbing reconstrueert op basis van tientallen nieuwe bronnen minutieus de route die Hansken heeft afgelegd. Geen dier brengt de 17de eeuw zo dichtbij als Hansken, dankzij de vele verrassende sporen die zij heeft achtergelaten. Haar skelet is bewaard gebleven in Florence, de stad waar ze in 1655 overleed."--Back cover.
Sherman NC263.R4 R67x 2016

Elemental : An arts and ecology reader
curated and edited by James Brady
Manchester, United Kingdom : Gaia Project Press, 2016
Compilation of essays from artists, activists, curators, and critics in the field of eco-arts. Subject areas include: New Materialism, socially-engaged ecosystem restoration, the legal 'Rights of Nature', and ecology in theatre and performance art --
Sherman N8217.E28 E53 2016

De Belgische beeldende kunstenaars van de 19e tot de 21e eeuw
Piron, Paul-L., author
[Antwerpen] : Ludion [2016]
[v. 1] A-K -- [v. 2] L-Z.

For 40 years Paul Piron has been collecting every scrap of information on Belgian artists from the nineteenth century down to the present. He first published his findings in 1999 in a 1,600-page encyclopaedia covering 23,000 artists. Since then his energy has never flagged in editing, updating and completing the inventory. The result, a Ludion publication, is an impressive reference work in two volumes and with almost 3,000 pages. The new edition includes more than 35,000 painters, sculptors, graphic artists, photographers and ceramists. The publication, also known as "The Piron", is an inexhaustible source of information and is used every day by professionals and art lovers. Over the years the book has become an essential tool for auction houses, galleries, art dealers, museums, libraries and documentation centres.
Sherman N6972 .P57 2016

Encáusticas
Queiroz, João, 1957- artist
[Lisbon] : Documenta, fevereiro de 2016
Sherman ND833.Q45 A4 2016

Where's B**ksy?
Tàpies, Xavier A., author
Berkeley, CA : Gingko Press, Inc., 2016
'Where's Banksy?' fully captures the drama of this illustrious artist's exploits on the world stage with clever chronologically-arranged maps. The only survey that looks at Banksy's entire street art career, from his earliest works in 2002 through Dismaland and to the present, the book details his most significant works one piece at a time, with photos and in-depth analysis of the history of each work as well as its often-deeper meaning. A modern day Robin Hood, Banksy's public persona has grown to mythic proportions, making his actual identity irrelevant. And yet, he can be found in his art - work that is recognizable and accessible, stylized social commentary for the masses. This stunning new book is the ultimate introduction to the work of this brilliant artist and social pioneer.
Sherman ND497.B254 T37 2016

Immagini ed eresie nell'Italia del Cinquecento
Firpo, Massimo, author
Bari : GLF editori Laterza, settembre 2016
Sherman N7952.A1 F57 2016

Alberto Giacometti: Beyond bronze : masterworks in plaster and other materials
Büttner, Philippe, editor
Zürich : Scheidegger und Spiess 2016
Fifty years on from the death of Alberto Giacometti (1901?1966), the major temporary exhibition ?Alberto Giacometti ? Beyond Bronze. Masterworks in Plaster and Other Materials? illuminates the fundamental aspects of this world-famous Swiss artist?s oeuvre and technique. At the heart of the presentation are 75 precious original plasters from the artist?s estate, which came to the Kunsthaus in 2006 as the result of a gift by Bruno and Odette Giacometti to the Alberto Giacometti Foundation. They have been examined by restorers from the Kunsthaus and prepared for this exhibition as part of a multi-year research project. 0For Alberto Giacometti, plaster was of great importance as a material ? far more than just an intermediate stage between clay model and bronze cast. It allowed him to paint or rework his objects in a wide variety of ways. Indeed, a significant number of his sculptures exist only in a plaster version. 0Through numerous masterpieces from every stage of his career, the exhibition focuses on Giacometti?s artistic approach to the material nature of his chosen media, affording an insight into the creative process of one of the century?s greatest artists. While the precious and fragile plasters are the centre of the display, the presentation also includes many works in other materials, such as marble, wood and bronze. 0The exhibition complements the holdings of the Kunsthaus with important loans from other collections, notably the non-public Fondation Alberto et Annette Giacometti in Paris, which are being shown for the first time on this scale in Switzerland. 0Exhibition: Kunsthaus Zürich, Zwitserland, "28.10. 2016 - 15.01.2017" 00.
Sherman N6853.G5 A4 2016

Abstract loop, Austria : Marc Adrian, Richard Kriesche, Helga Philipp, Gerwald Rockenschaub : Kunst und visuelle Forschung seit 1950 = Art and visual research since 1950
Herausgeber: Agnes Husslein-Arco, Axel Köhne ; Übersetzung: Jeremy Gaines
Wien : Belvedere, c2016
Sherman N6808 .A27 2016

Alianças de corpos vulneráveis : feminismos, ativismo bicha e cultura visual = Alliances of vulnerable bodies : feminisms, queer activisim, and visual culture
São Paulo : SESC, 2015
Editorial / Solange O. Farkas, Tete Martinho -- Alianças de corpos vulneráveis = Alliances of vulnerable bodies / Miguel A. López -- O movimento de arte pornô no brasil : "genealogias ficcionais" das pornografias do Sul = The porn art movement in Brazil: "fictional genealogies" of South pornographies / Fernanda Nogueira -- Dedicatória: um pronto-ário = Dedication: a promtuary / Catherine Lord -- Envolvida: histórias da arte feminista e passados afetivos = Implicated: feminist art histories and affective pasts / Julia Bryan-Wilson -- Revolução queratina (manifesto) = Keratin revolution (Manifesto) / Aimar Arriola -- Quantas "hijas de perras" são necessárias para explodir o mundo? Escrituras transgênicas em homenagem a hija de perra (1980-2014) = How many "hijas de perras" does it take to blow up the world? Transgenic writtings as homage to hija de perra (1980-2014) / Lucha Venegas, Cristian Cabello, And Jorge Díaz _ (Cuds, Chile) -- Biji diva! / Ming Wong -- Museu, lixo urbano e pornografia = Museum, urban detritus and pornography / Paul B. Preciado -- Voz aos movimentos do desejo = Voice to the movements of desire / Serigrafistas Queer.

Number 11 of the series explores how feminism, gay activism, pós-pornography and other forms of critical response from the body are transforming the discourse of art history and grammar of art itself. The publication merges theoretical essays and visuals proposals that revisits queer initiatives in art or propose new visions of art history in the light of these critical responses. The edition includes two attachments: a folded poster "Museu Travestí del Perú", a project of the Peruvian philosopher and drag queen Giuseppe Campuzano (1969-2013), It proposes a critical review of the history of Peru from the perspective of the fictional figure of "androgynous Indian she-male/mestizo"; and a stencil created by Serigrafistas Queer with the phrase "El machismo mata!".
Baker Berry NX650.H74 A8 2015

Leonardo : genio senza pace
Forcellino, Antonio, author
Bari : Editori Laterza, [2016]
Sherman N6923.L33 F66 2016

Ant. Lafreri Formis Romae : Der Verleger Antonio Lafreri und seine Druckgraphikproduktion
Rubach, Birte, author
Berlin : Lukas Verlag 2016
Der Drucker und Druckgraphikhändler Antonio Lafreri (ca. 1512 ? 1577) war einer der erfolgreichsten Bildproduzenten des 16. Jahrhunderts in Italien. In seiner römischen Werkstatt entstanden zahlreiche grossformatige Kupferstiche und Radierungen zu den verschiedensten Themen. Sein Angebot umfasste römische antike und moderne Monumente, Landkarten, Ornamente, Porträts und Werke der zeitgenössischen religiösen und mythologischen Malerei sowie Illustrationen zu wissenschaftlichen Abhandlungen. Die vorliegende Arbeit nimmt erstmals die gesamte Produktion des Bildverlegers in den Blick und untersucht den stetigen thematischen Ausbau seines Programms sowie die innovativen Vertriebsstrategien, die zum anhaltenden Erfolg der Werkstatt und zur weiten Verbreitung der Stiche beigetragen haben. In einem umfassend bebilderten Katalog werden über 400 Drucke versammelt, die nachweislich in Lafreris Angebot zu finden waren und die eindrücklich die Vielseitigkeit des verfügbaren Bildmaterials im 16. Jahrhundert vor Augen führen.
Sherman NE659.I6 R83 2016

Monuments & memory : Christian cult buildings and constructions of the past : essays in honour of Sible de Blaauw
edited by Mariëtte Verhoeven, Lex Bosman, and Hanneke van Asperen
Turnhout, Belgium : Brepols, [2016]
Essays on the memorial potential of Christian buildings, of their location, or of the accoutrement, whether or not still in situ, with a special attention to Romes churches. The contributions in this volume are divided in three main sections: Monuments, Places, and Decoration & Liturgical Furnishing. Every essay addresses the memorial potential of Christian buildings, of their location, or of the accoutrement, whether or not still in situ. Not surprisingly Rome re-appears frequently in all sections, with special attention to Romes churches.
Sherman NA4800 .M66 2016

De vroege Van Gogh 1880-1885 = The early Van Gogh 1880-1885
Auke van der Woud
Otterlo : Kröller-Müller Museum, [2016]
When Vincent van Gogh decided to become an artist and taught himself how to draw and paint, he focused his attention on the people who had to work hard for their living, in humble workshops and on farmlands in all weathers. With his depictions?of the people, for the people?, Vincent strove to sincerely express his compassion for their way of life. Or, as he put it in a letter to his brother Theo:?I say it again? work against indifference? perseverance isn?t easy? but things that are easy mean little?. Over 120 works from the period 1880-1885 from the museum?s extensive Van Gogh collection are on display. The emphasis is on Van Gogh?s drawings. These in particular clearly show how he struggled to master the technique and to depict volume and movement in his figures. Moreover, he sought to depict?life? itself and if necessary to draw?inaccuracies? that were?truer? than the?literal truth?. Exhibition: Kröller-Müller Museum, Otterlo, The Netherlands (24.09.2016 -09.04.2017).
Sherman NC263.G56 A4 2016

Bestechend gestochen : das Unternehmen Hendrick Goltzius
Ariane Mensger ; Kunstmuseum Basel, Kupferstichkabinett
Basel : Kunstmuseum Basel, [2016]
The catalog presents a selection of the most beautiful works of the artist. Goltzius is presented not only as an ingenious designer and copper cutter, but also as a successful entrepreneur. The engravings by Hendrick Goltzius (1558-1617) inspire both technical perfection and unconventional images.
Sherman NE2115.G65 B4 2016

Die Deutsche Barockgalerie im Schaezlerpalais : Meisterwerke der Augsburger Sammlung
Christof Trepesch (Hrsg.)
Berlin : Deutscher Kunstverlag, [2016]
This deluxe volume is a must-have for all art lovers and Baroque enthusiasts. This standard work on the Deutsche Barockgalerie presents all the exhibits with large-scale illustrations and detailed descriptions for the first time. The Deutsche Barockgalerie, located on the premises of the Schaezlerpalais built in the 18th century, presents numerous 17th and 18th century masterpieces in this historical context from the collection inventory of the city of Augsburg and from various lenders. Introductory essays on Baroque painting in Augsburg, on the Schaezlerpalais and its historical interior décor, on the history of the collection and on the preserved original picture frames round off this volume.
Sherman ND566.5.B3 D488 2016

Un Suédois à Paris au XVIIIe siècle : la collection Tessin
sous la direction de Guillaume Faroult, Xavier Salmon et Juliette Trey
Paris : Louvre éditions, [2016]
"Le comte Carl Gustaf Tessin assuma les fonctions d'ambassadeur de Suède à Paris de 1739 à 1742. Missionné par le roi Fredrik je pour défendre à Versailles les intérêts de sou pays, et peut-être pour engager des artistes en vue de la décoration du Palais royal de Stockholm, il ne manqua pas de participer aux temps forts de la scène artistique parisienne. Durant ces trois années, grâce à sa familiarité avec le marché de l'art mais aussi en qualité de conseiller artistique Suède, il se livra à ce qu'il nommait sa "tableaumanie", collectionnant avec passion peintures et dessins, d'abord pour le compte du roi puis très vite pour son compte personnel, fréquentant de nombreux artistes, tels François Boucher ou Chardin, se liant d'amitié avec l'"amateur" Pierre Jean Mariette et achetant plus de deux mille dessins à l'exceptionnelle vente Crozat de 1741. À son retour en Suède, criblé de dettes, il fut contraint de vendre une partie de sa collection de peintures et de dessins, dont la majeure partie est aujourd'hui conservée au Nationalmuseum de Stockholm. Bien plus qu'un florilège de chefs-d'oeuvre, cet ouvrage rend un hommage au plus extraordinaire collectionneur suédois, et donne par là même une image du marché de l'art et du goût parisien au milieu du XVIIIe siècle."--Page 4 of cover.
Sherman N6754 .S84x 2016

Geste baroque : collections de Salzbourg
sous la direction de Regina Kaltenbrunner et Xavier Salmon ; textes de Astrid Ducke and eleven others
Salzburb : Salzburg Museum, neue Residenz, [2016]
"Les terres de langues germaniques ont compté parmi les foyers de création du baroque et du rococo les plus fertiles. Les plus grands maîtres allemands et autrichiens y travaillèrent sur de prestigieux chantiers commandités par le pouvoir tant laïc que religieux. Cité millénaire, Salzbourg a été l'un de ces chantiers les plus actifs. Ses princes-archevêques la transformèrent, métamorphosant la cité médiévale en une ville baroque grandiose, dont l'éclat rivalisa avec celui des plus belles villes européennes jusqu'à son déclin en 1803. Patrie de la musique, qui enfanta Wolfgang Amadeus Mozart en 1756, elle fut aussi celle de l'architecture, de la peinture et de la sculpture, au point d'être souvent considérée comme la Rome du Nord. Cet ouvrage réunit une centaine d'oeuvres, dessins, peintures et sculptures provenant des musées et des collections religieuses qui ont été constitués dès cette époque à Salzbourg. Il invite à mieux connaître et à comprendre l'originalité du baroque et du rococo salzbourgeois et leur rayonnement en Autriche et en Allemagne du Sud."--Page 4 of cover.
Sherman N6810.S24 G47x 2016

Ways of pointillism : Seurat, Signac, Van Gogh
edited by Heinz Widauer ; with a preface by Klaus Albrecht Schröder and Lisette Pelsers, and essays by Michael Baumgartner and 5 others ; translations from German: Brigitte Willinger, Gerard A. Goodrow ; translations from French: David Radzinowicz
Munich : Hirmer Verlag, [2016]
With their pioneering method using dots, the artists of Pointillism no longer directed their gaze only towards the imitation of reality. In their paintings between 1886 and 1930 their dots, colour and light assumed an independent existence to create masterpieces of unprecedented brightness and colour diversity. 0The works by the inventors of this technique, Georges Seurat and Paul Signac, marked the beginning of this exuberant outburst of colour. Works by Henri Matisse, Pablo Picasso, Carlo Carrá, Karl Schmidt-Rottluff, Piet Mondrian and Paul Klee demonstrate how artists made a study of Pointillism during the 20th century. Vincent van Gogh contributed to the way that modernist painters abandoned Pointillism. More than 100 selected works, including paintings, watercolours and drawings, illuminate the dawn of a new era which this art movement was responsible for bringing about: the beginning of modern painting.
Sherman N6465.N44 W39 2016

Sünde und Secession : Franz von Stuck in Wien = Sin and secession : Franz von Stuck in Vienna
herausgegeben von Agnes Husslein-Arco und Alexander Klee
München : Hirmer , 2016
Sherman N6888.S785 A4 2016

Dutch old masters from Budapest : highlights from the Szépmüvészeti Múzeum
Ember, Ildikó
Rotterdam : Nai010 uitgevers, c2016
From 12 November, the Frans Hals Museum in Haarlem presents 80 works by Dutch masters from one of the finest collections in the world, that of the Szépmüvészeti Múzeum in Budapest. Works by artists from Haarlem including Willem Buytewech, Willem Claesz Heda, Pieter Saenredam and Jacob van Ruisdael are shown alongside works by famous Dutch and Flemish painters such as Hendrick Avercamp, Jan Lievens and Anthonie van Dyck. Moreover, on the occasion of the 350th year of Frans Hals's death in 2016, two of his beautiful portraits that are now in Budapest are reunited with his paintings at the Frans Hals Museum. The publication presents these gems from the Szépmüvészeti Múzeum through large colour images and informative texts about genres, techniques and the collection as a whole, thus throwing new light on the Haarlem pieces and at the same time painting a kaleidoscopic picture of the art of this period. Exhibition: Frans Hals Museum, Haarlem, The Netherlands (11.11.2016-12.02.2017).
Sherman N6946 .E43 2016

The art of law : three centuries of justice depicted
editorial team, Stefan Huygebaert ... et al. ; texts by Matthias Desmet ... et al.
Tielt : Uitg. Lannoo N.V., c2016
During the late-medieval period, law courts frequently commissioned paintings to grace their Aldermen chambers. Among the favourite themes were the so-called exempla iustitiae, examples of 'good' and 'bad' justice, derived from Biblical, historical and legendary tales. It was not until the Renaissance that the well-known image of Lady Justice took shape, recognised by her scales, sword and blindfold.0In this book, depictions of the Last Judgement and other justice scenes, as well as allegories and visualisations of (sometimes gruesome) torture and execution practices are placed within an art-historical and legal-historical context. The authors' approaches to the highly popular theme of law and justice will appeal to both experts and novices with the subjects. For the exhibition, more than 120 works from Belgian and international collections, including private collections, are brought together, with masterpieces from Bruges forming the core of the exhibition.00Exhibition: Groeningemuseum, Bruges, Belgium (28.10.2016-05.02.2017).
Sherman N8219.L3 A78 2016

Ernst Ludwig Kirchner : Hieroglyphen
Kirchner, Ernst Ludwig, 1880-1938, artist
Berlin : Verbrecher Verlag, 2016
Mit der Ausstellung 'Ernst Ludwig Kirchner: Hieroglyphen' werden die Werke Kirchners aus der Sammlung der Nationalgalerie erstmals geschlossen vorgestellt. Kaum ein Museum in Deutschland kann die Vielfalt im Schaffen dieses Künstlers so eindrücklich wiedergeben wie gerade die Nationalgalerie mit ihrem Bestand. Ergänzt durch markante Leihgaben, die Kirchners Konzept der 'Hieroglyphe' verdeutlichen, und Arbeiten der zeitgenössischen Künstler Rosa Barba und Rudolf Stingel bietet die Ausstellung einen neuen Einblick in das Schaffen des Expressionisten. 0Exhibition: Hamburger Bahnhof, Berlin, Germany (23.09.2016-26.02.2017).
Sherman N6888.K45 A4 2016

Kathedrale - Kunstgeschichte - Kulturwissenschaft : Ansätze zu einer produktiven Problemgeschichte architekturhistorischer Deutungen
Nille, Christian
Frankfurt am Main : PL Academic Research, Imprint der Peter Lang GmbH, c2016
Das Buch stellt erstmals die architekturhistorischen Deutungen der mittelalterlichen Kathedrale zusammen, welche die Forschung in den letzten rund 150 Jahren erarbeitet hat. Diese Deutungen verortet und diskutiert der Autor im Kontext der allgemeinen Kunstgeschichte sowie der Kulturwissenschaft. Ziel ist es, zentrale Forschungsprobleme und deren Lösungen aus den einzelnen Bereichen herauszuarbeiten und für die anderen Bereiche zu nutzen. Diese produktive Problemgeschichte geht zunächst wissenschaftsgeschichtlich vor, um die Ergebnisse dann für die aktuelle Forschung produktiv zu machen. Der Leser erfährt somit, wo die Forschung steht, auf welchen Traditionen sie beruht, welche Alternativen dazu existieren und wie sich einzelne Problemlösungen sinnvoll kombinieren lassen.
Sherman NA4830 .N55 2016

Nymph : motif, phantom, affect. Part II, Aby Warburg's (1866-1929) butterflies as art historical paradigms
Baert, Barbara, author
Leuven : Peeters, 2016
"This essay, a meditation on the butterfly and its resonance in art history, is organized in three parts. I begin with Aby Warburg's fascination with moths and butterflies as documented by (1) his letters to Andre Jolles (e.g. the letter from 1900 known as 'But such high-flown movements are not for me'), (2) the Kreuzlingen pathological report and archives by Ludwig Binswanger (1881-1966) preserved in Tubingen, and (3) the 'Ninfa fiorentina' file in the Warburg Institute. As 'Seelentierchen' - soul animals, 'psyche' - butterflies are archetypically connected to deep cultural affects regarding the soul, resurrection and immortality. Part 2 of the paper considers the butterfly as paradigm for the visual medium and the oculocentric paradigms in art history. Indeed, the butterfly has a specific visual (and sensory) impact on humankind with its flashy, quick, vibrant and hypnotic wings, its medusian eyes and its capability to camouflage itself (cf. 'Sciences diagonales' by Roger Caillois (1913-1978)). Hypnosis, Medusa and camouflage are three important paradigms with which to consider the essence of the image as a dis/appearing, enchanting, and deceiving medium. In Part 3, the three paradigms become the basis for new reflections about art history (and the history of art history) as a study of the butterfly, in short, as 'lepidopterology'."--Page 4 of cover.
Sherman N7483.W36 B34 2016

Un américain à Paris : dessins d'architecture de la donation Neil Levine = An American in Paris : architectural drawings from the Neil Levine collection
traduction des textes français vers l'anglais, Charles Penwarden
Malakoff : Hazan, [2016]
Préfaces -- L'architecture française du XIXe siècle et les États-Unis: filiation, exposition, collection / Alice Thomine-Berrada -- "Ma véritable Passion": entretien avec Neil Levine / par Alice Thomine-Berarda -- Dessins romantiques / Isabelle Morin-Loutrel -- L'École des beaux-arts / Alice Thomine-Berrada -- Liste des œuvres de la donation Neil Levine au musée d'Orsay.

Premier volume d?une nouvelle collection dévoilant les œuvres graphiques (dessins, photographies, architecture?) du musée d?Orsay, rarement exposées en raison de leur fragilité. Historien de l?architecture, professeur à Harvard, grand spécialiste d?Henri Labrouste et de Frank Lloyd Wright, Neil Levine, a fait don au musée d?Orsay d?une collection exceptionnelle de plus de 300 dessins d?architecture. Le musée d?Orsay exposera cette donation dans ses salles de septembre à fin novembre 2016, la fragilité des œuvres sur papier interdisant toute exposition au-delà de 3 mois. A cette occasion, le musée d?Orsay et les éditions Hazan publient un ouvrage retraçant l?itinéraire de ce collectionneur hors du commun, dont la contribution à la redécouverte de l?architecture du XIXe siècle fut essentielle, et présentant les plus belles pièces de cette donation. 0.
Sherman Oversize NA2695.F8 P37 2016

Creative and imaginative powers in the pictorial art of El Greco
edited by Livia Stoenescu
Turnhout, Belgium : Brepols Publishers, [2016]
Sherman ND813.T4 C743 2016

Corps en mouvement : la danse au musée
sous la direction de Jean-Luc Martinez ; assisté de Florence Dinet ; textes de Benjamin Millepied, Georges Vigarello, Jean-Luc Martinez
Paris : Éditions du Seuil, [2016]
"Donner corps au mouvement, saisir l'instant qui mérite d'être fixé : tous les artistes poursuivent le même but ; seules les techniques diffèrent. La Petite Galerie, dédiée à l'éducation artistique et culturelle, nous invite pour cette deuxième saison à découvrir la façon dont les artistes ont relevé le défi du mouvement, depuis la matière inanimée jusqu'aux nouveaux codes élaborés par les danseurs-chorégraphes au début du XXe siècle. Des figurines grecques de l'Antiquité aux sculptures d'avant-garde de Degas ou Rodin, soixante-dix oeuvres s'animent sous les regards croisés de Jean-Luc Martinez, Benjamin Millepied et Georges Vigarello. Un éblouissant pas de deux entre choréraphie, et arts visuels."--Page 4 of cover.
Sherman N8217.D3 C67 2016

Expressões artísticas urbanas : etnografia e criatividade em espaços atlânticos
Lígia Ferro, Otávio Raposo, Renata de Sá Gonçalves (organizadores)
Rio de Janeiro : Mauad X, 2015
Sherman N6655.6 .E97 2015

第1版
吴昊, 1957- author
Beijing : Zhongguo jian zhu gong ye chu ban she, 2015
Baker Berry East Asian NA1546.G36 W843 2015

Civic aesthetics : militarism, Israeli art, and visual culture
Roei, Noa, author
London : Bloomsbury Academic, 2017
Exploring the politics of the image in the context of Israeli militarized visual culture, Civic Aesthetics examines both the omnipresence of militarism in Israeli culture and society and the way in which this omnipresence is articulated, enhanced, and contested within local contemporary visual art. Looking at a range of contemporary artworks through the lens of "civilian militarism", Roei employs the theory of various fields, including memory studies, gender studies, landscape theory, and aesthetics, to explore the potential of visual art to communicate military excesses to its viewers. This study builds on the specific sociological concerns of the chosen cases to discuss the complexities of visuality, the visible and non-visible, arguing for art's capacity to expose the scopic regimes that construct their visibility. Images and artworks are often read either out of context, on purely aesthetic or art-historical ground, or as cultural artefacts whose aesthetics play a minor role in their significance. This book breaks with both traditions as it approaches all art, both high and popular art, as part of the surrounding visual culture in which it is created and presented. This approach allows a new theory of the image to come forth, where the relation between the political and the aesthetic is one of exchange, rather than exclusion.
Sherman N72.S6 R64 2017

福建古建筑 / 戴志坚, 陈琦著
戴志坚, author
Beijing : Zhongguo jian zhu gong ye chu ban she, 2015
Baker Berry East Asian NA1546.F84 D35 2015

Cathédrales de Provence
sous la direction de Yann Codou et Thierry Pécout ; préface de Mgr Georges Pontier
Paris : Place des victoires, [2015]
Depuis la Côte d’Azur jusqu’au Rhône, des Alpes à la Méditerranée, la Provence n’est guère perçue comme terre de cathédrales dans l’imaginaire collectif. Et pourtant, cette région connut les premières traces de communautés chrétiennes organisées des Gaules et la présence des papes à Avignon. Près d’une trentaine de cathédrales, parfois éphémères, y virent le jour au fil des siècles. La plupart portent l’empreinte de l’époque médiévale, inspirée tant par le classicisme romain antique que par l'austérité monastique. Beaucoup aussi furent marquées par la reconquête catholique des Temps modernes dont le baroque exprime l’étourdissant programme. Enfin, les dernières d’entre elles, édifiées au XIXe siècle, sont parmi les plus récentes de France et tentent par leurs inspirations variées de rendre hommage à leurs prestigieuses devancières.0Trente-trois spécialistes – historiens, historiens de l’art, archéologues – et neuf évêques nous invitent à une découverte exceptionnelle, somptueusement illustrée.0.
Sherman Oversize NA5549.P7 C374 2015

Francis Bacon : Unsichtbare Räume = invisible rooms
Bacon, Francis, 1909-1992
Munich : Prestel, c2016
This beautifully illustrated book on the work of Francis Bacon, one of the 20th century's greatest painters, takes an in-depth look at his trademark motif of figures imprisoned within ghostly frames. Arguably one of the most influential and original painters of the 20th century, Francis Bacon painted haunting portraits that employed themes of crucifixion, torment, and isolation. Incorporating the insights of 'The Logic of Sensation', French philosopher Gilles Deleuze's seminal criticism of Bacon's work, this volume highlights Bacon's approach to space as one of the defining forces of his work. By organizing the spatial and dramatic structure of his compositions with barely visible cubic or elliptical cages, his figures become trapped in a kind of invisible room. This sense of confinement creates a direct, unsettling impression on the viewer, and further emphasizes the painter's dark vision. This book features stunning reproductions of 40 large-scale paintings, including 'Study for a Portrait' (1952), 'Chimpanzee' (1955), 'Three Studies of the Male Back' (1970), and 'Sand Dune' (1983) as well as a selection of rarely exhibited works on paper. This book also contains a series of essays that explore the range of variation in Bacon's use of isolating constructions over a period of nearly 50 years, as well as the nature of his painting technique and compositions. Exhibition: Staatsgalerie Stuttgart, Germany (07.10.2016-08.01.2017).
Sherman ND497.B16 A4 2016b

Rubens e la nascita del Barocco
a cura di Anna Lo Bianco
Venezia : Marsilio Editori, [2016]
Sherman ND673.R9 R8 2016

Toward a hot Jew
Libicki, Miriam, artist
Seattle, Washington : F.U. Press, an imprint of Fantagraphics Books, 2016
Sherman NC1429.L51 T69 2016

Guttuso : inquietudine di un realismo
a cura di Fabio Carapezza Guttuso, Crispino Valenziano
Roma : De Luca editori d'arte, [2016]
Sherman N6923.G87 A4 2016

Territórios : artistas afrodescendentes no acervo da Pinacoteca = Territories : afro-descendant artists in the Pinacoteca's collection
curadoria, Tadeu Chiarell ; textos, Tadeu Chiarelli, Claudinei Roberto da Silva e Fabiana Lopes
São Paulo, SP : Pinacoteca de São Paulo, [2016]
Vistas da exposição = Exhibition views -- Sobre a mostra Territorios: artistas afrodescentes no acervo da Pinacoteca = About the exhibition "Territories : Afro-descendant artists in the Pinacotecas collection" / Tadeu Chiarelli -- Quem reagiu esta vivo: Arte e afrodescendencia = Those who react are alive. Art and afro-descendancy: mapping terrains / Claudinei Roberto da Silva -- Territorio silenciado, territorio minado -- Obras expostas = A silent terrain, an undetermined terrain: counter-narratives in the work of afro-descendant artists / Fabiana Lopes -- Obras expostas = Works on exhibition.

The Pinacoteca de São Paulo, in addition to changing its name -the institution adopted the surname Pina- opened the exhibition Coleções em diálogo: Museu Paulista e Pinacotecaʺ. The exhibition comprises selected holdings of the museum by Brazilian Afrodescent artists. Artists include: Arthur Timótheo da Costa, Mestre Valentim, Rubem Valentim, Antonio Bandeira, Antonio Bandeira, Jaime Lauriano, Rosana Paulino, Romulo Vieira Conceição, Emanoel Araújo, Miguelzinho Dutra and Octávio Araújo.
Sherman N6655 .T4 2016

Origini e storia : Roma architettura città : frammenti di Rinascimento
Gargano, M. author
Roma : Roma nel Rinascimento, 2016
Sherman NA1120 .G36 2016

第1版
王纲怀, 1941- author
Beijing : Qing hua da xue chu ban she, 2016
Baker Berry East Asian NK8440.2.C6 W36 2016

皖南商周青铜器研究 = Study on Shang-Zhou bronzes unearthed in southern Anhui / 陆勤毅, 宮希成主编
Beijing : Wen wu chu ban she, 2016
Baker Berry East Asian NK7983.A3 A54 2016

Art and its responses to changes in society
edited by Ines Unetič, Martin Germ, Martina Malešič, Asta Vrečko and Miha Zor
Newcastle upon Tyne, UK : Cambridge Scholars Publishing, [2016]
This book brings together studies of young researchers dealing with the topics of decline, transformation, and rebirth from various points of view, characteristic of several different fields of the humanities and social sciences, in order to yield new insights into the analyzed subjects. The topics discussed here are diverse: on the one hand, several chapters deal with the metamorphosis of particular pictorial or architectural motifs and concepts, while on the other, studies are included that are dedicated to the analysis of the opera of individual artists, to various periods in architecture and landscape architecture, and to national and state commissions in art, as well as representations of WW2 atrocities in Yugoslavia and attempts to artistically reaffirm Christian symbolism after the end of socialism. As such, the book entails diverse scientific perceptions of art and society, from antiquity to modernity, from architecture to moving picture, from the USA to Yugoslavia, and from research on an object to observations on a concept.
Sherman N72.S6 A77 2016

Maria Mater Misericordiae : l'iconografia mariana nell'arte dal Duecento al Settecento
a cura di Giovanni Morello e Stefano Papetti
Cinisello Balsamo, Milano : Silvana editoriale, [2016]
Sherman N8070 .M366 2016

La invención del cuerpo : arte y erotismo en el mundo clásico
Sánchez, Carmen, 1958- author
Madrid : Siruela, [2015]
Sherman N5630 .S313 2015

La Certosa di Ferrara : una città nella città : la configurazione dello spazio tra disegno e progetto
a cura di Manuela Incerti ; presentazione, Maria Teresa Bartoli ; testi di Manuela Incerti and four others
Bologna : Bononia University Press, settembre 2016
Sherman NA5621.F47 C47 2016

Marca-Relli : tra figura e astrazione = from figure to abstraction
Marca-Relli, Conrad, 1913-2000, artist
[Poggibonsi] : Carlo Cambi editore, [2016]
Sherman N6537.M36 A4 2016

Domenico Spinosa : una vita per l'arte, 1916-2007
a cura di Valentina Lanzilli, Aurora Spinosa
Milano : Skira, [2016]
Sherman ND623.S663 A4 2016

Resistencias al olvido : memoria y arte en Colombia
Grupo Ley y Violencia ; María del Rosario Acosta López (compiladora)
Bogotá : Universidad de los Andes, Facultad de Artes y Humanidades, Departamento de Art, 2016
Presentación / María del Rosario Acosta López -- Prólogo. Desaparición y evanescencia : el arte contemporáneo y la violencia / María Victoria Uribe Alarcón -- Las fragilidades de la memoria : duelo y resistencia al olvido en el arte colombiano (Muñoz. Salcedo. Echavarría) / María del Rosario Acosta López -- Pensar con las manos : otra mirada a las relaciones entre arte y memoria en la obra de Óscar Muñoz / Miguel Gualdrón -- El canto de la lira : dos figuras de duelo a partir de Treno (canto fúnebre) de Clemencia Echeverri / Juan Diego Pérez Moreno -- Los "silencios del dolor" : sobre el tacto en Sudarios de Érika Diettes / Ángela María Duarte Pardo -- Escenarios en el tiempo: de Grano a Territorio de decepción (Miguel Ángel Rojas) / Ximena Gama Chirolla -- En las fauces de Saturno : tres paseos melancólicos por El Caballero de la fe de José Alejandro Restrepo / Daniel Moreno -- Flores kenóticas, o el tacto de lo inmemorial : el duelo por el desaparecido en "A flor de piel" de Doris Salcedo / Juan Diego Pérez Moreno -- Entre "memoria histórica" y "arte": la guerra que no hemos visto y el anonimato de los excombatientes / María Juliana Rojas Berrío -- Teatro y violencia : en los dientes de la guerra de Enrique Buenaventura / Manuel Alejandro Garzón -- El sonido latente de los Montes de María / Adelaida Barrera Daza -- Sobre violencia, memoria y transición en Colombia : las fotografías del periodista Jesús Abad Colorado / Ángela María Duarte Pardo.

"The book brings together texts that explore the problematic relationship between some artistic expressions such as performance, video installations, music, and theatre, and that omnipresent phenomenon that we have called violence in Colombia. And all this in order to raise from the perspective of Colombian artists and works in particular the question about the possibilities that art has for representing memory, trauma and grief."--Verso Cover.
Sherman N8257 .R47 2016

FuturBalla : vita, luce, velocità
a cura di Ester Coen ; testi, Vincenzo Barone, Ester Coen, Giorgio Muratore, Luca Francesco Ticini
Milano : Skira, [2016]
Sherman N6923.B27 A4 2016

Alphonse Mucha
Mucha, Alphonse, 1860-1939, artist
Milano : Skira, 2016
Sherman N6834.5.M8 A4 2016

L'impressionismo di Zandomeneghi
Zandomeneghi, Federico, 1841-1917, artist
Venezia : Marsilio, settembre 2016
Sherman ND623.Z32 A4 2016

Ai Weiwei : libero
a cura di Arturo Galansino ; testi di Arturo Galansino and 4 others
Firenze : Giunti, settembre 2016
Libero / Arturo Galansino -- Ai Weiwei: la libertà in azione / Karen Smith -- Intervista ad Ai Weiwei / Hans Ulrich Obrist -- Frammenti di storia / Tim Marlow -- Intervista a Olafur Eliasson / Hans Ulrich Obrist -- Catalogo / testi introduttivi, Arturo Galansino, Ludovica Sebregondi -- Biografia / Ludovica Sebregondi.
Sherman N7349.A5 A4 2016

Splendida minima : piccole sculture preziose nelle collezioni medicee dalla Tribuna di Francesco I al tesoro granducale
a cura di Valentina Conticelli, Fabrizio Paolucci, Riccardo Gennaioli
Livorno : Sillabe, [2016]
Sherman NB1277 .S65 2016

Ricerche a Santa Maria Novella : gli affreschi ritrovati di Bruno, Stefano e gli altri
a cura di Anna Bisceglia
Firenze : Mandragora, [2016]
Sherman ND2757.F5 R53 2016

Italia Pop : l'arte negli anni del boom
a cura di Walter Guadagnini e Stefano Roffi ; saggi, Antonio Carnevale and 4 others
Cinisello Balsamo, Milano : Silvana editoriale, [2016]
Introduzione: invasione pop nella villa del professore / Stefano Roffi -- Breve dizionario dei luoghi comuni (e non) sulla Pop Art italiana / Walter Guadagnini -- Aria pop in Italia: "sculture", "oggetti" e altre "cose" tra gli anni cinquanta e sessanta: testimonianze, esempi e frammenti per una breve coronistoria critica / Gaspare Luigi Marcone -- Sconfinamenti pop / Antonio Carnevale -- Chi ha paura della Pop Art italiana? / Walter Guardagnini -- La Pop Art e i libro d'artista / Mauro Carrera -- Catalogo: Prima della Pop Art -- Michelangelo pop -- Pittori della vita moderna -- Po(p)litica -- Aria pop negli oggetti e nelle sculture degli anni sessanta -- Il librao d'artista e il disco nella Pop Art italiana -- Apparati: Biografie -- Bibliografia essenziale / a cura di Walter Guadagnini e Isotta Langiu.
Sherman N6918.5.P6 I73 2016

García-Llort observant com va el món : Barcelona, París, Louisiana, Torredembarra
Mitrani, Alex, author
Barcelona : Viena Edicions, 2015
Sherman ND813.G2926 M58 2015

The carpet and the connoisseur : the James F. Ballard collection of oriental rugs
Walter B. Denny with Thomas J. Farnham
St. Louis, MO : Saint Louis Art Museum, [2016]
Chronology -- Ballard the collector / Thomas J. Farnham -- The Ballard collection in context / Walter B. Denny -- A short note on carpet technique / Walter B. Denny -- Catalogue.

Catalogue of one of the USA's premier collections, given to the St Louis Art Museum by a pioneering local businessman and his daughter; the collector's taste was far in advance of his time and highly regarded. Accompanies an eponymous exhibition.
Sherman NK2808 .S77 2016

Demos und Thanatos : Untersuchungen zum Wertsystem der Polis im Spiegel der attischen Grabreliefs des 4. Jahrhunderts v. Chr. und zur Funktion der gleichzeitigen Grabbauten
Bergemann, Johannes
München : Biering & Brinkmann, ©1997
Sherman Oversize NB133.5.S46 B47 1997

Georgia O'Keeffe
edited by Tanya Barson
New York : Abrams, [2016]
Reader's Digest Endowed Book Fund.
Sherman ND237.O5 A4 2016

日本の建築ディテール1964 [downward arrow] 2014 : 半世紀の流れのなかで選び抜かれた作品群 / 彰国社編
Tōkyō : Kabushiki Kaisha Shōkokusha, 2016
Baker Berry Japan NA1555 .N556 2016

壁中圣境 : 高志勇西藏壁画影像精粹 = Holy land in the wall : Gao Zhiyong's photography collection of Tibetan murals / 金磊[and three others]主编
高志勇, photographer
Wuhan : Wuhan da xue chu ban she, 2016
Baker Berry East Asian N7346.T5 G368 2016

Pintura en voz baja : ecos de Giorgio Morandi en el arte español
textos de Pedro Morales Elipe, Agustín Valle, Hugo Mujica
Granada : Centro José Guerrero, [2016]
Sherman N6923.M6 A4 2016

高昌艺术研究 / 主编胡洪庆, 李季莲 ; 副主编侯世新, 李肖
中国古代民族艺术研究系列
Ben shu an zhao hui hua, diao su, jian zhu, xi ju, yin yue, wu dao, fu shi, shu fa, gong yi mei shu ge zhuan ti jin xing liao fen lei yan jiu.
Baker Berry East Asian NX583.A3 T874 2014

Carlo Pittara e la scuola di Rivara : un momento magico dell'Ottocento pedemontano
Marini, Giuseppe Luigi, editor
Torino : AdArte, 2016
Sherman ND623.P6922 A4 2016

Le faenze di Lucio Fontana
Biolchini, Irene
Faenza : Museo Internazionale delle Ceramiche, [2015]
Sherman N6923.F6 B56 2015

Entre Aidós y Peitho : la iconografía del gesto del velo en la Antigua Grecia
Aparicio Resco, Pablo, author
Madrid : Jas Arqueología Editorial, 2015
Sherman N5633 .A63 2015

Zandomeneghi
Bietoletti, Silvestra, author
Firenze : Giunti, [2016]
Sherman ND623.Z32 B54 2016

Ai Weiwei
Galansino, Arturo, author
Firenze : Giunti, [2016]
Sherman N7349.A5 G35 2016

I Nabis, Gauguin e la pittura italiana d'avanguardia
catalogo a cura di Giandomenico Romanelli, Franca Lugato
Venezia : Marsilio, settembre 2016
Sherman ND547.5.N3 N33 2016

Martin de Tours : le rayonnement de la cité
commissariat général, Sophie Join-Lambert, conservateur en chef du patrimoine, directrice du musée des Beaux-Arts de Tours
Cinisello Balsamo, Milano : Silvana editoriale, [2016]
Sherman N8080.M32 M37 2016

Giorgio Cattani : di là da dove per andare dove
Cattani, Giorgio, artist
Milano : Skira, [2016]
Sherman N6923.C373 A4 2016

Gabriele Galantara : la missione della caricatura nella storia e nell'arte
a cura di Fabio Santilli
Montelupone : Centro studi Gabriele Galantara, 2016
Sherman NC1529.G35 G33 2016

L'impero di Spagna allo specchio : storia e propaganda nei dipinti del Palazzo Reale di Napoli
Palos, Joan Lluís, author
Napoli : Arte'm, [2016]
Sherman ND2757.N28 P35 2016

Caravaggio sconosciuto : le origini del Merisi, eccellente disegnatore, maestro di ritratti e di cose naturali
Moro, F. author
Torino : Umberto Allemandi, [2016]
Sherman ND623.C26 M66 2016

Scoperte e massacri : Ardengo Soffici e le avanguardie a Firenze
a cura di Vincenzo Farinella, Nadia Marchioni
Firenze : Giunti, settembre 2016
Sherman N6923.S56 A4 2016

Enrico Baj : l'invasione degli ultracorpi = l'invasion des ultracorps
Baj, Enrico, 1924-2003, artist
Cinisello Balsamo, Milano : Silvana editoriale, [2016]
Le thème de l?ultra-corps a peuplé l?art d?Enrico Baj (Milan, 1924 - 2003) pendant plus de trente ans, à partir de 1951. En parcourant les lignes de la riche production du maître milanais, le volume reconstruit les transformations et les changements de cette "invention figurative" particulière. L?ultra-corps est une créature anthropoïde qui a acquis une âme et un corps dans la pensée de Baj, non seulement comme motif iconographique d?une ironie amère et d?un humour noir, mais aussi comme métaphore de craintes profondes, d?une part, liées au risque contingent d?une guerre nucléaire, d?autre part, marquées par un spectre universel plus caché. 0C?est une série de peintures et de collages qui illustrent le thème de l?ultra-corps, ainsi que quelques exemplaires des séries des "meubles" et des "miroirs", des "meccanos", des "généraux"" et des "modifications" ainsi que trente petits personnages "en meccano" qui constituent le Théâtre d?Ubu (1985) et l?installation monumentale de l?"Apocalypse" (1978-1983). 0Grâce à une riche anthologie de textes, le volume documente aussi l?activité de Baj en tant que théoricien, journaliste et écrivain qui a su entretenir un dialogue fécond avec les principaux intellectuels et artistes du XXe siècle, dont André Breton, Arturo Schwarz, Italo Calvino, Dino Buzzati, Umberto Eco, Jean Baudrillard, Octavio Paz, Edoardo Sanguineti, pour ne citer que quelques-uns. 0Exhibition: Musée Archéologique Régional, Aoste, Italy (11.06.-09.10.2016).
Sherman N6923.B25 A4 2016

Lawrence Alma-Tadema : at home in Antiquity
edited for the Fries Museum by Elizabeth Prettejohn & Peter Trippi ; introductions by Elizabeth Prettejohn ; essays by Jan Dirk Baetens, Ivo Blom, Petra ten-Doesschate Chu, Markus Fellinger, Charlotte Gere, Elizabeth Prettejohn, Daniel Robbins, Marlies Stoter, Peter Trippi ; highlights by Eline van den Berg, Carolyn Epps Dixon, Alistair Grant, Anne Helmreich, Ian Jenkins, Stephanie Moser, Wendy Sijnesael, Robert Verhoogt
New York : Prestel, [2016]
This re-evaluation of the Dutch- born painter Lawrence Alma-Tadema traces his personal and artistic journey towards international fame and success in London and investigates how this exceptionally creative artist used his own houses and studios as laboratories to produce vivid paintings of life in ancient Greece, Rome, and Egypt. Lawrence Alma-Tadema's paintings were immensely popular among his contemporaries, and have since enchanted a wide audience through the medium of cinema. Anyone who has ever enjoyed the great epic films of antiquity from Italian silent classics and Cecil B. DeMille to Ridley Scott s Gladiator will instantly recognize their origins in sets and costumes Alma-Tadema invented. Accompanied by glowing reproductions of the artist's rich and detailed works, this book boldly re-assesses Alma-Tadema's art through the idea of home: from his admiration for the interiors depicted in early Dutch paintings through his fascination with Pompeian ruins, to his creation of large studio houses that were artworks in their own right.
Sherman ND497.A4 A4 2016

Doug Aitken : Electric earth
organized by Philippe Vergne ; essays by Joseph Grima, Anna Katz, Norman M. Klein, Glenn D. Lowry, Philippe Vergne
New York : DelMonico Books-Prestel, 2016
You are here and so am I / Philippe Vergne -- Doug Aitken, mapmaker / Anna Katz -- From Sleepwalkers to Station to station : inverting the museum / Glenn D. Lowry -- An architecture for the now / Joseph Grima -- A granular history of space : Doug Aitken / Norman M. Klein.

Accompanying the artist's first full-scale survey exhibition, this generously illustrated book explores Doug Aitken's work across mediums, disciplines, and themes. From photography to architecture, and from video to spoken word, Doug Aitken has delved into a variety of art forms to create a provocative body of work. This volume surveys the full scope and depth of Aitken's work: sound pieces, sculpture, architectural experiments, land art and happenings, which embrace a collaborative spirit across disciplines and beyond walls, to re-imagine the nature of what a work of art can be. Interspersed with hundreds of color illustrations, the book's essays examine the plethora of ideas the artist tackles from environmental decay to the end of linear time and explain how and why Aitken challenges many artistic barriers.
Sherman N6537.A4 A4 2016

The art of Clara Peeters
edited by Alejandro Vergara ; exhibition organized by Koninklijk Museum voor Schone Kunsten Antwerpen, Museo Nacional del Prado ; translator Diane Webb (text by Anne Lenders, from Dutch)
Madrid : Museo Nacional del Prado, 2016
Reflections of art and culture in the paintings of Clara Peeters / Alejandro Vergara -- Clara Peeters lays the table: objects and foods through the eyes of Seventeenth-century viewers / Anne Lenders -- Catalogue.
Sherman ND673.P28 A4 2016

Francis Bacon : de Picasso a Velázquez
comisario, Martin Harrison
Bilbao : Guggenheim Bilbao, [2016]
Sherman ND497.B16 A4 2016c

Un nuovo dipinto biblico-pastorale : Jacopo Bassano 1562-1573
Ballarin, Alessandro, author
Verona : Edizioni dell'Aurora, [2016]
Sherman Oversize ND623.B325 B35 2016

Burri e Signorelli : giornata di studi e mostra storico-documentaria
a cura di Catia Cecchetti e Aldo Iori
Città di Castello : Fondazione Palazzo Albizzini Collezione Burri, [2016]
Sherman N6923.B92 B85 2016

Alighiero Boetti
edited by Laura Cherubini ; texts and contributions by Giovanni Anselmo and 23 others ; translation, Riccardo Bruscagli, Simon Turner, Elisabetta Zoni
Florence, Italy : Forma, September 2016
Sherman N6923.B588 A4 2016

Nino Costa (1826-1903) : transnational exchange in European landscape painting
Schmidt, Arnika, author
Cinisello Balsamo (Milano) : SilvanaEditoriale, 2016
Sherman ND623.C795 A4 2016

Karen Gunderson : the dark world of light
Frank, Elizabeth, 1945- author
New York : Abbeville Press, [2016]
"The first comprehensive monograph on contemporary artist Karen Gunderson, written by Pulitzer Prize-winner Elizabeth Frank"--
Sherman ND237.G78 F73 2016

Bosch : tavole di diverse bizzarrie
Bussagli, Marco, 1957- author
Firenze : Giunti, ottobre 2016
Sherman Oversize ND653.B65 B877 2016

Building Chicago : the architectural masterworks
Zukowsky, John, 1948- author
Chicago : in association with the Chicago History Museum, 2016
Architectural survey of Chicago's commercial, residential, and institutional buildings, interiors and exteriors.
Sherman NA735.C4 Z78 2016

The history and architecture of Cardiff Civic Centre : black gold, white city
Hilling, John B., author
Cardiff : University of Wales Press, [2016]
A small, sleepy town in the shadow of a castle -- Black gold -- A gentleman's park -- A battle for sites and minds -- Negotiations and diversions -- Plans and petitions -- A view of the Civic Centre : its layout, appearance and open spaces -- Development of the Civic Centre before the First World War : buildings and monuments -- Development of the Civic Centre between the wars : buildings and monuments -- Development of the Civic Centre after the Seconw World War : buildings and monuments -- Cardiff's Civic Centre in context.
Sherman NA994.C37 H54 2016

Colour, art and empire : visual culture and the nomadism of representation
Eaton, Natasha, 1974- author
London : I.B. Tauris, 2013
Introduction: Chromo Zones and the Nomadism of Colour -- Alchemy, Painting and Revolution in India, c.150-1860 -- Supplement, Subaltern Art, Design and Dyeing in Britain and South Asia, c.1851-c.1905 -- Part 1: Still Dreaming of the Blue Flower? Race, Anthropology and the Colour Sense -- Part 2: Creole Laboratory: Anthropology and Affect in the Torres Strait -- Swadeshi Colour Throughout the Philtre/Filter of Indian Nationalism, c.1905- c. 1947 -- Postscript: With a Rag and a Knife.

'Colour, Art and Empire' explores the entanglements of visual culture, enchanted technologies, waste, revolution, resistance and otherness. The materiality of colour offers a critical and timely force-field for approaching afresh debates on colonialism. Located at thresholds of nomenclature, imitation, mimesis and affect, this book analyses the formation of colour and politics as qualitative overspill.
Sherman N72.P6 E19 2013

神聖圖像 : 李凇中国美术史文集 / 李凇著
李凇, 1956- author
Beijing Shi : Ren min chu ban she, 2016
Baker Berry East Asian N7340 .L4456 2016

Marco Borgianni : dei e eroi = gods and heroes
Borgianni, Marco, 1946- artist
Cinisello Balsamo, Milano : Silvana editoriale, [2015]
Sherman N6923.B5955 A4 2015

中国美术史中的语图关系研究 = The research of relationship between language and picture in the Chinese painting history / 李彦锋著
李彦锋 (Associate professor) author
Beijing Shi : Ren min chu ban she, 2014
Baker Berry East Asian ND1040 .L458 2014

Cathedrals built by the Masons
Herner, Russell, 1939- author
Atglen, PA : Schiffer Publishing, Ltd., 2015
"Through well-researched text, as well as drawings and color photography, this book captures the magnificence of European cathedrals and the brilliance of the Master Builders and craftsmen who designed and built them. Cathedral building is a fusion of man's greatest accomplishments in the arts, sciences, and humanities over the centuries. More than 250 photos and drawings capture the quality and craftsmanship built into these stunning structures created to replicate God's house or heaven on Earth. Color photos illustrate the gorgeous naves, detailed fan vaulted ceilings, beautiful stained-glass windows, flying buttresses, and 650-year-old parchment drawings of the cathedrals. Discover the origin of Gothic architecture, see how Gothic cathedrals were built using primitive tools, and learn about the development of Freemasonry and its direct descent from the stonemasons of the Middle Ages. Enjoy 30 cathedral tours and acquire a few Masonic secrets of the stonemasons."--Publisher's description.
Sherman NA5551.C5 H37 2015

Richard Serra 2014
New York : Rizzoli [distributor], 2015
The question of centering / Neil Cox -- London cross -- Ramble -- Backdoor pipeline -- Dead load -- Biography -- Gagosian exhibitions

Published on the occasion of the exhibitions "Richard Serra, Backdoor Pipeline, Ramble, Dead Load, London Cross, October 11, 2014 - March 4, 2015 ; and Drawing, October 11 - November 22, 2014, Gagosian Gallery, London.
Sherman NB237.S46 A4 2015

Artea eta erbestea (1936-1960) = Arte y exilio (1936-1960)
Carolina Erdocia Castillejo ; itzultzailea = traductor, Jon Alkorta
Donostia-San Sebastián : Hamaika Bide Elkartea, [2015]
Papers presented at the XIII Congreso Internacional sobre la Cultura de los Exilios Vascos in November 2013.
Sherman N7109.P26 C66 2013

Alberto Giacometti : a line through time
Milburn, Claudia, author
London : Bloomsbury Visual Arts, [2016]
Sherman N7153.G47 A4 2016

Reimagined : 45 years of Jewish art
Podwal, Mark H., 1945- artist
New York : Glitterati Inc., 2016
Foreword: celebrating dreams / Elie Wiesel -- Preface: Ink and an inkling -- Mark Podwal, master of the true line / Cynthia Ozick -- Introduction / Mark Podwal -- Essay: on Jewish magic in the art of Mark Podwal / Elisheva Carlebach -- Artworks -- Tapestries and objects.

"Mark Podwal is renowned for his innovative ink drawings and paintings of the Jewish experience. Initially known for his drawings for The New York Times Op-Ed page, he is the illustrator of numerous books in collaboration with the likes of luminaries such as Elie Wiesel, Harold Bloom, and Francine Prose. Reimagined: 45 Years of Jewish Art is a massive collection and first monograph of this famed and prolific artist; one who has connected with art lovers from New York, Prague, Israel, and everywhere in-between. In this extended collection, the reader encounters the diverse array of works that represent and span Podwals illustrious career; from the whimsical, such as Matzoh Moon and Talmud Typewriter, to the political, such as Munich Massacre and Annexing Arab Anger, to the religious, which includes Passover Haggadah illustrations and textile designs from the worlds most historic synagogues"--
Sherman N6537.P554 A4 2016

La Menina ante el espejo : visita al Museo 3.0
Bagué Quílez, Luis, 1978- author
Madrid : Fórcola, [2016]
Sherman ND1135 .B27 2016

Rashid Johnson : within our gates
Johnson, Rashid, 1977- interviewee
Moscow, Russia : Garage Museum Of Contemporary Art, [2016]
Since 2001, Rashid Johnson (born 1977) has risen to international attention with his powerfully visual statements on contemporary culture. Working across painting, photography, sculpture, installation, video and performance, the artist has charted a trajectory that offers fresh readings of art history, social history, psychology and literature. Rashid Johnson: New Work follows the making of the artist's largest work to date: an immersive, living eco-system where fact, fiction, history and mythology converge. Described by the artist as a"brain" that prioritizes poetic rather than logical reason, the work offers unexpected associations between objects, video and sound, that have become untethered from their cultural roots, to provide nuanced readings on clichés of class, nation and race. The first book to follow the development of Johnson's sculptural and installation works, Rashid Johnson: New Work includes an interview with the artist by Kate Fowle and an extensive essay, also by Fowle, which investigates Johnson's influences and references. The New Work series examines in depth the making of a large-scale work, focusing on methods of research and production to provide new perspectives on the practice of a mid-career or established artist whose work resonates across cultures.
Sherman N6537.J627 A4 2016

Pasado y tradición : la construcción visual del imaginario español en el siglo XIX
Vega, Jesusa, author
Madrid : Ediciones Polifemo, 2016
Sherman N72.S6 V435 2016

Santa Maria Antiqua tra Roma e Bisanzio
ideazione, Maria Andaloro ; a cura di Maria Andaloro, Giulia Bordi, Giuseppe Morganti
Milano : Electa, [2016]
Sherman NA5620.S47 S364 2016

Caillebotte, peintre et jardinier
Caillebotte, Gustave, 1848-1894, artist
Madrid, Espagne : Museo Thyssen-Bornemisza, [2016]
Sherman ND553.C243 A4 2016

中原先秦城市防御文化研究 = The study on the city defence culture of the central plains area of the pre-qin period / 张国硕著
张国硕, 1963-
北京市 : 社会科学文献出版社, 2014
Baker Berry East Asian NA497.C6 Z426 2014

北周佛教美术研究 : 以长安造像为中心 = A study on buddhist art in the Northern Zhou dynasty : based on Chang'an statue / 王敏庆著
王敏庆, 1975- author
Beijing : She hui ke xue wen xian chu ban she, 2013
"Ben shu dui bei Zhou Zhang'an zao xiang jin xing le shen ru yan jiu, bu dan jia shen le dui bei Zhou Dunhuang zao xiang de ren shi, er qie geng zhong yao de shi cu jin le dui zheng ge bei Zhou fo jiao mei shu de yan jiu. Ben shu zai quan mian shu li cai liao he fen xi de ji chu shang, zhuo zhong tao lun le yi xi lie zhong yao de xue shu wen ti. Zuo zhe hai fen xi le Bei chao wan qi fo jiao yi shu chuan bo fang xiang de gai bian, ti xian chu Zhongguo fo jiao zhu jian cheng shu, bing xiang zhou bian fu she de qu shi. Ben shu guan yu bei Zhou fo jiao mei shu de yan jiu, mi bu le ci qian guan yu zhe yi yan jiu zhi que huan, shi xue jie dui Bei chao wan qi de fo jiao yi shu you yi ge geng wei wan zheng, qing xi de ren shi, ju you jiao gao de xue shu jia zhi"--Publisher.
Baker Berry East Asian N8193.C6 W37 2013

戦争と芸術 : 美の恐怖と幻影 / 飯田高誉
飯田高誉, 1956- author
[Tokyo] : 東京 ; 立東舎 ; 発売リットーミュージック, 2016
Baker Berry Japan N8260 .I33 2016

Europe in the Renaissance : metamorphoses 1400-1600
edited by the Swiss National Museum, Erika Hebeisen ; texts by Bernard Aikema, Peter Burke, Caroline Campbell, Patrizia Castelli, Felipe Fernández-Armesto, Toby E. Huff, Urs B. Leu, Nicolette Mout, Robert Muchembled, Achatz von Müller, Bernd Roeck, Heinz Schilling, Denise Tonella
Zürich : Swiss National Museum, [2016]
The Renaissance experienced some of the most important advances in human history: the invention of the printing press using movable letters, the discovery of an unknown continent, and the formulation of a new view of the earth. It was a time when people sought to solve the riddles of nature, experimented with alchemy, set out to develop a new medical science, conceived a new vision of humankind, and created beauty in the form of pictures and architecture, sculpture and literature. All these discoveries and creations would have been unimaginable without cultural exchange. The Renaissance was an era of dialogue and new horizons in thinking over great distances and time.
Sherman N6754 .E97 2016

Fragonard : drawing triumphant : works from New York collections
Stein, Perrin, author
New York : The Metropolitan Museum of Art, [2016]
Introduction / Perrin Stein -- Chronology / Kelsey Brosnan -- Fact, fiction, function, and process : Toward a modern view of Fragonard's drawings / Perrin Stein -- Every possible combination : Between inspiration and finish in Fragonard's oeuvre / Marie-Anne Dupuy-Vachey -- Originals, copies, mirrors, and multiples / Perrin Stein -- Catalogue : Early years: Paris to Rome ; Fragonard and the Abbé de Saint-Non ; Etchings inspired by Italy ; Fragonard and the Académie Royale ; Travels with Bergeret, 1773-74 ; Late career and shifting roles ; Etchings with Marguerite Gérard, 1778 ; Fragonard as illustrator ; Ariosto's Orlando Furioso / Perrin Stein, Marie-Anne Dupuy-Vachey, Eunice Williams, and Kelsey Brosnan.

"Jean Honoré Fragonard (1732-1806) was a virtuoso draftsman whose works on paper count among the significant achievements of his time. This book focuses on the role of drawing in Fragonard's creative process and provides a modern reevaluation of his graphic work, while showcasing his mastery and experimentation with drawing in a range of media. Unlike many old master painters, who used drawings primarily as preparatory tools, Fragonard explored their potential as works of art in their own right. The 100 works featured in this publication include well-loved masterpieces, new discoveries, and works that have been long out of the public eye, illuminating the career of a ceaselessly inventive artist whose draftsmanship was at the core of his remarkable body of work." -- Publisher's description
Sherman NC248.F7 A4 2016

Julian Stanczak : from life
Stanczak, Julian, 1928- artist
New York : Mitchell-Innes & Nash, [2014]
Sherman ND237.S73 A4 2014

Maiolica : Italian Renaissance ceramics in the Metropolitan Museum of Art
Wilson, Timothy, 1950- author
New York, New York : The Metropolitan Museum of Art, [2016]
Introduction / Timothy Wilson -- Italian Maiolica painting: composing for context / Luke Syson -- Collecting Italian Renaissance ceramics at the Metropolitan Museum of Art / Timothy Wilson -- Catalogue / Timothy Wilson : Medieval and early Renaissance, ca. 1250-1480 ; First flourishing, ca. 1480-1520 ; Istoriato and lusterware, ca. 1520-1570 ; New forms and ambitions, ca. 1550-1600 ; Aftermath and diaspora, ca. 1600-1700.

"The tin-glazed earthenware known as maiolica reveals much about the culture and spirit of Renaissance Italy. Spectacularly colorful, sometimes whimsical or frankly bawdy, these magnificent objects were generally made for use rather than decoration and present a fascinating glimpse into the realities of daily life. This volume features 135 masterpieces that reflect more than 400 years of exquisite artistry, from early pieces from Pesaro to everyday objects such as albarelli (pharmacy jars), bella donna plates, and humorous genre scenes. Luke Syson provides a wide-ranging introduction and Timothy Wilson, widely considered the foremost scholar in the field, provides an overview of the history and technique of maiolica in The Met collection. As the latest volume in The Met's series of decorative arts highlights, Maiolica is an invaluable resource for scholars and collectors as well as an absorbing general introduction to a multifaceted subject." -- Publisher's description
Sherman NK4315 .W65 2016

Tula Telfair : invented landscapes
Telfair, Tula, 1961- artist
New York : Abrams, 2016
Tula Telfair's hyper-realistic landscape paintings are at once awe-inspiring and extremely personal. Although vividly detailed, the scenes she depicts are not found in nature; they are conjured from memory and imagination. Informed by her experiences growing up on four continents, Telfair produces fantastical visions with delicate brush strokes and a breathtaking mastery of color and light. Suggestive of waterfalls in Africa, deserts of the American Southwest, and ice floes in Antarctica, Telfair's art draws attention to the power and fragility of nature. Essays by Henry Adams and Michael S. Roth explore the technical and aesthetic aspects of Telfair's work, her personal history, and the interplay between realism and invention.
Sherman ND237.T379 A4 2016

Vraurōn : die Tonstatuetten aus dem Heiligtum der Artemis : die jüngere phase
Mitsopoulos-Leon, Veronika, author
Athen : [En Athenais Archaiologikē Hetaireia], 2015
Sherman NB155 .M57 2015

Grandma Moses : American modern
Moses, Grandma, 1860-1961, artist
Bennington, VT : Bennington Museum, 2016
A long-overdue reexamination of beloved American artist Grandma Moses, restoring her rightful place within the canon of mid-century American Art. One of the best-known artists of her time, and a true American legend, Anna Mary Robertson "Grandma" Moses (1860 1961) was often marginalized as a latter-day "folk" painter or a phenomenon of popular media. Accompanying a traveling exhibition, this new book looks closely at the paintings themselves and the artist's compelling biography to reassert her role in the development of a culture of modernist art at mid-century. Presenting fresh research, several scholars examine Moses s name, public persona, painted world, and wildly popular place in American pop culture; address the myth of the self-taught artist; and contextualize her work alongside such contemporaries as Horace Pippin, Elie Nadelman, Yasuo Kuniyoshi, and Morris Hirshfield.
Sherman ND237.M78 A4 2016

A book of hours for Engelbert of Nassau the Bodleian Library, Oxford
Master of Mary of Burgundy, active 1475-1490
London : Phaidon, 1970
Selected pages from Bodleian Library Douce MS 219-220 accompanied by descriptions and commentaries.
Rauner Rare Book ND3174.M3 A65 1970b

Los murales de Diego Rivera en Chapingo : naturaleza fecunda
Pliego Quijano, Susana, author
México, D.F. : Universidad Nacional Autónama de México, Instituto de Investigaciones Estéticas, 2015
Introducción -- Modernidad y revolución: apuntes de una época -- Un sueño de veintiún meses -- Imágenes de renovación: los ciclos cósmicos, la iniciacion, el nacionalismo y la agricultura en los murales del edificio principal -- Muerte y renacimiento: la renovación en los murales de la capilla -- Consideraciones finales -- Anexo. Acta de inauguración de la Escuela nacional de Agricultura en terrenos de la Hacienda de Chapingo, México.

Detailed analytical texts on the artwork of Diego Rivera (b. Mexico 1886-1957) at the former National School of Agriculture (now the Universidad Autónoma Chapingo).
Sherman ND259.R5 P555 2015

Historia de la historia del mueble en España : teoría, historiografía y corrientes metodológicas (1872-2011)
Fernández Paradas, Antonio Rafael, author
Málaga : Universidad de Málaga, 2016
Sherman NK2599 .F47 2016

The art and archaeology of ancient Greece
Barringer, Judith M., 1959- author
Cambridge : Cambridge University Press, 2014
The bronze age and early iron age in Greece -- The geometric period (c. 900-700 B.C.) and the seventh century B.C. -- The archaic Mediterranean -- The classical period: the fifth century B.C -- The late classical period and Alexander, c. 400-323 B.C. -- The legacy of Alexander: the Hellenistic world -- Roman conquest and the conquest of Rome.

An introductory-level textbook for students with little or no background in ancient art. Arranged chronologically from the Bronze and Iron Ages through the Geometric, Archaic, Classical, and Hellenistic periods, and concluding with Greece under the Roman Empire, it focuses on Greek art but also incorporates Near Eastern, Etruscan, and Roman objects. The author examines a variety of media, analyzing marble and bronze sculpture, public architecture, and vase painting, as well as coins, domestic architecture, mosaics, terracotta figurines and reliefs, jewelry, armor, and wall painting. This book adopts an approach that considers objects and monuments within their cultural contexts.
Sherman N5630 .B27 2014

Creative Alaska : a ten-year retrospective of support for Alaska artists, 2004-2013
edited by Sven D. Haakanson Jr. & Amy F. Steffian ; with a foreword by Diane Kaplan and Jayson Smart, and a contribution by Gary H. Holthaus
Fairbanks, AK : University of Alaska Press, 2016
"Alaska has long been a nurturing home for artists, with its stunning natural beauty, rich cultural life, and unique communities. In recent years, artists in Alaska have had an additional source of support: the awarding of annual grants to craftsmen, musicians, performers, visual artists, and writers by the Rasmuson Foundation. Creative Alaska profiles the award winners from 2004 to 2013 in three categories: Distinguished Artists, Fellowships, and Project Awards. Richly illustrated accounts of each of the artists and their work illuminate the challenges and opportunities of the artistic life in Alaska and the powerful impact of the Rasmuson Foundation's support"--
Baker Berry NX510.A5 C74 2016

Imago Montenegrina : contemporary artists from Montenegro
editorial coordination, Enrico Bossan
[Villorba] : Fabrica, 2016
Sherman N7437 .I43 2016

Albania/knots : 163 contemporary artists from Albania
editorial coordination, Enrico Bossan
[Villorba] : Fabrica, 2016
Sherman N7437 .A43 2016

Kazakhstan : no silk way : contemporary artists from Kazakhstan
texts by Luciano Benetton, Enrico Mascelloni, Valeria Ibraeva
Crocetta del Montello (Treviso) : Fabrica, 2016
Sherman N7437 .K39 2016

Mashup : Lob der Kopie
Gehlen, Dirk von, 1975- author
Berlin : Suhrkamp, 2011, ©2011
Baker Berry NX160 .G44 2011

Anthony Caro : sculpture laid bare
edited by Kenneth Brummel
Toronto, Ontario : Art Gallery of Ontario, 2016
Sherman NB497.C35 A4 2016

Michaël Borremans : fixture
Borremans, Michaël, 1963- artist
Málaga : Ayuntamiento de Málaga, [2015]
Sherman ND673.B5387 A4 2015

《兰亭序》研究史料集 / 水赉佑编
Shanghai Shi : Shanghai shu hua chu ban she, 2013
Ben shu shi qi jin hai nei wai wei yi yi ben you guan "Lan ting xu" zhuan ti shi liao de hui bian ji.
Baker Berry East Asian NK3634.W32 L346 2013

Alfredo Ravasco : l'orafo dei principi : il principe degli orafi
a cura di Paola Venturelli
Milano : Skira, [2015]
Sherman NK6498.R38 A4 2015

Alessandro Todescan
Todescan, Alessandro, artist
[Milan] : Editoriale Giorgio Mondadori, febbraio 2016
Sherman N6923.T633 A4 2016

Rossiano 619 : caricature Carlo Marchionni e Filippo
a cura di Simonetta Ceccarelli ed Elisa Debenedetti
Città del Vaticano : Biblioteca Apostolica Vaticana, 2016
Studies on the manuscript Vatican City, Biblioteca apostolica vaticana Rossiano 619, which contains sets of drawings created by and compiled by Carlo Marchionni and his son Filippo Marchionni.
Sherman NC1529.M287 R67 2016

Christo e Jeanne-Claude : water projects
Christo, 1935- artist
Cinisello Balsamo, Milano : Silvana editoriale, [2016]
Sherman N7193.C5 A4 2016

Ippolito Caffi : tra Venezia e l'Oriente, 1809-1866 : la collezione dei Musei civici di Venezia
a cura di Annalisa Scarpa
Venezia : Marsilio, maggio 2016
Sherman ND623.C126 A4 2016b

Joan Fontcuberta : imago, ergo sum
Fontcuberta, Joan, 1955- artist
[Madrid] : La Fábrica, 2015
Essays -- Joan Fontcuberta, beyond photography / Sema D'Acosta -- Poetics of Irony / Josep Ramoneda -- Projects -- Herbarium -- Fauna -- Sputnik -- Securitas -- Pin Zhuang -- Milagros -- Deconstructing Osama -- Trepat -- Interview -- The place of the book / Emmanuelle Waeckerle & Richard Sawdon-Smith.
Sherman N7113.F66 A4 2015

Varlin : dipingere la vita
Varlin, 1900-1977, artist
Milano : Skira, [2016]
Sherman ND853.V37 A4 2016

Carteles de artista : de Toulouse-Lautrec a Jeff Koons : Colección Joseluis Rupérez
textos, Lourdes Moreno, José Piqueras ; biografías, Bárbara García Menéndez, Alberto Gill, Irene Pomar
Málaga : Museo Carmen Thyssen, [2015]
Sherman NC1833.S72 R87 2015

Paint the Revolution : Mexican Modernism, 1910-1950
edited by Matthew Affron, Mark A. Castro, Dafne Cruz Porchini, Renato González Mello ; with essays by Matthew Affron and others
New Haven : In association with Yale University Press, 2016
Sherman ND255 .P35 2016

Art in architecture : building Crystal Bridges Museum of American Art
authors, Linda DeBerry, Robin Groesbeck, Dylan Turk ; editor, Linda DeBerry
Bentonville, AR : In association with Crystal Bridges Museum of American Art, 2016
Nestled in a natural ravine in the Ozark hills, and designed by internationally renowned architect Moshe Safdie, Crystal Bridges Museum of American Art in Bentonville, Arkansas is an architectural masterpiece. Featuring arched copper roofs and glass-walled bridges over ponds created from the inflow of a natural stream, the museum complements the distinctive landscape of northwest Arkansas. With the addition of a stunning collection of American art masterworks, and extensive grounds comprising 120 acres of native hardwood forest, Crystal Bridges seamlessly blends art, architecture, and nature to create a visitor experience unlike any other. This book tells the story of the creation of Crystal Bridges: from concept and an early napkin sketch to the engineering feats required to construct an art museum of international stature in the path of a natural waterway. Featuring new colour photography of the museum's striking architecture paired with quotes from Moshe Safdie, Art in Architecture showcases a fabulous new museum.
Sherman NA6700.B46 C79x 2016

From Kandinsky to Pollock : the art of the Guggenheim collections
edited by Luca Massimo Barbero
[Venice] : Marsilio, [2016]
Sherman N6488.5.G83 D313 2016

Biagio Bellotti, 1714-1789 : ... "patria ut noscat" affinché la mia città mi conosca
testi di Franco Bertolli, Simonetta Coppa, Laura Facchin, Giuseppe Pacciarotti, Augusto Spada
Busto Arsizio (VA) : Nomos edizioni, [2016]
Sherman N6923.B444 B53 2016

Claret / Rocamora : sota l'aparença
Claret, Joan, 1929- artist
[Barcelona] : Fundació Vila Casas, [2014]
Sherman ND813.C517 A4 2015

Agustí Puig : va voler ser boira i va voler ser vent
Puig, Agustí, 1957- artist
[Barcelona] : Fundació Vila Casas, [2014]
Sherman N7113.P854 A4 2014

Il gioco dell'arte
Boetti, Agata, 1972- author
Milano : Electa, aprile 2016
Sherman N6923.B588 B64 2016

Giuseppe Terragni a Roma : con Antonio Carminati, Cesare Cattaneo, Pietro Lingeri, Ernesto Saliva, Luigi Vietti e la collaborazione di Marcello Nizzoli, Mario Radice e Mario Sironi
a cura di Flavio Mangione, Luca Ribichini, Attilio Terragni
Roma : Prospettive, [2015]
Sherman NA1123.T4 A4 2015

La seduzione dell'antico : da Picasso a Duchamp, da De Chirico a Pistoletto
a cura di Claudio Spadoni
Firenze : Mandragora, [2016]
Sherman N6490 .S438 2016

Instituicoes da arte
Emerson Dionisio G. de Oliveira & Maria de Fatima Morethy Couto (orgs.)
Porto Alegre, RS : Zouk Editora, [2012]
Sherman N908.B6 I57 2012

1971 : a year in the life of color
English, Darby, 1974- author
London : The University of Chicago Press, [2016]
Introduction: Social experiments with modernism -- How it looks to be a problem -- Making a show of discomposure: Contemporary Black Artists in America -- Local color and its discontents: the DeLuxe show -- Appendix: Raymond Saunders, Black is a color (1967).
Sherman N6538.N5 E538 2016

kallírrooz, Richard Tuttle, Formal alphabet, (1-20, A-M)
Tuttle, Richard, 1941- artist
Winterthur : Kunstmuseum Winterthur, [2016]
Formal alphabet 1-20 -- Formal alphabet A-M -- Eine Erfahrung von kallírrooz = A kallírrooz experience / Dieter Schwarz -- Ausstellungsansichten = Installation views -- Fünf Nachträge von Henry Lane zu Richard Tuttles Ausstellung kallírrooz im Kunstmuseum Winterthur = Five appendices written by Henry Lane for Richard Tuttle's exhibition kallírrooz in Winterthur, Switzerland.

Mit Richard Tuttle (*1941) wurde 2015 ein grösserer Sammlungsblock aufgebaut, den der amerikanische Künstler in einem Saal des Museums installierte. Nun ist Tuttle erneut präsent mit einer Ausstellung, die im Dialog mit den gleichzeitig gezeigten Werken von Hans Arp steht. Von äusserer Verwandtschaft der Œuvres der beiden Künstler zu sprechen, wäre nicht angebracht. Die Berührung verläuft auf einer anderen Ebene: Tuttle interessiert der Gedanke, dass Arp nicht nur Bildhauer, sondern auch Dichter war und dass in seinem Werk Sprache und Skulptur miteinander verbunden sind, ein Thema, an dem er ebenfalls arbeitet. Arps Skulptur steht, wie Tuttle sagt, auf dem Sockel der Sprache. 00Exhibition: Kunstmuseum Winterthur, Switzerland (27.02.-24.06.2016).
Sherman N6537.T8 A4 2016

Christo and Jeanne-Claude : the floating piers : Lake Iseo, Italy, 2014-2016
photographs by Wolfgang Volz ; picture commentary by Jonathan Henery and Wolfgang Volz ; edited by Simone Philippi ; Italian translation by Monica Pesetti
Köln : Taschen, c2016
The Floating Piers" is Christo and Jeanne-Claude's first large scale project since they realized "The Gates" in 2005 and draws upon their established history of projects in Italy, including "Wrapped Fountain" and "Wrapped Medieval Tower" in Spoleto, 1968; "Wrapped Monuments" in Milan, 1970; and "The Wall - Wrapped Roman Wall" in Rome, 1973-4. As with all of Christo and Jeanne-Claude's projects, "The Floating Piers" is funded entirely through the sale of Christo's original works of art. After the 16-day exhibition, all components have been removed and recycled.This book presents rich photographic coverage of "The Floating Piers" alongside sketches, models, documents and designs, revealing the process behind this waterborne work of art. Incorporating everything from approval procedures to the manufacture of fabric and anchoring elements, it testifies not only to Christo and Jeanne-Claude's unique creative imagination but also to the immense technical, bureaucratic, and logistical feats that allowed the concept to take float. The book was published after the exhibition ended and includes photographs of the project. Exhibition: Lake Iseo , Italy (18.06.-03.07.2016).
Sherman N7193.C5 A4 2016b

Alexander Girard : a designer's universe
Girard, Alexander, artist
[Weil am Rhein, Germany] : Vitra Design Museum, [2016]
Forewords / Mateo Kries ; Ben Watson -- Introduction / Jochen Eisenbrand -- The universe of Alexander Girard / Billy Kiosoglou and Frank Philippin -- The whole world a village: Alexander Girard and folk art / Jochen Eisenbrand -- Alexander Girard, textile architect / Susan Brown -- The theatrical art of displaying "good design" / Monica Obniski -- Designing for dining: restaurants by Alexander Girard / Barbara Hauß -- Alexander Girard in Columbus / Alexandra Lange -- Lessons from the Girard archives / Jonathan Olivares -- Alexander Girard 1907-1993.

"Alexander Girard (1907--1993) was one of the most important modern textile artists and interior designers of the twentieth century. He worked closely with designers such as Charles Eames and George Nelson and combined Pop Art and Folk Art influences to create a colourfully opulent aesthetic language, whose impact continues to be felt today. The richly illustrated catalogue draws on the vast holdings in Alexander Girard's private estate, which were exhaustively investigated for the first time at the Vitra Design Museum. The book presents the entire oeuvre of the multitalented Italian-American designer in all its facets while offering the first scholarly critical examination of his work. Six essays address Girard's textile creations and graphic design for the furniture manufacturer Herman Miller, important interior design projects such as the Irwin Miller House in Columbus, Indiana (1953) and the restaurant La Fonda del Sol in New York (1960), his activities as a pioneering exhibition organizer and curator, his roots in Italy and his passion for folk art, which resulted in a collection of more than 100,000 objects and served as one of the most important sources of inspiration for his own work. In addition to extensive portfolios with never-before-shown archive material, the publication also provides the first comprehensive biography and a complete list of works"--Provided by publisher.
Sherman NK1412.G57 A4 2016

Tinguely
editors, Museum Kunstpalast, Düsseldorf, Stedelijk Museum Amsterdam, Margriet Schavemaker, Barbara Til, Beat Wismer ; essays, Kaira M. Cabañas, Hans-Christian von Hermann, Dominik Müller, Johan Pas, Margriet Schavemaker, Barbara Til, Beat Wismer, Thekla Zell ; theme texts, Claire van Els, Barbara Til ; translation, Dutch-English: Laura Watkinson, German-English, Ben Fergusson
Köln : Verlag der Buchhandlung Walther König; [2016]
This publication offers an extensive overview of the work and life of Jean Tinguely, the Swiss artist who was instrumental in the development of kinetic art.
Sherman NB853.T5 A4x 2016

Entre chiens & chats : Bonnard et l'animalité = A vision of cats and dogs : Bonnard and animality
Bonnard, Pierre, 1867-1947, artist
Le Cannet : Le Musée Bonnard, [2016]
Sherman N6853.B57 A4 2016b

Conservation of classical monuments in the Mediterranean region : a study of anastylosis with case studies from Greece and Turkey
Vacharopoulou, Kalliopi, author
Oxford : British Archaeological Reports, 2016
Sherman NA109.M49 V33 2016

Fra Angelico : liturgie et mémoire
Gerbron, Cyril
Turnhout : Brepols, 2016
"On admet maintenant que les oeuvres de Fra Angelico ne sont pas des images pieuses et un peu mièvres, les reflets d'une spiritualité tendant vers l'ascétisme et le sublime comme le voulait la tradition héritée de Vasari. Cet ouvrage montre qu'elles ne sont pas non plus des oeuvres "modernes" où s'invente le naturalisme de la Renaissance comme le veut l'historiographie récente. Laissant de cette les analyses stylistiques hâtives, l'auteur se concentre sur un groupe de dix oeuvres, dévoilant patiemment leur richesse exégétique et théologique, montrant comment elles étaient activées par leurs destinataires, c'est-à-dire le plus souvent les frères dominicains et l'officiant, à quel type de méditation elles invitaient, quelles prières et quelles formes de relation affective ou cognitive elles appelaient. Les oeuvres de Fra Angelico apparaissent alors profondément intégrées dans le spectacle total que constitue la liturgie, s'unissant à la musique, aux effets lumineux, aux paroles et aux gestes rituels pour élever l'esprit vers le paradis céleste. Conçues selon les principes- des arts de la mémoire abondamment pratiqués par les dominicains, elles sont aussi des "machines" pour la mémorisation, la méditation et l'invention d'autres images; racontant le passé, elles le font toujours pour le présent, à la manière de miroirs moraux qui guident les comportements quotidiens et façonnent la vie spirituelle."--Page 4 of cover.
Sherman ND623.F5 G47x 2016

Michele Oka Doner : how I caught a swallow in midair
Doner, Michele Oka, interviewee
Miami, Florida : Pérez Art Museum Miami, [2016]
Sherman NB237.D66 A4 2016

Rosalyn Drexler : who does she think she is?
Drexler, Rosalyn, artist
Waltham, MA : In association with the Rose Art Museum, 2016
Who does she think she is? / Katy Siegel -- Lost and found / Caitlin Julia Rubin -- Gangster's paradise: Rosalyn Drexler and immigrant culture / Michael Lobel -- Rosalyn Drexler: madly and transgressively embracing the vulgarity of life / Kalliopi Minioudaki -- Five run-ins with Rosalyn Drexler / Jonathan Lethem -- In and out of the ring: Rosalyn Drexler's boxers and the intimacy of violence / Allison Unruh -- Rosalyn Drexler's theater of the domestic grotesque / Stephen Bottoms -- Images / Hilton Als -- Excerpts of novels and plays / Rosalyn Drexler.

"Rosalyn Drexler has always moved between worlds. In the late 1950s and early '60s, she showed sculpture at New York Reuben Gallery, a gathering place for artists like Allan Kaprow and Claes Oldenburg who combined installation and performance with traditional media. Drexler took part in Happenings at Reuben Gallery and at Judson Church (years after her own quasi-performance as a female wrestler, memorialized by Andy Warhol in the 1962 series Album of a Mat Queen). Drexler collages and large-format paintings of the 1960s open the category of Pop art to technology and politics in a way that feels contemporary today, crossing hard-edge painting with depictions of sex, violence, race and gender role-playing in film and media. Her writing also crosses high and low genres, comprising novels both experimental and popular, avant-garde theater and writing for television (including an Emmy-winning Lily Tomlin special). In addition to a comprehensive selection of Drexler's major paintings, Who Does She Think She Is? also recovers the artist's early sculptures, recently rediscovered and not exhibited since 1960. Documentation of Drexler's performances and theatrical work, photographs evoking her role in the downtown New York scene and a selection of her books and other archival materials present her work across multiple mediums, offering a comprehensive look at Drexler varied career."--Publisher's description.
Sherman N6537.D734 A4 2016

Inner : the collected writings and selected interviews of Sean Scully
Scully, Sean, 1945- interviewee
Berlin, Germany : Hatje Cantz, [2016]
Sean Scully is among the greatest abstract painters of our age. He is also one of the most outspoken. Since the late 1960s, Scully's visual expressiveness has been matched by a verbal dynamism that is no less arresting than his art. Varying widely in form from brief reflections of compressed eloquence to essay-long meditations on artists such as Vincent Van Gogh, Giorgio Morandi and Mark Rothko. Scully's writings are distinguished by a brutal lyricism and the effortlessness of their aphoristic turn of phrase. At once biographical and political, poignant and unflinching, the nearly 200 texts that comprise Inner: The Collected Writings and Selected Interviews of Sean Scully provide a unique perspective on one of the most engaging artistic imaginations of the past half century. Here, readers will discover the effusions of a mind tirelessly wrestling with the profoundest issues of art, cultural history, and what it means to be a creator in the contemporary world. The volume will be accompanied by key images illustrating Scully's words as well as facsimile reproductions of handwritten pages by the artist into which drawings have been integrated.
Sherman ND237.S43735 A35 2016

Sou Fujimoto
Pollock, Naomi R., author
London : Phaidon Press, 2016
Reconsidering architecture -- Cell / network : Network by walk ; Dormitory in date ; Children's centre for psychiatric rehabilitation ; Sacai Miniamiaoyama -- Network / wall : Art museum in Aomori ; T House ; House O -- Wall / slab : Primitive future house ; Final wooden house ; La small house ; House Om -- Slab / frame : House H ; House NA ; Omotesando branches -- Frame / wall : No dog, no life: architecture for dogs ; Taiwan Tower ; Museum in the forest ; Souk mirage -- Wall / void : House N ; Musashino Art University Museum and Library ; Garden gallery ; Toilet in nature ; Mirrored gardens: vitamin creative space -- Void / stair : Geometric forest: solo houses project ; Serpentine Gallery Pavilion 2013 ; Bus stop in Krumbach -- Stair / roof : Tokyo apartment ; Taiwan café ; House in Guangzhou Polytechnique University -- Roof / topography : Beton Hala Waterfront Centre ; House K ; Kunsthalle Bielefeld Annex ; Forest of music -- Topography / cell : House before house ; Smallest/largest art museum ; Media forest: Axel Springer Campus ; L'Arbre Blanc ; Naoshima Pavilion -- Project data -- Timeline -- Biographies.
Sherman NA1559.F85 P65 2016

Heimo Zobernig, books & posters : catalogue raisonné 1980-2015
editors, Diana Baldon, Moritz Küng ; authors, Diana Baldon and 4 others ; translations, Nathaniel McBride, Alex Scrimgeour
Köln : Verlag der Buchhandlung Walther König [2016]
Sherman N6811.5.Z63 A4x 2016

Rubrics, images and indulgences in late medieval Netherlandish manuscripts
Rudy, Kathryn M., author
Leiden : Brill, [2017]
What role did images play in the mania for indulgences during the decades prior to the Protestant Reformation? 'Rubrics, Images and Indulgences in Late Medieval Netherlandish Manuscripts' considers how indulgences (the remission of time in Purgatory) were used to market certain images. Conversely, images helped to spread indulgences, such as those attached to the Virgin in sole and the Mass of St Gregory. Images also began depicting the effects of indulgences: souls escaping Purgatory. Drawing on numerous unpublished sources, Kathryn M. Rudy demonstrates how rubrics modified behaviour and expectations around image-centred devotion. Her work is the first to analyse systematically the way that indulgences and images interacted - indeed, shaped each other - prior to the Reformation.
Sherman N7850 .R83 2017

Verhaeren - Bernier : portretten = portraits
Bernier, Charles, 1871-1950
Perk : Emile Verhaeren Museum, [2016]
Toute sa vie Charles Bernier (Angre, 1871 - Angre, 1950) s'est spécialisé dans l'art de la gravure. Surtout les gravures en couleurs sont remarquables. À ses débuts il a copié les grands maîtres, mais à partir de 1899 il commence à graver des paysages et des scènes pastorales. Son ami Emile Verhaeren devient son modèle préféré. Il a portraituré le poète à plusieurs occasions et quelques portraits sont devenus de vrais classiques. Des années durant le Musée Verhaeren a su collectionner toute une série de portraits et l'année passée la collection a été complétée avec des pièces provenant de l'héritage de Bernier. Emile Verhaeren - Charles BernierPour la première fois une telle collection Bernier est présentée au grand public. Exhibition: Emile Verhaeren Museum, Perk, Belgium (04.03.2016 - 01.05.2016).
Sherman N6973.B47 A4 2016

The Dome of the Rock and its Umayyad mosaic inscriptions
Milwright, Marcus, author
Edinburgh : Edinburgh University Press, [2016]
The Dome of the Rock is a shrine located on the Temple Mount in the Old City of Jerusalem. When was it built? What meanings was it meant to convey to viewers at the time of its construction? These are questions that have preoccupied historians of Islamic art and architecture, and numerous interpretations of the Dome of the Rock have been proposed. Marcus Milwright returns to one of the most important pieces of evidence: the mosaic inscriptions running around the two faces of the octagonal arcade. His detailed examination of the physical characteristics, morphology and content of these inscriptions provides new evidence about the chronology the building and the iconography of the Dome of the Rock.
Sherman NA5978.J5 Q336 2016

Horace Vernet and the thresholds of nineteenth-century visual culture
edited by Daniel Harkett and Katie Hornstein
Hanover, New Hampshire : Dartmouth College Press, 2017
Sherman ND553.V5 H58 2017

[Sotheby's New York catalogues. 2017]
New York : Sotheby's, 2017
Jan 19, 2017. The Highly Important Americana Collection of George S. Parker II from the Caxambas Foundation -- Jan 20/21, 2017. Important Americana -- Jan 21, 2017. Property from the Collection of E. Newbold and Margaret Du Pon Smith -- Jan 21, 2017. Important American Folk Art -- Jan 25, 2017. Old Master Drawings -- Jan 25, 2017. Master Paintings and Sculpture, Evening Sale -- Jan 26, 2017. Master Paintings and Sculpture, Day Sale -- Mar 2, 2017. In Its Own Light -- Mar 2, 2017. Contemporary Curated
Sherman N8650 .S6 2017

Marcel Duchamp : Nude descending a staircase : an homage : February 15-March 29, 2013
New York : Francis M. Naumann Fine Art, [2013]
Sherman N6497 .M37 2013

Thomas Cole : the artist as architect
Annette Blaugrund ; foreword by Barbara Novak ; essay by Franklin Kelly
New York, New York : The Monacelli Press, [2016]
Foreword / Barbara Novak -- Thomas Cole: the unknown architect / Annette Blaugrund -- The legacy of Thomas Cole's imaginative creations / Franklin Kelly.

"At the height of his career as the leader of the Hudson River School of American landscape painting, Thomas Cole listed himself in the New York City Directory as an architect. Why would this renowned painter, who had never before designed a building, advertise himself as such? The importance of Cole's paintings and the significance of his essays, poems, and philosophy are well established, yet an analysis of his architectural endeavors and their impact on his painting has not been undertaken--until now. In celebration of the recreation of the artist's self-designed Italianate studio at Cedar Grove in Catskill, New York, now the Thomas Cole National Historic Site, this book focuses on Cole's architectural interests through architectural elements found in his paintings and drawings as well as in his realized and visionary projects, expanding our understanding of the breadth of his talents and interests. An essay by noted art historian Annette Blaugrund and a contribution by Franklin Kelly, illustrated with Cole's famous works, sketches, and architectural renderings, reveal an unexplored, yet fascinating, aspect of the career of this beloved artist--and thus, a crucial moment in the development of the Hudson River School and American art." -- Publisher's description
Sherman ND237.C6 A4 2016

Decorative textiles from Arab & Islamic cultures : selected works from the Al Lulwa collection
Wearden, Jennifer Mary, author
London : Paul Holberton Publishing, [2016]
"The exceptional collection published here ranges widely in region, material and technique. There are textiles and garments from North Africa, Syria, Arabia, Iran, Turkey and the Indian subcontinent linked by a shared vocabulary of ornament - evidence of the international nature of Islamic design. Materials represented are silk - the most prestigious of fibres, requiring highly respected weavers - wool, cotton and linen. Decoration is based on variations of weave and colour and embellishment through embroidery, printing and appliqué and illustrates the work of both professional and domestic workers. The strengths of the collection are concentrated in the textile production of the nineteenth and early twentieth centuries, which, thanks to the basically conservative nature of textile technique and design, preserve and continue the traditions established in the medieval Islamic world. They are important in an assessment of Islamic textiles both for their quality and as illustrations of survival and adaptation in a major industry. Their heritage reaches back well over a thousand years, even though their very high perishability means that for the earlier part of the tradition our knowledge is reliant very largely on written sources. These, however, attest to the superb quality and quantity of textiles at the courts of the period."--From Amazon.com.
Sherman NK8806 .W43 2016

To see without being seen : contemporary art and drone warfare
Bräunert, Svea, author
St. Louis, Missouri : Mildred Lane Kemper Art Museum, [2016]
"As the ubiquitous vision and remote engagement of unmanned aerial vehicles, or drones, are redefining contemporary life, their impact is filtering into art and visual culture, generating new investigations into issues of perception, visibility, technology, and fear. Considering an international array of video, sculpture, installation, photography, and web-based projects, To See Without Being Seen: Contemporary Art and Drone Warfare reveals the unique potential of art to further our understanding of--and give visual form to--drone warfare and digital surveillance in today's world. While the drone is the specific point of departure for this investigation, the essays in this book illuminate the ways in which the drone embodies a much broader discussion about the rapidly shifting conditions of perception--of seeing, and of being seen--made possible by advanced technology."--Publisher's description.
Baker Berry NX650.W3 B73 2016

Murallas del Cono Sur
Palmer, Rodney, photographer
Santiago, Chile : Ocho Libros Editores, 2015
Sherman ND2689 .P35 2015

Remedios Varo : el hilo invisible
Gil M., José Antonio, author
[Nuevo León] : Universidad Autónoma de Nuevo León, 2015
Sherman N6559.V37 G55 2015

Monet : the early years
Shackelford, George T. M., 1955- author
Fort Worth : Kimbell Art Museum [2016]
Sherman ND553.M7 A4 2016

Restauración de una pintura mural = Restoration of a mural painting : Tercerunquinto 2000-2015
concepción del proyecto = conception of the project, Tercerunquinto y Taiyana Pimentel ; edición = editing, Tercerunquinto y Taiyana Pimentel
[México D.F., México] : Turner, 2016
Restauracion de una pintura mural = Restoration of a mural painting / Tercerunquinto -- Prefacio = Preface / Taiyana Pimentel -- La memoria petrificada = Petrified memory / Jose Woldenberg -- Imagenes de la restauracion = IMages of restoration / Sergio Raul Arroyo -- Arqueologia del muro politico = The archaeology of political wall space -- Restauracion de una pintura mural = Restoration of a mural painting -- Restauracion de la memoria = Restoring memory / Guillermo Fadanelli -- Los otros entre la practica de la antropologia y el arte = The others : somewhere between the practices of anthropology and art / Enrique Serrano Carreto -- Tercerunquinto : frente al cinismo, la ironia = Tercerunquinto : irony in the face of cynicism / Itala Schmelz -- Proceso pictorico, Sala de Arte PUblico Siqueiros = Pictorial process -- Procesos pedagogicos, Sala de Arte Publico Siqueiros = Pedagogical process -- Reporte tecnico de restauracion = The restoration : technical report / Claudio Hernandez -- Semblanza = Short bio / Tercerunquinto.

Between 2000 and 2015, Mexican art collective Tercerunquinto (founded in 1998) compiled an extensive photographic archive of political campaign paintings found on public walls in cities and small communities in Mexico. This publication focuses on the restoration of one mural in 2010. - Provided by the publisher.
Sherman N6559.T465 A4 2016

La pieza que falta : impactos, 1973
Santiago, Chile : Museo Nacional de Bellas Artes, [2016]
Presentación / Roberto Farriol -- La pieza que falta: Impactos, 1973 / Ramón Castillo.
Sherman N6665 .A4 2016

The horse
Benson, Laurie, 1963- author
Melbourne, Vic. : National Gallery of Victoria, 2015
Sherman N7668.H6 B46 2015

The rise and fall of the fine art print in eighteenth-century France
Johnson, W. McAllister 1939-, author
London : University of Toronto Press, [2016]
The full statement of the question -- Orienting concepts -- Prints as information -- The fine art print defined -- Pendant prints -- The Académie as catalyst and regulator -- The Académie and the artist -- Creative issues -- Response time -- Career calculus -- Reputation and reflected glory -- Commercial ploys and the art of the annonce -- Prints and paintings on exhibition -- Engraved, not engraved -- Criticism, controversy and censure -- Greuze prints, including the salon -- The clash of genres -- Conclusion.

"Sanctioned by France's Royal Academy of Painting and Sculpture and struck primarily in order to disseminate the works of the Academy's members, the eighteenth-century fine art print flourished only briefly. Yet it set into motion the interdependence of graphic and pictorial media. In The Rise and Fall of the Fine Art Print in Eighteenth-Century France, W. McAllister Johnson distills a lifetime of research into an essential study of this seminal phenomenon and chronicles the issues, decisions, and practicalities inherent in making copperplate engravings as articles of art and commerce. His exceptional erudition makes this an unparalleled resource for the study of visual culture and of all aspects of printmaking before the French Revolution."--
Sherman NE647.2 .J64 2016

敦煌石窟艺术简史 = A bridf history of Dunhuang Grottoes art / 赵声良著
赵声良, author
Beijing : Zhongguo qing nian chu ban she, 2016
Baker Berry East Asian ND2849.T86 Z43 2016

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