Paddock Music Library Acquisitions during May 2018

New Acquisitions > May 2018 > Paddock Music Library

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Film/music analysis : a film studies approach
Audissino, Emilio, author
Cham, Switzerland : Palgrave Macmillan, [2017]
Introduction: who is entitled to study film music? -- Part I. Pars destruens. The not-so-fantastical gap between music studies and film studies -- Recent attempts to bridge the gap and overcome a separatist conception -- Part II. Pars construens -- Part III. Pars demonstrans.
Paddock ML2075 .A92 2017

Trio opus 120 pour piano, violon & violoncelle
Fauré, Gabriel, 1845-1924, composer
Paris, France : Éditions Durand, [2009?]
Paddock M312 .F38 op.120 2009

Dancing in shadows : histories of Nyungar performance
Haebich, Anna, author
Crawley, Western Australia : UWA Publishing, 2018
Paddock DU125.N97 H34 2018

Quatuor pour quatre violoncelles, opus 11 ; Trio pour trois violoncelles, opus 12
Limmer, Franz, 1808-1857, composer
Amsterdam : Van Sambeek Edities, [2014]
Quartet in E flat for 4 cellos -- Trio in G for 3 cellos.
Paddock M3.1.L556 C43 2014

Salad : for eight flutists
Asplund, Christian, 1964-
Lebanon, NH : Frog Peak Music, ©2000
Pumpkin -- Clusterhead -- Trem chorale -- Eyvind -- Trill chorale.
Paddock M857.2.A87 S35 2000

Walking down the avenue : for clarinet in B♭, 2 violas, cello, and 2 pianos
Goode, Daniel
Lebanon, NH : Frog Peak Music, ©2003
Paddock M647.G66 W35 2003

Hornvoice, menvoice : for men's chorus and alp horn = Voce di coro, voce di uomo : opera per coro e corno svizzero
Corner, Philip
Lebanon, NH : Frog Peak Music, 1996
Paddock M2080.6.C67 H67 1996

Piece (in the form) of a pear
Corner, Philip
Lebanon, NH : Distributed by Frog Peak Music, 1994
Paddock M1470.C67 P54 1994

Six primes
Brown, Chris, 1953- instrumentalist
Brooklyn, NY : New World Records, [2016]
Paddock Compact Disc M22.B836 S58 2016

The geography of loss
Carl, Robert, 1954- composer
Brooklyn, NY : New World Records, [2016]
Paddock Compact Disc M3.1.C3634 G46 2016

A tribute to Jack Hardy
Hardy, Jack, 1947-2011, composer,
Washington, DC : Smithsonian Folkways Recordings, [2016]
Tree of rhyme (sung by David Massengill) (3:45) -- Saint Clare (Suzanne Vega) (2:23) -- Little dove (Richard Shindell) (4:07) -- Sojourner Truth (Ain't I a woman?) (Jack Williams) (3:15) -- Murder (Christine Lavin) (5:55) -- You only leave your heart once (Richard Julian) (4:30) -- Prisoner (Red Molly) (4:33) -- The last of the O'Neills (Nels Andrews) (3:38) -- Rye grass (Paul Sachs) (4:41) -- Houston Street (Frank Christian) (4:36) -- Potter's Field (Erik Frandsen) (2:28) -- Autumn (Jonathan Byrd) (3:08) -- Gossamer thread (Jack Hardy) (3:19) -- Resolution (Rod MacDonald) (3:56) -- Forget-me-not (Lucy Kaplansky) (3:49) -- Dublin farewell (Anthony Da Costa) (3:46) -- The tailor (Terre Roche) (5:25) -- Down where the rabbits run (John Gorka) (3:40) -- I ought to know (Ronny Cox) (3:34) -- Porto Limon (Brian Rose) (4:34) -- White shoes (Andrew Rose Gregory) (3:47) -- Go tell the Savior (Diana Jones) (4:27) -- The inner man (Frank Tedesso) (4:13) -- Before you sing (instrumental version) (Kate MacLeod, violin) (1:08) -- Fare thee well (Nanci Griffith) (4:03) -- Ponderosa (Jack Hardy) (4:17).
Paddock Compact Disc M1630.18.H3739 S66 2016

Radio times
Grant, Abi, author
London : Samuel French, [2016]
Set in London's Criterion Theatre in the spring of 1941, Radio times traces the struggles of the cast of Variety Bandwagon, a BBC light entertainment show, broadcasting for the first time live to America.
Paddock ML50.G292 R3 2016

Письма Альфреда Гарриевича Шнитке к Марии Владимировне Ожиговой ; Воспоминания Марии Владимировны Ожиговой / составление, редакция, комментарии и предисловие Т.В. Франтовой ; запись и расшифровка Воспоминаний М.В. Ожиговой выполнены Т.В. Франтовой и М.А. Функсманом
Schnittke, Alfred, 1934-1998, author
Rostov-na-Donu : Rostovskai︠a︡ gosudarstvennai︠a︡ konservatorii︠a︡ im. S.V. Rakhmaninova, 2016
Presents letters written from Alfred Schnittke to Marii︠a︡ Ozhigova between 1965 and 1981.
Paddock ML410.S276 A4 2016

Culliford, Rolfe and Barrow : a tale of ten pianos
Lancaster, Geoffrey, author
Crawley, Western Australia : UWA Publishing, 2017
Paddock ML424.C85 L36 2017

Retrobar lo trobar = Retrouver le trobar = To find the trobar again
Zuchetto, Gérard, author
Montseret : Éditions Troba vox, [2017?]
Paddock ML182 .Z83 2017

Musical theatre in Europe 1830-1945
edited by Michela Niccolai and Clair Rowden
Turnhout : Brepols 2017
La revue de fin d'année à Paris au XIXe siècle: chambre d'echo de la culture musicale / Olivier Vara -- Comets, calembours, chorus girls: the music of the revue de fin d'année for the yaer 1858 at the Théâtre des Variétés: a preliminary evaluation / Richard Sherr -- La revue de fin'année, entre divertissement et avant-garde: le cas Apollinaire / Alessandro Maras -- Street cries on the operetta stage: Offenbach's Mesdames de la Halle (1858) / Jacek Blaszkiewicz -- Dance in Jacques Offenbach's musical theatre: between imagination, improvisation and choreography / Stephanie Schroedter -- 'Du grand au petit': Faust on Parisian stages in 1869 / Clair Rowden -- Parodias españolas sobre Lohengrin / José Ignacio Suárez García -- Was man in Wien sucht... Sitze und Logen für die Operettentheater: Annäherungen an die Räume der Wiener Operette / Marion Linhardt -- A statutory creation?: The grand duke and intertextuality in the performance of the Savoy Operas / Christopher M. Scheer -- A Greek slave (1898) at Daly's Theatre: performing antiquity, gender and class in late Victorial musical comedy / William A. Everett -- The waltzing years: British operetta 1907-1939 / John Snelson -- Little wooden actors and symbolism at the Petit-Théâtre de la Marionnette / Catrina Flint de Médicis -- De l'affiche à l'artiste: figures répertoire et performances musicales dans le Music-hall: une lecture du fonds de l'ART / Sylvain Samson -- Un signor senza pace di Dino Rulli (1925): un esempio della ricezione del jazz nell'operetta italiana degli anni Venti / Giovanni Recupido -- Portraits de femmes exotiques dans le café-chantant et dans l'opérette italiens (1910-1940 environ) / Michael Niccolai -- Giovanni Vittorino Rosi's musical theatre: opera, operetta and the westernisation of modern Japan / Naomi Matsumoto -- Deconstruction the National: the operetta Maria da Fonte / Maria José Artiaga -- L'operetta e la società socialista: l'esperienza del teatro popolare di Pola (1949-1957) / Lada Duraković -- Exoticism and censorship in post-war Spain: Luna de miel en el Cairo (1943), operetta by 'Maestro' Alonso and José Muñoz Román / Mario Lerena.

From the mid-1800s in Europe there was a vigorous and enthusiastic expansion of diverse forms of musical theatre. The cabarets, music-halls and private theatres rubbed shoulders with the subsidised and official theatres that offered more established types of spectacle, creating a milieu which welcomed a number of new musical and theatrical genres which fed from and into one another. In the midst of this creative dynamism, alongside revues and café-concert spectacles, operetta and its derivative forms took centre stage. Divided into six sections, the volume covers the revue de fin d'année as a theatrical genre which also influenced all other lighter genres in France during its heyday ; dance music in Offenbach's operettas and his musical recreation of the Parisian soundscape ; transformation of the opera repertoire in operetta and revue parodies ; Viennese and English operetta and musical comedy from the end of the 'reign' of Gilbert and Sullivan until the outbreak of World War II ; diverse theatrical practices from Parisian puppet theatre and the posters of musical spectacles in the café conchantant, to contemporary Italian operetta before the rise of Fascism, and its dissemination, via the impresario Vittorio Rosi, in Japan.
Paddock ML2054 .M875 2017

Wolff, Christian, 1934- composer
[New York] : C.F. Peters, [1971]
Paddock M1470.W7 B87 1971

Rough edges : solo piano
Báthory-Kitsz, Dennis, 1949-
Lebanon, NH : Frog Peak Music, [2010], ©1987
Paddock M25.B317 R68 2010

Piano album
Lindberg, Magnus, 1958- composer
London : Boosey & Hawkes, 2017
Étude I (2001) -- Étude II (2004) -- Cantus firmus (2012) -- Éloge (2014) -- Fratello (2016) -- Promenade (2017).
Paddock M22.L56 P53 2017

String quartet no. 2
Richter, Marga
[Huntington, N.Y.] : Marga Richter, [1958]
Paddock M452 .R52 no.2

Decolonizing revelation : a spatial reading of the blues
Burnett, Rufus, Jr., author
Lanham, Maryland : Lexington Books/Fortress Academic, [2018]
Paddock ML3521 .B85 2018

Rondo in B minor for trombone and piano, [op. 13]
Corner, Philip
Lebanon, NH : Frog Peak Music, [2012]
Paddock M263.C67 R66 2012

Paul Lincke : sein Leben in Bildern und Dokumenten
Kutscher, Jan
Mainz : Schott : [2016]
Paddock ML410.L675 K87 2016

Moment musical : für Klarinette = for clarinet ; und zwei weitere Soli aus der Bühnenmusik zum Theaterstück Night music von Clifford Odets = and two additional solos from the stage music for the play Night music by Clifford Odets
Eisler, Hanns, 1898-1962, composer
Wiesbaden : Breitkopf & Härtel, [2017]
Moment Musical -- Solo 1 from the stage music for the play Night Music by Clifford Odets -- Solo 2 from the stage music for the play Night Music by Clifford Odets.
Paddock M71.E57 M6 2017

I in them and you in me : anthem
Sørensen, Bent, 1958- composer
Copenhagen : Wilhelm Hansen Musikforlag, [2017]
Paddock M2092.S713 I12 2017

Romance pour flûte ou violon & piano, opus 37
Saint-Saëns, Camille, 1835-1921, composer
Paris : Durand Éditions Musicales, [2017]
Paddock M244 .S35 op. 37 2017

Serenade for three recorders
Harrison, Lou, 1917-2003, composer
[St. Louis, MO] : J. B. Elkus, [2017]
Allegro moderato -- Largo -- Gigue en rondeau.
Paddock M357.2.H319 S37 2017

Doll march ; & Dark jig : for guitar (2008)
Sørensen, Bent, 1958- composer
Copenhagen : Edition Wilhelm Hansen, [2008]
Paddock M127.S68 M46 2008

Wings : soprano, flute/piccolo, clarinet/bass clarinet, cello, piano : (1983)
Moravec, Paul, 1957- composer
[Verona, NJ] : Subito Music Publishing, [2015]
Paddock M1613.3.M67 W56 2015

La modernidad elusiva : jazz, baile y política en la Guerra Civil española y el franquismo (1936-1968)
Iglesias, Iván, author
Madrid : Consejo Superior de Investigaciones Científicas, [2017]
Paddock ML3509.S73 I55 2017

Cognate canons : for string quartet and percussion
Tenney, James, composer
Lebanon, NH : Frog Peak Music, [1994?]
Paddock M585.T46 C6 1994

Brand 9 from outer space : alto saxophone, bassoon and piano
Báthory-Kitsz, Dennis, 1949- composer
Lebanon, NH : Frog Peak Music, 1994, [2017]
Paddock M317.B384 B73 2017

String quartet no. 1 : (1966)
Glass, Philip, composer
London : Chester Music, [2017]
A quartet in two parts. This early work by Glass already shows some of his minimalist traits. This is the first typeset edition of the music.
Paddock M452 .G52 no.1 2017

Of love and dreams : for baritone and piano
Adler, Samuel, 1928- composer
[King of Prussia, Pennsylvania] : Theodore Presser Company, [2018]
I. Love is a hunter-boy / words by Thomas Moore -- II. He wishes for the cloths of heaven / words by William Butler Yeats -- III. Shapes and sogns / words by James Clarence Mangan -- IV. The dream teller / words by Padric Gregory -- V. Ode / words by Arthur O'Shaughnessy.
Paddock M1621.A35 O4 2018

Heaven to clear when day did close
Childs, Barney, composer
Brooklyn, NY : New World Records, [2016]
Paddock Compact Disc M5.C44 H43 2016

All that jazz : the life and times of the musical Chicago
Mordden, Ethan, 1947- author
New York, NY : Oxford University Press, [2018]
The city: unregulated capitalism -- The era: "Be nonchalant ... light a Murad" -- The play: "Like hell you're through!" -- The first movie: Amos is the hero -- The invention of the satiric musical: How can you tell an American? -- The second movie: "I'm going to make a character man of you if you don't behave yourself" -- Fosse & Verdon and Kander & Ebb: "You have to act your dancing" -- The musical: "No show is worth dying for" -- The revival and the third movie: "If it doesn't fit, you must acquit!"

"In 1975, the Broadway musical Chicago brought together a host of memes and myths-- the gleefully subversive character of American musical comedy, the reckless glamour of the big-city newspaper, the mad decade of the 1920s, the work of Bob Fosse and Gwen Verdon (two of the greatest talents in the musical's history), and the Wild West gangsterville that was the city of Chicago itself. The tale of a young woman who murders her departing lover and then tricks the jury into letting her off, Chicago seemed too blunt and cynical at first. Everyone agreed it was show biz at its brilliant best, yet the public still preferred A Chorus Line, with its cast of innocents and sentimental feeling. Nevertheless, the 1996 Chicago revival is now the longest-running American musical in history, and the movie version won the Best Picture Oscar. As author Ethan Mordden looks back at Chicago's various moving parts-- including the original 1926 play that started it all, a sexy silent film directed by Cecil B. DeMille, a talkie remake with Ginger Rogers, the musical itself, and at last the movie of the musical-- we see how the American theatre serves as a kind of alternative news medium, a town crier warning the public about the racy, devious interior contradictions of American society. Opinionated, witty, and rich in backstage anecdotes, [this book] brings the American Musical to life in all its artistry and excitement."
Paddock ML410.K163 M67 2018

Trovadores, sociedades e identidades en el Caribe : memorias del VI Congreso Internacional Música, Identidad y Cultura en el Caribe
editores, Darío Tejeda, Carlos Andújar
Santo Domingo, República Dominicana : Instituto de Estudios Caribeños (INEC) ; [2016]
Paddock ML3486.A1 C656 2016

Copyright's excess : money and music in the US recording industry
Lunney, Glynn, 1962- author
Cambridge, United Kingdom ; Cambridge University Press, 2018
Paddock ML3790 .L8 2018

Trajectories and themes in world popular music : globalization, capitalism, identity
Bridge, Simone Krüger, author
Bristol : Equinox Publishing Ltd, 2018
Introduction -- Popular Music before Neoliberalism -- Neoliberalism and the Global Music Industry -- Globalization and World Music -- The Cool Culture of Neoliberal Capitalism -- Popular Music in Postdemocracy -- After Globalization.

This book traces the trajectories of modern globalization since the late nineteenth century, and considers hegemonic cultural beliefs and practices during the various phases of the history of capitalism. It offers a way to study world popular music from the perspective of critical social theory. Moving chronologically, the book adopts the three phases in the history of capitalist hegemony since the nineteenth century--liberal, organized, and neoliberal capitalism--to consider world popular music in each of these cultural contexts. While capitalism is now everywhere, its history has been one borne out of racism and masculine hegemony. Early Europeanization and globalization have had a major impact on race/gender/sexuality/capitalist hegemony, while nascent technologies of capital have led to a renewed reification and exploitation of racialized, sexualized, and classed populations. This book offers a critique of the relationship between emergent capitalist formations and culture over the past hundred years. It explores the way that world popular music mediates economic, cultural, and ideological conditions, through which capitalism has been created in multiple and heterogeneous ways, understanding world popular music as the production of meaning through language and representation. The various dimensions considered in the book are the work of critical social science--a critique of capitalism's impact upon popular music in historical and world perspective. This book provides a powerful contemporary framework for contemporary popular music studies with a distinctive global and interdisciplinary awareness, covering empirical research from across the world in addition to well-established and newer theory from the music disciplines, social sciences, and humanities. It offers fresh conceptualizations about world popular music seen within the context of globalization, capitalism, and identity.
Paddock ML3918.P67 B76 2018

Music in Portugal and Spain : experiencing music, expressing culture
Castelo-Branco, Salwa El-Shawan, author
New York, NY : Oxford University Press, 2019
Paddock ML3717 .C4 2019

Music in Portugal and Spain : experiencing music, expressing culture
Castelo-Branco, Salwa El-Shawan, author
New York, NY : Oxford University Press, 2019
Paddock ML3717 .C4 2019

Making congregational music local in Christian communities worldwide
edited by Monique M. Ingalls, Muriel Swijghuisen Reigersberg, and Zoe C. Sherinian
Abingdon, Oxon ; Routledge, 2018
The saints who sing and dance: enchanting subjunctive visions in Southeast Brazil / Suzel Ana Reily -- Indigenizing Navajo hymns: explaining the fame of Elizabeth and Virginia / Kimberly Jenkins Marshall -- Give us a piece of that old time religion: why mainline Protestants are (re)claiming an evangelical musical heritage / Deborah Justice -- Song as gift and capital: intercultural processes of indigenisation and spiritual transvaluation in Yolngu Christian music / Fiona Magowan -- Performing glocal liturgies: the Second Vatican Council and musical inculturation in East Africa / Nicholas Ssempijja -- Inculturation, institutions, and the creation of a localized congregational repertoire in Indonesia / Marzanna Poplawska -- Sounds of localisation in South African Anglican church music: some examples of transformation at the College of the Transfiguration in Grahamstown / Andrew-John Bethke -- Secular-sacred interface: Lisu farmer chorus and the cultural politics of representation of minority culture in Yunnan's Northwestern Nujiang Prefecture / Diao Ying -- Interreligious music networks: capitalizing on Balinese gamelan / Dustin D. Wiebe -- Congregational song and musical "accommodation" in a South African Lutheran parish / Laryssa Whittaker -- Mediating racial and spiritual difference in Harlem: Cocolo Japanese Gospel Choir and Convent Avenue Baptist Church / Marti Newland -- Sonic citizenship: rights and rites of belonging in Ireland / Helen Phelan -- Afterword: on the anthropology of Christianity, the complexity of the local, and the study of Christian congregational music in global perspective / Joel Robbins.
Paddock ML3000 .M16 2018

Punk avenue : inside the New York City underground, 1972-1982
Marcadé, Philippe, author,
New York, NY : Three Rooms Press, [2017]
Marcade, lead singer of the punk-blues band The Senders, left Paris to discover America. He wound up at the heart of New York City's early punk rock scene, from 1972 to 1982. This is his intimate, often hilarious of the start of the punk rock era.
Paddock ML420.M27151 A3 2017

The never-ending present : the story of Gord Downie and the Tragically Hip
Barclay, Michael, 1971- author
Toronto, ON : ECW Press, [2018]
The biography of Canada's Tragically Hip and their lead singer Gord Downie.
Paddock ML421.T695 B37 2018

Mixing with impact : learning to make musical choices
Oltheten, Wessel, author
New York, NY : Routledge, 2018
Paddock ML3790 .O49 2018

The music of Franz Liszt : stylistic development and cultural synthesis
Saffle, Michael, 1946- author
Abingdon, Oxon ; Routledge, 2018
Much of Franz Liszt's musical legacy has often been dismissed as 'trivial' or 'merely showy,' more or less peripheral contributions to nineteenth-century European culture. But Liszt was a mainstream composer in ways most of his critics have failed to acknowledge; he was also an incessant and often extremely successful innovator. Liszt's mastery of fantasy and sonata traditions, his painstaking settings of texts ranging from erotic verse to portions of the Catholic liturgy, and the remarkable self-awareness he demonstrated even in many of his most 'entertaining' pieces: all these things stamp him not only as a master of Romanticism and an early Impressionist, but as a precursor of Postmodern 'pop.' Liszt's Music places Liszt in historical and cultural focus. At the same time, it examines his principal contributions to musical literature - from his earliest operatic paraphrases to his final explorations of harmonic and formal possibilities. Liszt's compositional methods, including his penchant for revision, problems associated with early editions of some of his works, and certain aspects of class and gender issues are also discussed. The first book-length assessment of Liszt as composer since Humphrey Searle's 1956 volume, Liszt's Music is illustrated with well over 100 musical examples.
Paddock ML410.L7 S25 2018

Sighs and grones : (17th century) : a song : 1956
Antheil, George, 1900-1959, composer
New York, NY : G. Schirmer, Inc, [2018]
Paddock M1621.A57 S54 2018

Humoresk : for organ and orchestra : solo organ part
Bolcom, William, composer
[New York] : Edward B. Marks Company, [2017]
Paddock M1006.B65 H86 2017

Nine songs of experience by William Blake : 1948
Antheil, George, 1900-1959, composer
New York, NY : G. Schirmer, Inc., [2018]
The garden of love -- A poison tree -- The school boy -- The sick rose -- The little vagabond -- I told my love -- I lay me down upon a bank -- Infant sorrow -- The tyger.
Paddock M1621.A57 S66 2018

Everlasting voices : for female actor (with autoharp), bass clarinetist, and three-channel fixed media
Brooks, William, 1943- composer
Lebanon, NH : Frog Peak Music, [2013]
Everlasting voices -- Speaking to the psaltery -- Yellow-haired Donough -- Remembering: the meeting -- July 1897 -- Remembering: a proposal -- The Countess Cathleen -- Remembering: her art -- Cathleen ni Houlihan -- Remembering: the crisis -- December 1908 -- Everlasting voices.
Paddock M1625.B86 E9 2013

Everlasting voices : for female actor (with autoharp), bass clarinetist, and three-channel fixed media
Brooks, William, 1943- composer
Lebanon, NH : Frog Peak Music, [2013]
Everlasting voices -- Speaking to the psaltery -- Yellow-haired Donough -- Remembering: the meeting -- July 1897 -- Remembering: a proposal -- The Countess Cathleen -- Remembering: her art -- Cathleen ni Houlihan -- Remembering: the crisis -- December 1908 -- Everlasting voices.
Paddock M1625.B86 E9 2013

Everlasting voices : for female actor (with autoharp), bass clarinetist, and three-channel fixed media
Brooks, William, 1943- composer
Lebanon, NH : Frog Peak Music, [2013]
Everlasting voices -- Speaking to the psaltery -- Yellow-haired Donough -- Remembering: the meeting -- July 1897 -- Remembering: a proposal -- The Countess Cathleen -- Remembering: her art -- Cathleen ni Houlihan -- Remembering: the crisis -- December 1908 -- Everlasting voices.
Paddock M1625.B86 E9 2013

Counting down Elvis : his 100 finest songs
Duffett, Mark, author
Lanham : Rowman & Littlefield, [2018]
Paddock ML420.P96 D72 2018

Ultraje a Rigor : nós vamos invadir sua praia
Ascenção, Andréa, 1986-
Caxias do Sul, RS : Belas Letras, 2011
Paddock ML421.U47 A73 2011

Afrofuturism and black sound studies : culture, technology, and things to come
Steinskog, Erik (Musicologist), author
Cham, Switzerland : Palgrave Macmillan, [2018]
This book interrogates the meeting point between Afrofuturism and Black Sound Studies. Whereas Afrofuturism is often understood primarily in relation to science fiction and speculative fiction, it can also be examined from a sonic perspective. The sounds of Afrofuturism are deeply embedded in the speculative - demonstrated in mythmaking - in frameworks for songs and compositions, in the personas of the artists, and in how the sounds are produced. In highlighting the place of music within the lived experiences of African Americans, the author analyses how the perspectives of Black Sound Studies complement and overlap with the discussion of sonic Afrofuturism. Focusing upon blackness, technology, and sound, this unique text offers key insights in how music partakes in imagining and constructing the future. This innovative volume will appeal to students and scholars of sound studies, musicology and African American studies.
Paddock ML3556 .S865 2018

Scherzo b-Moll Opus 31 = Scherzo in B♭ minor op. 31
Chopin, Frédéric, 1810-1849, composer
München : G. Henle Verlag, [2017]
Paddock M25 .C54 op. 31 2017

Klaviersonate Nr. 1 f-Moll, Opus 2 Nr. 1 = Piano sonata no. 1 in F minor, op. 2 no. 1
Beethoven, Ludwig van, 1770-1827, composer
München : G. Henle Verlag, [2017]
Paddock M23 .B42 op. 2 no. 1 2017

Klaviersonate Nr. 27 e-Moll, Opus 90 = Piano sonata no. 27 in e minor, op. 90
Beethoven, Ludwig van, 1770-1827, composer
München : G. Henle Verlag, [2017]
Paddock M23 .B42 op. 90 2017

Humoresken, Opus 101 = Humoresques, op. 101
Dvořák, Antonín, 1841-1904, composer
München : G. Henle Verlag, [2017]
Paddock M25 .D98 op. 101 2017

Scherzo cis-Moll Opus 39 = Scherzo in C♯ minor op. 39
Chopin, Frédéric, 1810-1849, composer
München : G. Henle Verlag, [2018]
Paddock M25.C54 S3 op.39 2018

Deadly sounds, deadly places : contemporary Aboriginal music in Australia
Dunbar-Hall, Peter
Sydney : UNSW Press, 2004
Introduction : what is "contemporary Aboriginal music"? -- Origins, institutions, industries -- Music, place, and identity -- Singing country -- Aboriginality and transnational black culture : Hip-hop and R & B -- Sites as songs : place in the music of Warumpi Band -- Djabugay : language, education, tourism, music -- Recording and cultural tourism in Alice Springs -- Meinmuk mujik : the Top End sound -- Nitmiluk! : place and post-colonialism -- Mapping the Kimberley : music and regionalism -- Reclaiming country.

This is the first comprehensive book on contemporary Aboriginal music in Australia. The book includes a discography of the artists featured in the book.
Paddock ML3504 .D86 2004

Symphony no. 9 in E minor
Vaughan Williams, Ralph, 1872-1958, composer
Oxford : Oxford University Press, 2017
Paddock M1001 .V37 no. 9 2017

Petersburg : poem for voice and piano to the words of Alexandr Blok
Sviridov, Georgiĭ, 1915-1998, composer
Helsinki : Ruslania Edition, [2017]
The weathercock -- The golden oar -- The Bride -- A voice from the chorus -- I'm nailed to a tavern counter -- The breeze has brought from far away -- Petersburg song -- Those born in obscure years -- The virgin in the city.
Paddock M1620.S957 P4 2017

Looking on darkness : for accordion, 2000
Sørensen, Bent, c composer
Copenhagen : Edition Wilhelm Hansen, [2005]
Paddock M175.A4 S67 2005

Charles Dibdin and late Georgian culture
edited by Oskar Cox Jensen, David Kennerley and Ian Newman
Oxford : Oxford University Press, 2018
Charles Dibdin (1745-1814) was one of the most popular and influential creative forces in late Georgian Britain, producing a diversity of works that defy simple categorisation. He was an actor, lyricist, composer, singer-songwriter, comedian, theatre-manager, journalist, artist, music tutor, speculator, and author of novels, historical works, polemical pamphlets, and guides to musical education. This collection of essays illuminates the social and cultural conditions that made such a varied career possible, offering fresh insights into previously unexplored aspects of late Georgian culture, society, and politics.00Tracing the transitions in the cultural economy from an eighteenth-century system of miscellany to a nineteenth-century regime of specialisation, Charles Dibdin and Late Georgian Culture illustrates the variety of Dibdin's cultural output as characteristic of late eighteenth-century entertainment, while also addressing the challenge mounted by a growing preoccupation with specialisation in the early nineteenth century.
Paddock ML410.D44 C43 2018

Six humoresques for violin and orchestra = Kuusi humoreskia viululle ja orkesterille : opp. 87 & 89
Sibelius, Jean, 1865-1957, composer
Helsinki : Fennica Gehrman, [2017]
Paddock M1013.S56 H86 2017

Música y noches de moda : sociedades, cafés y salones domésticos de Murcia en el siglo XIX
Clares Clares, María Esperanza, author
Murcia : Universidad de Murcia, 2017
Paddock ML315.8.M87 C53 2017

Opera in search of a just ruler for a unified Italy
Hirshberg, Jehoash, author
Turnhout : Brepols, 2017
The operatic scene in the 1860s : operatic categories -- A new operatic category is established : three by Verdi -- Losing a kingdom for an obsession : Pedrotti's Isabella d'Aragona (1859) -- Francesco Cortesi, La colpa del cuore and Il trovatore scheme (1870) -- Ruy Blas, the ascent and loss of a leader (1869) -- Achille Peri and Vittore Pisani : the victory of the fisherman from Venice (1858) -- Achille Montuoro, Fieschi : the liberator turned tyrant (1869) -- The heritage of the Risorgimento on the opera stage.
Paddock ML3917.I8 H577 2017

Composition no. 30 : for solo piano
Braxton, Anthony, composer
[Brooklyn, NY] : The Tri-Centric Foundation, 2014
Paddock M25.B735 C65 no.30 2014

Autumn leaves : for any instruments
Riley, Terry, 1935- composer
New York, NY : Associated Music Publishers, Inc., [2018]
Paddock M175.5.R55 A9 2018

Music and the generosity of God
Liu, Gerald C., 1978- author
Cham, Switzerland : Palgrave Macmillan, [2017]
Introduction -- A silent prayer -- Theological stocktaking with Pierre Boulez -- The epistle of 4'33" -- The ubiquity of music and sacramental life -- The spook of modern technology and the generosity of music -- Conclusion.
Paddock ML3921.2 .L58 2017

Four songs for harp and mezzo soprano
Schafer, R. Murray, composer
Indian River, Ontario : Arcana Editions, [2018]
Sophia -- Had I the heavens' embroidered cloths -- The lamp -- The day is no more.
Paddock M1624.4.S296 S698 2018

John Cage : a research and information guide
Haefeli, Sara, author
New York ; Routledge, Taylor & Francis Group, 2018
John Cage : history and historiography -- Catalog of compoositions by instrumentation -- Sources and reference materials -- Biographical and historical studies -- Work studies -- Cage in connection to others -- Compositional techniques and aesthetic philosophy -- Political and social philosophy -- Index of authors -- Work index -- Subject index.
Paddock ML134.C147 H34 2018

Judd, Wynonna, 1964-
Universal City, Calif. : Curb Music Co./MCA Records, ©2004, ℗1992
Paddock Compact Disc M1630.18.J833 W96 2004

Le modèle et l'invention : Messiaen et la technique de l'emprunt
Balmer, Yves, author
Lyon : Symétrie, 2017
Paddock ML410.M595 B35 2017

Composition no. 358 for any instrumentation (2006) : accelerator whip ghost trance music
Braxton, Anthony, composer
[Brooklyn, NY] : The Tri-Centric Foundation, 2014
Paddock M1470.B73 C65 no.358 2014

Composition no. 131 : for four instruments (1986)
Braxton, Anthony, composer
[New Haven, Conn.?] : The Tri-Centric Foundation, 2014
Paddock M1366.B72 C66 no.131 2014

Konzert in E für Horn und Orchester KV 494a = Concerto in E major for horn and orchestra
Mozart, Wolfgang Amadeus, 1756-1791, composer
Berlin : Ries & Erler, [2017]
Paddock M1028 .M93 K.494a 2017

Lied für Sopran und Klavier
Mundry, Isabel, composer
Wiesbaden : Breitkopf & Härtel, [2018]
Paddock M1621.M85 L54 2018

Benedictus : per coro a cappella : (2005-06)
Sørensen, Bent, 1958- composer
[Copenhagen] : Wilhelm Hansen, [2018]
Paddock M2092.S713 B36 2018

Theodor Storm und sein Leben in der Musik
Mückenberger, Heiner, author
Frankfurt am Main : Peter Lang, 2017
Dieses Buch betrachtet das Leben des Poeten Theodor Storm speziell unter dem Blickwinkel seiner Neigung zur Musik. Es ist wenig bekannt, dass Storm neben seiner Tätigkeit als Novellen- und Lyrikdichter sowie seinem juristischen Beruf ein engagierter Musiker war. Anhand brieflicher Selbstzeugnisse zeichnet diese Untersuchung nach, wie Storm gemischte Chöre gründete und leitete, dass er über eine beeindruckende Tenorstimme verfügte und wie er als Solist die anspruchsvollsten Gesangspartien übernahm. So tritt ein zweiter Wirkungsbereich des Dichters hervor, der selbst gern betonte, dass die Musik die treueste Begleiterin seines Lebens sei.
Paddock ML420.S874 M83 2017

Landscapes of indigenous performance : music, song and dance of the Torres Strait and Arnhem Land
edited by Fiona Magowan and Karl Neuenfeldt
Canberra : Aboriginal Studies Press, ©2005
From 'Navajo' to 'Taba Naba' : unravelling the travels and metamorphosis of a popular Torres Strait Islander song / Martin Nakata ; Karl Neuenfeldt -- Home among the gum trees : an ethnography of Yolngu musical performance in mainstream contexts / Peter Toner -- Music of the Torres Strait / Eddie Koiki Mabo -- Mabo, music and culture / Noel Loos -- Dancing into film : exploring Yolngu motion, ritual and cosmology in the Yirrkala Film Project / Fiona Magowan -- A rally at Ramingining : the 'uniting' force of music and dance in a Yolngu Christian context / Ingrid Slotte -- Grand concerts, Anzac days and evening entertainments : glimpses of musical culture on Thursday Island, Queensland, 1900-1945 / Steve Mulling ; Karl Neuenfeldt -- Making the journey in : opening up spaces for performing, teaching and learning Aboriginal performance traditions / Elizabeth Mackinlay -- Musical times : the interplay between metrical time and real time in a Central Arnhem Land clan song series / Greg Anderson.
Paddock ML3770 .L3 2005

Streichermusik 1 für 14 Solostreicher
Katzer, Georg, 1935-
Leipzig : Edition Peters, [©1977]
Paddock M952.K38 M87 1977

Music as a chariot : the evolutionary origins of theatre in time, sound, and music
Thomas, Richard K., 1953- author
New York : Routledge, 2018
Chapter 1: Introduction: Why this Book -- Part I: The Nature of Time -- Chapter 2: Let There Be a Big Bang -- Chapter 3: The Great Mystery of Time -- Part II: Music = Time Manipulated -- Chapter 4: What Is Music? -- Chapter 5: Primate Numbers -- Part III: Song = Music + Idea -- Chapter 6: Campfire Songs (Rhythm and Entrainment) -- Chapter 7: Music and Language -- Chapter 8: Consonance and Dissonance (The Evolution of Line) -- Part IV: Theatre = Song + Mimesis -- Chapter 9: Ritual, Arousal, Reward, Ecstasy -- Chapter 10: Music, Mimesis, Memory -- Chapter 11: The Bronze Age and the Invention of Writing -- Chapter 12: Conclusion: Evolution and Greek Theatre.

Music as a Chariot offers a multidisciplinary perspective whose primary proposition is that theatre is a type of music. Understanding how music enables the theatre experience helps to shape our entire approach to the performing arts. Beginning with a discussion on the origin and nature of time, the author takes us on an evolutionary journey to discover how music, language and mimesis co-evolved, eventually coming together to produce the complex way we experience theatre. The book integrates the evolutionary neuroscience of the human brain into this journey, offering practical implications and applications for the auditory expression of this concept--namely the fundamental techniques artists use to create sound scores for theatre. With contributions from directors, playwrights, actors and designers, Music as a Chariot explores the use of music to carry ideas into the human soul--a concept that extends beyond the theatrical to include film, video gaming, dance, or anywhere art is manipulated in time.
Paddock MT960 .T48 2018

Historians on Hamilton : how a blockbuster musical is restaging America's past
edited by Renee C. Romano and Claire Bond Potter
New Brunswick : Rutgers University Press, [2018]
Paddock ML410.M67976 H57 2018