M - Music Acquisitions during August 2017

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String quartet, 1975
Wood, Joseph
New York, N.Y. : American Composers Alliance, ©1976
Paddock M452.W885 Q37 1976

Nation and classical music : from Handel to Copland
Riley, Matthew, 1975- author
Woodbridge, Suffolk, UK : The Boydell Press, 2016
Music and the national community : from monarchs to citizens -- Folk music into art music -- Music of the homeland -- Myths and memories of the nation -- The music of commemoration -- The canonization of national music -- Conclusion : nations, nationalism and classical music.

"This book develops a comparative analysis of the relationship between Western art music, nations and nationalism. It explores the influence of emergent nations and nationalism on the development of classical music in Europe and North America and examines the distinctive themes, sounds and resonances to be found in the repertory of each of the nations. Its scope is broad, extending well beyond the period 1848-1914 when national music flourished most conspicuously. The interplay of music and nation encompasses the oratorios of Handel, the open-air music of the French Revolution and the orchestral works of Beethoven and Mendelssohn and extends into the mid-twentieth century in the music of Prokofiev, Shostakovich and Copland. The book addresses the representation of the national community, the incorporation of ethnic vernacular idioms into art music, the national homeland in music, musical adaptations of national myths and legends, the music of national commemoration and the canonisation of national music."
Paddock ML3545 .R55 2016

One after another : alto flute, violin, piano
Wilkinson, Clive, composer
Lebanon, NH : Frog Peak Music, [2016?]
Paddock M322.W55 O54 2016

"...über den Atem, die Stille und die Zerbrechlichkeit..." : Versuch für 7 Blechblasinstrumente (1994)
Haas, Georg Friedrich, composer
Wien : Universal Edition, [2017]
Paddock M757.4.H33 U34 2017

Sechsstimmige Fest- und Zeitandachten : (Dresden 1670/71)
Hammerschmidt, Andreas, 1611 or 1612-1675, composer
Ammerbuch : Verlag C. Hofius, [2016]
Nun komm der Heiden Heiland -- Machet die Tore weit -- Das Wort ward Fleisch -- Sei wilkommen, Jesulein (Aria) -- Helft mir, Gott's Güte preisen -- Herr, nun lässt du deinen Diener -- Siehe, der Gerechte kommt um -- Ach, Jesus stirbt -- Ach Herr, gedenke nicht der Sünden meiner Jugend -- Unser Herr Jesus Christ -- Lobe den Herrn, meine Seele -- Maria, gegrüsset seist du -- Siehe, es hat überwunden der Löwe -- Freundlicher, lieblicher, süssester Jesu -- Kommet her zu mir alle -- Ich fahre auf zu meinem Vater -- Du König der Ehren, Jesu Christ -- Komm, Heiliger Geist -- Schaffe in mir, Gott, ein reines Herz -- Also hat Gott die Welt geliebet -- Heilig ist unser Gott -- O, welche eine Tiefe des Reichtums -- Was mein Gott will, das gescheh allzeit -- Ei du frommer und getreuer Knecht -- Jesu, mein Jesu, wenn ich nur dich habe -- Ich bin eine Stimme eines Predigers in der Wüsten -- Meine Seele erhebt den Herren -- Gott ist die Liebe -- Lobet den Herren, ihr seine Engel -- Allein zu dir, Herr Jesu Christ -- Herzlich lieb hab ich dich o Herr -- Wie schön sind deine Brüste -- Ich beschwöre euch, ihr Töchter -- Es segne dich der Gott Israel -- Gelobet sei der Herr aus Zion -- Warum betrübst du mich, mein Herz -- Erbarm dich mein, o Herre Gott -- Freue dich sehr, du Tochter Zion.
Paddock M2072.H26 F47 2016

Streichquartett As-Dur : Opus 105 = String quartet in A-flat major : op. 105
Dvořák, Antonín, 1841-1904, composer
München : G. Henle Verlag, [2016]
Paddock M452 .D98 B.193 2016b

Sonata in D minor, op. 14, violin and fortepiano
Eberl, Anton, 1765-1807, composer
Launton, Oxon, England : Edition HH Ltd, [2016]
Paddock M219 .E24 op.14 2016

Sonata a piano forte e viola da gamba obligato C-Dur, WarB B3b = in C major
Bach, Johann Christian, 1735-1782, composer
Heidelberg : Edition Güntersberg, 2016
Paddock M239.V54 B2 2016

Lontananza dell'amato : for soprano (d'-a''), chalumeau, flute/oboe, violin, French lute & continuo
Conti, Francesco, 1681 or 1682-1732, composer
Richmond : Green Man Press, [2016]
Paddock M1613.3.C65 L66 2016

Concerto in C minor, FWV L:c2 : bassoon solo, 2 oboes, strings & basso continuo
Fasch, Johann Friedrich, 1688-1758, composer
[Arbroath, Scotland] : Prima la musica!, [2015]
Paddock M1026 .F37 Cmin. 2015

Land of gold
Shankar, Anoushka, composer,
Berlin : Deutsche Grammophon, [2016]
"Land of gold is Anoushka Shankar's response to the humanitarian trama of displaced people fleeing conflict and poverty"--Container.
Paddock Compact Disc M1627.S53 L36 2016

Complete works for piano
Zaderat︠s︡kiĭ, Vsevolod Petrovich, 1891-1953, composer
Moscow : Russian Music Pubsishing, 2012-
Volume 1. 24 preludes and fugues = 24 preli︠u︡dii i fugi --
Paddock M22.Z23 P53 2012

Erosfragmente : für einen Schlagzeugspieler (18 Klangschalen, Toy Piano, Kwăngwari, Knackfrosch, Rainmaker)
Huber, Nicolaus A., composer
Wiesbaden : Breitkopf & Härtel, [2017]
Paddock M146.H83 E76 2017

Jaztine : piano four hands (2000)
Riley, Terry, 1935- composer
[New York] : [Schirmer Rental Dept.], [2017?]
Paddock M204.R578 J39 2017

Initiale : pour sept cuivres : (1987)
Boulez, Pierre, 1925-2016, composer
Wien : Universal Edition, [2017?]
Paddock M757.4.B68 I6 2017

Fantasy-sonata ; and Dream music no. 1 : for solo piano
Bolcom, William, composer
[New York] : Edward B. Marks Music Company, [2016]
Fantasy-sonata. Maestoso ; Burlesque ; Andante, Variations, Andante ; Finale -- Dream music no. 1.
Paddock M23.B66 P53 2016

Fünf frühe Klavierstücke = Five early piano pieces : (1959-1961)
Eötvös, Peter, composer
Mainz : Schott, [2016]
I. Rondo (1961) -- II. Improvisation (1961) -- III. Scherzo (1960) -- IV. Adagio (1959) -- V. Hommage à Haydn (1959).
Paddock M25.E58 F78 2016

Sinfonie Nr. 9 C-Dur, (Padrta I:9)
Krommer, Franz, 1759-1831, composer
Berlin : Ries & Erler, [2016]
Paddock M1001 .K886 no.9 2016

Trio (la mineur) pour piano, violon et violoncelle, op. 16
Callaerts, Joseph, 1838-1901, composer
München : Musikproduktion Höflich, 2017
Paddock M312 .C35 op.16 2017

Shostakovich : Children's notebook, opus 69
Shostakovich, Dmitriĭ Dmitrievich, 1906-1975, composer
New York : G. Schirmer ; ©2017
March -- Waltz -- The bear -- Merry tale -- Sad tale -- The mechanical doll -- Birthday.
Paddock M1380.S56 D48 2017

Brooklyn : for six or more players (open instrumentation)
Wolff, Christian, 1934- composer
New York : C.F. Peters Corporation, [2017?]
Paddock M1470.W7 B76 2017

Scherzo für Orchester = for orchestra : (1957)
Schnittke, Alfred, 1934-1998, composer
Hamburg : Sikorski, [2016]
Paddock M1045.S356 S34 2016

Die tote Stadt : Oper in drei Bildern
Musik von Erich Wolfgang Korngold ; Text von Paul Schott nach der Erzählung "Das tote Brügge" von Georges Rodenbach ; Inszenierung, Götz Friedrich ; SFB
[Halle/Saale] : Arthaus Musik, ©2012
"'If Berlin's opera devotees were asked to name the most thrilling, most memorable productions in any of the city's three houses during the last twenty-five years, hardly anyone would hesitate to include Götz Friedrich's 1983 Deutsche Oper staging of Erich Wolfgang Korngold's opera Die tote Stadt on the list. That production -- starring Friedrich's wife, Karan Armstrong, as Marietta and James King as Paul with breathtakingly beautiful sets by Andreas Reinhardt that captured the gloomy, morbid atmosphere of old Brügge perfectly -- is justly considered a legend.'--Opera News, 2004"--Container.
Paddock DVD M1500.K67 T6 2012

Französische Suiten : BWV 812-817 = French suites : BWV 812-817
Bach, Johann Sebastian, 1685-1750, composer
[München] : G. Henle Verlag, [2017]
No. 1 in D minor, BWV 812 -- No. 2 in C minor, BWV 813 -- No. 3 in B minor, BWV 814 -- No. 4 in E flat, BWV 815 -- No. 5 in G, BWV 816 -- No. 6 in E, BWV 817.
Paddock M24 .B115 BWV 812-817 2017

Messen-Sätze
Rott, Hans, 1858-1884, composer
Berlin : Ries & Erler, [2017]
Pastoralmesse NoV 3, Kyrie G-Dur -- Kyrie a-Moll NoV 1 -- Sanctus C-Dur NoV 2 Nr. 3 -- Agnus Dei a-Moll NoV 1 -- Choral E-Dur NoV 1 (German text, with organ accompaniment).
Paddock M2010.R68 M4 2017

Missa Sancti Alberti : HV 6, per Soli (SATB), Coro (SATB), 2 Violini, Viola, Organo e Bassi, ad libitum: 2 Oboi, 2 Fagotti, 2 Clarini, Timpani
Eybler, Joseph, Edler von, 1765-1846, composer
Stuttgart : Carus-Verlag, [2015]
Paddock M2010.E94 S27 2015

Jubilate Deo : für Chor SATB, Trompeten, Pauken, Oboen, Streicher und B.c
Richter, Franz Xaver, 1709-1789, composer
[Kleinmachnow] : Sonat-Verlag, [2011]
Paddock M2020.R534 J83 2011

Methodische Sonaten : für Flöte oder Violine und Continuo = Methodical sonatas : for flute or violin and continuo
Telemann, Georg Philipp, 1681-1767, composer
München : G. Henle Verlag, 2016-
Paddock M242.T268 S66 2016

Messe de requiem : op. 54 : Soli (SATB), Chor (SATB) und Orchester, ad libitum: reduzierte Orchesterbesetzung = soli (SATB), choir (SATB), and orchestra, ad libitum: reduced orchestra = solistes (SATB), chœur (SATB) et orchestra, ad libitum: orchestre à effectif réduit / Camille Saint-Saëns ; herausgegeben von Fritz Näf = edited by Fritz Näf = éditée par Fritz Näf
Saint-Saëns, Camille, 1835-1921, composer
Stuttgart : Carus-Verlag, [2017]
Paddock M2010.S25 op.54 2017

Symphony for viola and harmonium, one player
Asplund, Christian, 1964-
Lebanon, NH : Frog Peak Music, 1992
Paddock M193.A87 S96 1992

Cerco de puas = (Barbed wire) : bassoon
Abbinanti, Frank, composer
Lebanon, NH : Frog Peak Music, [2017]
Paddock M77.A23 C47 2017

The northern shore : for percussion, piano and orchestra or chamber orchestra
Feldman, Barbara Monk, 1953- composer
Lebanon, NH : Frog Peak Music, [2007?]
Paddock M1040.F38 N6 2007z

The J. Jasmine songbook
Humbert, Jacqueline
[Vancouver, B.C., Canada : Jacqueline Humbert and A.R.C. Publications] ; [©1978]
Androgyny--Strong arms--Clear light--Broke and blue--Grand Canyon heartache--Rented car, painted woman, borrowed time--Wild about the lady--Younger lady--Oasis in the air.
Paddock M1620.H913 J2 1978

Imagined islands : vibraphone, violin, marimba and crotales
Wilkinson, Clive, composer
Lebanon, NH : Frog Peak Music, [2016]
Paddock M385.W55 I4 2016

Sinfonia concertante für Violine, Viola und Orchester, Es-Dur = Sinfonia concertante for violin, viola, and orchestra in E flat major, KV 364 (320d)
Mozart, Wolfgang Amadeus, 1756-1791
Wiesbaden : Breitkopf & Härtel ; ©2006
Paddock M1040 .M8 K.364 2006b

Letters from Iraq : oud and string quintet
AlHaj, Rahim, composer,
Washington, DC : Smithsonian Folkways Recordings, [2017]
Paddock Compact Disc M1824.I75 A397 2017

El alma de Puerto Rico : jíbaro tradition
by Ecos de Borinquen
Washington, DC : Smithsonian Folkways, [2016]
"With "El alma de Puerto Rico" (the soul of Puerto Rico), the Grammy- and Latin Grammy-nominated ensemble Ecos de Borinquen presents its second Smithonian Folkways album overflowing with pride in the island's jíbaro creole folk traditions."--Container.
Paddock Compact Disc M1681.P618 E26 2016

Serrano de corazón
Guillermo Velázquez y Los Leones de la Sierra de Xichú
Washington, D.C. : Smithsonian Folkways Recordings, [2016]
Paddock Compact Disc M1683.18.V45 S47 2016

Forty minutes and eleven seconds
Takehisa Kosugi, Christian Wolff, John King, David Behrman, Jessie Stiles
[Place of publication not identified] : [Kosugi ...?], [2011?]
Cycles 2 / Takehisa Kosugi (Takehisa Kosugi, electronics) -- Or four people / Christian Wolff (David Behrman, harmonica, flute, percussion ; John King, viola ; Takehisa Kosugi, vocals ; Christian Wolff, piano) -- Prima volta / John King (John King, viola, electronics) -- Freeze dip (excerpt / David Behrman (David Behrman, violin, electronics) -- Scutopus ventrolineatus / Jesse Stiles (Jesse Stiles, electronics).
Library Depository M177 .F67 2011

Streichquartett in Es, op. 127 = String quartet in E-flat major
Beethoven, Ludwig van, 1770-1827, composer
Kassel : Bärenreiter, [2017]
Paddock M452 .B42 op.127 2017

Three-piece suite : for harp and piano
Imbrie, Andrew, 1921-2007, composer
New York, NY : Associated Music Publishers, Inc., [2017]
I. Allegro moderato -- II. Andante con moto -- III. Allegro fantastico.
Paddock M273.I47 T5 2017

The gift to be simple : songs, dances and rituals of the American Shakers
Andrews, Edward D
New York : Dover Pub., 1967
Paddock ML3178.S5 A547 1967

Body, sound and space in music and beyond : multimodal explorations
edited by Clemens Wöllner
Abingdon, Oxon ; Routledge, an imprint of the Taylor & Francis Group, 2017
Paddock ML3830 .B555 2017

Fairlight : Trombone concerto no. 1, op. 68
Martinsson, Rolf
Stockholm : Gehrmans, 2011, ©2006
Paddock M1032.M378 F35 2011

Bassic instinct : for solo double bass, op. 88, [2011]
Martinsson, Rolf
Stockholm : Gehrmans, ©2011
Paddock M57.M378 B27 2011

Cello concerto no. 1, op. 69a
Martinsson, Rolf, composer
Stockholm : Gehrmans Musikförlag, [2013]
Paddock M1016.M3788 C66 2013

À l'âme de descendre de sa monture et aller sur ses pieds de soie-- : Kammerkonzert für Altstimme, Violoncello, Baryton, Akkordeon und Schlagzeug : 2002/2004
Huber, Klaus, 1924-
München : Ricordi, ©2004
Paddock M1613.3.H83 A433 2004

Symbiosis : for two violins, op. 65, 2003
Martinsson, Rolf
Stockholm : Gehrmans, 2012, ©2008
Paddock M287.M378 S95 2012

Shimmering blue : flute concerto no. 1, op. 70a, for flute and chamber orchestra
Martinsson, Rolf
Stockholm : Gehrmans Musikförlag, ©2006
Paddock M1020.M38 S5 2006

Experiencing film music : a listener's companion
LaFave, Kenneth, author
Lanham : Rowman & Littlefield, [2017]
Timeline -- Introduction -- The not-so-silent era -- Max Steiner and the first generation -- Spotlight : spotting and the click track -- Mysteries, thrillers, and film noir -- Spotlight : orchestrators -- The epic, the exotic, and war -- Cowboys and superheroes -- Drama -- Spotlight : jazz in film music -- Theme songs, comedies, and romantic comedies -- Spotlight : animation -- Science fiction and fantasy -- Ambient music, no music, and ready-mades -- Trends, forecasts, and innovations.
Paddock ML2075 .L32 2017

Shake it up : great American writing on rock and pop from Elvis to Jay Z
edited by Jonathan Lethem and Kevin Dettmar
New York, N.Y. : Library of America, [2017]
"Jonathan Lethem and Kevin Dettmar's Shake It Up invites the reader into the tumult and excitement of the rock revolution through fifty landmark pieces by a supergroup of writers on rock in all its variety, from heavy metal to disco, punk to hip-hop. Stanley Booth describes a recording session with Otis Redding; Ellen Willis traces the meteoric career of Janis Joplin; Ellen Sander recalls the chaotic world of Led Zeppelin on tour; Nick Tosches etches a portrait of the young Jerry Lee Lewis; Eve Babitz remembers Jim Morrison. Alongside are Lenny Kaye on acapella and Greg Tate on hip-hop, Vince Aletti on disco and Gerald Early on Motown; Robert Christgau on Prince, Nelson George on Marvin Gaye, Luc Sante on Bob Dylan, Hilton Als on Michael Jackson, Anthony DeCurtis on the Rolling Stones, Kelefa Sanneh on Jay Z. The story this anthology tells is a ongoing one: "it's too early," editors Jonathan Lethem and Kevin Dettmar note, "for canon formation in a field so marvelously volatile--a volatility that mirrors, still, that of pop music itself, which remains smokestack lightning. The writing here attempts to catch some in a bottle."--Provided by publisher.
Paddock ML3534 .S458 2017

The Routledge companion to music cognition
edited by Richard Ashley and Renee Timmers
New York, NY : Routledge, 2017
Paddock ML3830 .R79 2017

The Routledge companion to screen music and sound
edited by Miguel Mera, Ronald Sadoff, and Ben Winters
New York, NY : Routledge, 2017
Paddock ML2075 .R677 2017

Singing sedition : piety and politics in the music of William Billings
Brewer, Charles E. author
Hillsdale, NY : Pendragon Press, [2017]
Paddock ML410.B588 B74 2017

The complete book of 2000s Broadway musicals
Dietz, Dan, 1945- author
Lanham, Maryland : Rowman & Littlefield, [2017]
"In the first decade of the twenty-first century, Broadway was notable for old-fashioned, feel-good shows (Hairspray, Jersey Boys), a number of family-friendly musicals (Little Women, Mary Poppins), plenty of revivals (Follies, Oklahoma!, Wonderful Town), a couple of off-the-wall hits (Avenue Q, Urinetown), several gargantuan flops (Dance of the Vampires, Lestat), and a few serious productions that garnered critical acclaim (The Light in the Piazza, Next to Normal). Unlike earlier decades which were dominated by specific composers, by a new form of musical theatre, or by numerous British imports, the decade is perhaps most notable for the rise of shows which poked fun at the musical comedy form, such as The Producers and Spamalot. In The Complete Book of 2000s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 2000 through the end of 2009. This book discusses the era's major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Patti LuPone, Chita Rivera, and Martin Short. Each entry contains the following information: Plot summary, cast members, names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors, opening and closing dates, number of performances, critical commentary, musical numbers and the performers who introduced the songs, production data, including information about tryouts, source material, Tony awards and nominations, [and] details about London and other foreign productions. Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of black-themed shows and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 2000s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history." -- Publisher's description
Paddock ML1711.8.N3 D535 2017

Collaborative intimacies in music and dance : anthropologies of sound and movement
edited by Evangelos Chrysagis and Panas Karampampas
New York : Berghahn Books, 2017
Across spatial, bodily, and ethical domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collective dimension of sound and movement in everyday life, drawing on genres and practices in contexts as diverse as Japanese shakuhachi playing, Peruvian huayno, and the Greek goth scene. Highlighting the sheer physicality of the ethnographic encounter, as well as the forms of sociality that gradually emerge between self and other, each contribution demonstrates how dance and music open up pathways and give shape to life trajectories that are neither predetermined nor teleological, but generative.
Paddock ML3916 .C56 2017

Dolly on Dolly : interviews and encounters
Parton, Dolly, author
Chicago, Illinois : Chicago Review Press, [2017]
Collection of interviews spanning five decades of Dolly Parton's career and featuring material gathered from celebrated publications including Rolling Stone, Cosmopolitan, Playboy, and Interview magazine. This book traces Dolly's evolution from her dirt-poor Smoky Mountain childhood to her reign as the undisputed 'Queen of Country Music.'" -- Adapted from Amazon.com summary.
Paddock ML420.P28 A5 2017

Otis Redding : an unfinished life
Gould, Jonathan, 1951- author
New York : Crown Archetype, [2017]
Monterey -- Georgia on my mind -- Laura -- Gallantry's last bow -- Sonny -- Georgia Tom -- Sister Rosetta and the Jukebox King -- Macon music -- Brown v. Board -- Brother Ray -- 1955 -- Specialty -- Bellevue -- Hillview Springs -- Teenage party -- Atlantic -- Phil -- Otis and Phil -- Zelma -- Love twist -- Joe -- Satellite -- Stax -- These arms of mine -- That's what my heart needs -- The hot summer revue -- Pain in my heart -- The Apollo -- Security -- Berry, Brown, and Burke -- Roy street -- Soul ballads -- I've been loving you too long -- Otis blue -- My girl -- I can't turn you loose -- The soul album -- The whisky -- Summer 1966 -- Otis and Phil redux -- Ready steady go! -- Dictionary of soul -- The Fillmore -- King & Queen -- Hit the road, Stax -- R-E-S-P-E-C-T -- The love crowd -- Buses to planes -- What makes these guys so special -- The dock of the bay -- December 10 -- Epitaph -- Epilogue.

"Otis Redding remains an immortal presence in the canon of American music on the strength of such classic hits as "(Sittin' on) The Dock of the Bay," "I've Been Loving You Too Long," "Try a Little Tenderness," and "Respect," a song he wrote and recorded before Aretha Franklin made it her own. As the architect of the distinctly southern, gospel-inflected style of rhythm & blues associated with Stax Records in Memphis, Redding made music that has long served as the gold standard of 1960s soul. Yet an aura of myth and mystery has always surrounded his life, which was tragically cut short at the height of his career by a plane crash in December 1967. In chronicling the story of Redding's life and music, Gould also presents a social history of the time and place from which they emerged. His book never lets us forget that the boundaries between black and white in popular music were becoming porous during the years when racial tensions were reaching a height throughout the United States. His indelible portrait of Redding and the mass acceptance of soul music in the 1960s is both a revealing look at a brilliant artist and a provocative exploration of the tangled history of race and music in America that resonates strongly with the present day" -- provided by publisher.
Paddock ML420.R295 G68 2017

The Palgrave handbook of musical theatre producers
Laura MacDonald, William A. Everett, editors
New York, NY, U.S.A. : Palgrave Macmillan, [2017]
Overture. A ballyhoo for producers / Laura MacDonald, William A. Everett ; Actors act, directors direct, producers...produce? Mel Brooks's The producers and the creation of an archetype / Kathryn Edney -- Act 1: To the 1940s. Tony Pastor: the father of vaudeville / Gillian M. Rodger ; Adolg Philipp and the German American musical comedy / John Koegel ; George Edwardes: the guv'nor of late Victorian musical theatre / William A. Everett ; Charles Frohman: king of the star-makers / Brian D. Valencia ; Aggressive, beleaguered, commercial, defiant: Marc Klaw and Abraham Erlanger / Marlis Schweitzer ; Did the Shuberts save Broadway? The corporate producers / Anthony Vickery ; Sam Harris: a producing patron of innovation / Alisa Roost ; Florenz Ziegfeld Jr.'s 'simple idea': girls and music in tastefully extravagant settings / Todd Decker ; Feather-footed impresario: the Scandals of George White / Maya Cantu ; Alexander A. Aarons and Vinton Freedley: the smart sophisticates / Jennifer Ashley Tepper, William A. Everett ; Coherency: Lew Fields, the performer-producer and experimenter in integration / Dominic Symonds ; Firm foundations: James Cassius Williamson and The firm / Frank Van Straten ; Japanese women's popular musicals: the Takarazuka revue / Nobuku Anan -- Act 2: From the 1940s through the 1970s. Refining the tastes of Broadway audiences: the Theatre Guild and American musical theatre / Claudia Wilsch Case ; More than a producer: "George Abbot presents" / Paul R. Laird ; Rodgers and Hammerstein: the sound of money / Valerie M. Joyce ; The nice one: the productions of Robert Griffith / Michael Schwartz ; The sparkplug and the engineer: balancing art and business in the collaboration of Cy Feuer and Ernest Martin / Dominic McHugh ; Roger L. Stevens: the great facilitator / Karen Patricia Heath ; "He could get it for you wholesale": the producing genius of David Merrick / Ryan McKinney ; Stuart Ostrow: experiments in independence / Elissa Harbert ; Hal Prince: artistry in producing / Paul R. Laird ; Korean musical theatre's past: Yegrin and the politics of 1960s musical theatre / Ji Hyon (Kayla) Yuh ; Joseph Papp and the public theater / Elizabeth L. Wollman ; Giora Godik: the "showporter" turned artistic producer / Shiraz Biggie ; The West End (and Broadway) head east: Tōhō International and Gekidan Shiki / Kevin J. Wetmore Jr. -- Act 3: Since the 1970s. The Shubert organization: one singular sensation, now and forever / Mark E. Swartz ; Emanuel Azenberg's life in theatre: "Happiness is equilibrium. Shift your weight" / Sarah Taylor Ellis ; Cameron Mackintosh: modern global impresario / Jessica Sternfeld ; Laying down the RUG: Andrew Lloyd Webber, the Really Useful Group, and musical theatre in a global economy / Kyle A. Thomas ; "My American dream": dreaming of Broadway and the West End in the Philippines / Sir Anril Pineda Tiatco / Trading gloablly in Austrian hsitory: Vereinigte Bühnen Wien / Laura MacDonald ; From Amsterdam with love: Stage Entertainment's global success / Sanne Thierens ; West Wide Story: the journey to Lincoln Center Theater / Doug Reside ; Making musicals that matter: George C. Wolfe and Oskar Eustis at the Public Theater / Donatella Galella ; Broadway-bound: La Jolla Playhouse as a laboratory for new American musical theatre / Claudia Wilsch Case ; Our brand is revival: the Roundabout Theatre Company / Bryan M. Vandevender ; Reclaiming, restoring, and reviving the American musical: City Center Encores! / Bryan M. Vandeventer ; Garth Drabinsky's "grand moves": artistic ambition and commerical illusions in the 1990s / Todd Decker ; Disney theatrical productions: anything can happen if you let it / Amy S. Osatinski ; Against all odds: Kevin McCollum, creating communities through theatre / Chris McCoy ; "I am them": Tyler Perry's black musical theatre for the masses / Rashida Z. Shaw ; Between Broadway and the local: Arts Communication International (ACOM), Seol & Company, and the South Korean musical industry / Hyunjung Lee ; Performing like a concert king or a queen: producing original Filipino muiscals / Sir Anril Pineda Tiatco ; Producing musicals in Russia at the turn of the twenty-first century: navigating across socialism, capitalism, occidentalism, and nostalgia / Art Babayants ; David Stone: defying the gravity of expectations / David Carlyon ; ART for ART's sake: the American Repertory Theatre / Stuart J. Hecht ; Roth and son: Daryl Roth and Jordan Roth on Broadway / Laura MacDonald -- Curtain Call. New Paradigms for Broadway producers in popular culture and beyond: Smash and the rise of the passion project / Mary Jo Lodge.

This handbook is the first to provide a systematic investigation of the various roles of producers in commercial and not-for-profit musical theatre. Featuring fifty-one essays written by international specialists in the field, it offers new insights into the world of musical theatre, its creation and its promotion. Key areas of investigation include the lives and works of producers whose work is part of a US and worldwide musical theatre legacy, as well as the largely critically-neglected role of the musical theatre producer in the making, marketing, and performance of musicals. Also explored are the shifting roles of producers in musical theatre and their popular portrayals, offering a reader-friendly collection for fans, scholars, students, and practitioners of musical theatre alike.
Paddock ML2054 .P35 2017

Welcome to Zamrock! : how Zambia's liberation led to a rock revolution, 1972-1977
compilation by Eothen Alapatt ; liner notes by Eothen Alapatt and Leonard Koloko ; with contributions by Chris A. Smith
Los Angeles, CA : Now-Again Records ; [2017]
Paddock ML3534.6.Z33 W36 2017

The whole church sings : congregational singing in Luther's Wittenberg
Leaver, Robin A., author
Grand Rapids, Michigan : William B. Eerdmans Publishing Company, [2017]
The Reformation celebrated in song -- Pre-Reformation vernacular song -- Wittenberg reforms, 1517-23 -- The initial repertory of hymns, 1523-24 -- The publication of the Wittenberg hymns, 1523-24 -- A congregational hymnal in Wittenberg, 1524-26 -- Liturgical developments in Wittenberg, 1523-26 -- From Enchyridion to Geistliche lieder, 1524-29.

Authoritative study by a renowned musicologist and Reformation scholar Many scholars think that congregational singing was not established in Lutheran worship until well after the start of the Reformation. In this book Robin A. Leaver calls that view into question, presenting new research to confirm the earlier view that congregational singing was both the intention and the practice right from the beginning of the Wittenberg reforms in worship. Leaver's study focuses on the Wittenberg hymnal of 1526, which until now has received little scholarly attention. This hymnal, Leaver argues, shows how the Lutheran Reformation was to a large degree defined, expressed, promoted, and taken to heart through early Lutheran hymns. Examining what has been forgotten or neglected about the origins of congregational hymnody under Martin Luther's leadership, this study of worship, music, and liturgy is a significant contribution to Reformation scholarship.
Paddock ML3168 .L438 2017

Talking machine west : a history and catalogue of Tin Pan Alley's western recordings, 1902-1918
Amundson, Michael A., 1965- author
Norman, OK : University of Oklahoma Press, [2017]
Cranking Up My Talking Machines -- The Phonograph and the West, 1877-1902 -- The Talking Machine West, 1902-1918 -- A Chronological Catalogue of Western Recordings 1902-1918.
Paddock ML3477 .A49 2017

Music in the world : selected essays
Taylor, Timothy Dean, author
Chicago : The University of Chicago Press, 2017
Introduction: culture, capitalism, globalization, music -- The absence of culture in the study of music -- Music and affect in the West: the first 2,000 years -- The commodification of music at the dawn of the era of "mechanical music" -- The role of opera in the rise of radio in the US -- Stravinsky and others -- World music festivals as spectacles of genrefication and diversity -- Fields, genres, brands -- Neoliberal capitalism, UNESCO, and the reenchantment of culture -- Globalized neoliberal capitalism and the commodification of taste -- Valuing music.

In music studies, Timothy D. Taylor is known for his insightful essays on music, globalization, and capitalism. This is a collection of some of Taylor's most recent writings essays concerned with questions about music in capitalist cultures, covering a historical span that begins in the late nineteenth and early twentieth centuries and continues to the present. These essays look at shifts in the production, dissemination, advertising, and consumption of music from the industrial capitalism of the nineteenth century to the globalized neoliberal capitalism of the past few decades. In addition to chapters on music, capitalism, and globalization, 'Music and the World' includes previously unpublished essays on the continuing utility of the culture of concept in the study of music, a historicization of treatments of affect, and an essay on value and music. Taken together, Taylor's essays chart the changes in different kinds of music in twentieth- and twenty-first-century music and culture from a variety of theoretical perspectives.
Paddock ML3916 .T4 2017

The new analog : listening and reconnecting in a digital world
Krukowski, Damon, author
New York : The New Press, 2017
User's manual -- Headspace -- Proximity effect -- Surface noise -- Loudness wars -- Real time -- Listening to noise.

"Having made his name in the late 1980s as a member of the indie band Galaxie 500, Damon Krukowski has watched cultural life lurch from analog to digital. And as an artist who has weathered the transition, he has challenging, urgent questions for both creators and consumers about what we have thrown away in the process: Are our devices leaving us lost in our own headspace even as they pinpoint our location? Does the long reach of digital communication come at the sacrifice of our ability to gauge social distance? Do streaming media discourage us from listening closely? Are we hearing each other fully in this new environment? Rather than simply rejecting the digital disruption of cultural life, Krukowski uses the sound engineer's distinction of signal and noise to reexamine what we have lost as a technological culture, looking carefully at what was valuable in the analog realm so we can hold on to it. Taking a set of experiences from the production and consumption of music that have changed since the analog era--the disorientation of headphones, flattening of the voice, silence of media, loudness of mastering, and manipulation of time--as a basis for a broader exploration of contemporary culture, Krukowski gives us a brilliant meditation and guide to keeping our heads amid the digital flux. Think of it as plugging in without tuning out."--Book jacket.
Paddock ML3830 .K756 2017

Music in Goethe's Faust : Goethe's Faust in music
edited by Lorraine Byrne Bodley
Woodbridge : The Boydell Press, [2017]
Introduction. Rhapsody and rebuke : Goethe's Faust in music ; The redress of Goethe's Faust in music history / Lorraine Byrne Bodley -- Wagering on modernity : Goethe's eighteenth-century Faust / Nicholas Boyle -- Reflectivity, music and the modern condition : thoughts on Goethe's Faust / Martin Swales -- Music and metaphorical thinking in Goethe's Faust : the example of harmony / J.M. Tudor -- Faust : the instrumentalisation of an icon / Osman Durrani -- Faust's Schubert : Schubert's Faust / John Michael Cooper -- The musical novel as master-genre : Schumann's Szenen aus Goethes Faust / Julian Horton -- The psychology of Schumann's Faust : developing the human soul / Christopher Ruth -- A life with Goethe : Wagner's engagement with Faust in music and in words / Glenn Stanley -- Wagner's Ninth : reading Beethoven with Faust / Mark Austin -- Linking Christian and Faustian utopias : Mahler's setting of the Schluszene in his Eighth Symphony / Eftychia Papanikolaou -- Operatic translation and adaptation : Gounod's Faust, with a tribute to Ken Russell / Siobhán Donovan -- Adapters, falsifiers and profiteers : staging La damnation de Faust in Monte Carlo and Paris, 1893-1903 / Heather Hadlock -- Faust in the trenches : Busoni's Doktor Faust / Mark Fitzgerald -- As Goethe intended? : Max Reinhardt's Faust productions and the aesthetics of incidental music in the early twentieth century / Ursula Kramer -- Music and the rebirth of Faust in the GDR / David Robb -- Music, text and stage : Peter Stein's production of Goethe's Faust / John Guthrie -- 'Devilishly good' : Rudolf Volz's rock opera Faust and 'event culture' / Waltraud Maierhofer -- Select bibliography.

That Goethe's poetry has proved pivotal for the development of the nineteenth-century Lied has long been acknowledged. Less acknowledged is the seminal impact in musical realms of Goethe's Faust, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century. While Goethe longed to have Faust set to music and considered only Mozart and perhaps Meyerbeer as being equal to the task, by the end of his life he had abandoned hope that he would live to witness a musical setting of his text. Despite this, a floodtide of musical interpretations of Goethe's Faust came into existence from Beethoven to Schubert, Schumann to Wagner and Mahler, and Gounod to Berlioz; and a broad trajectory can be traced from Zelter's colourful description of the first setting of Goethe's Faust to Alfred Schnittke's Faust opera (1993). This book explores the musical origins of Goethe's Faust and the musical dimensions of its legacy. It uncovers the musical furore caused by Goethe's Faust and considers why his polemical text has resonated so strongly with composers. 0Bringing together leading musicologists and Germanists, the book addresses a wide range of issues including reception history, the performative challenges of writing music for Faust, the impact of the legend on composers' conceptual thinking, and the ways in which it has been used by composers to engage with other contemporary intellectual concepts. Constituting the richest examination to date of the musicality of language and form in Goethe's Faust and its musical rendering from the eighteenth to twenty-first centuries, the book will appeal to music, literary and Goethe scholars and students alike.
Paddock ML80.G5 M87 2017

Rock in a hard place : music and mayhem in the Middle East
Crowcroft, Orlando, author
London : Zed Books Ltd, 2017
Introduction -- Lebanon -- Iran -- Egypt -- Saudi Arabia -- Israel and Palestine -- Syria -- Epilogue.

"A warm night in Abu Dhabi, back in 2011. Under the stadium lights a 30,000-strong crowd wait for Metallica's first ever show in the Middle East. Many have faced untold violence, but for tonight, nothing else matters. This is the story of that crowd. Of the people and the music they make in the backrooms of shabby houses in Beirut and Qatif, Damascus and Cairo. Of illegal shows in Tehran and Riyadh. Of songs that ousted a dictator in Egypt. Of exiles that have ended in glory and in blood. Journalist and heavy metal fan Orlando Crowcroft spent six years in the midst of the rock, hip hop and metal scenes of the Middle East. Rock in a Hard Place is a different voice, one that is at odds with the Middle East of extremism, war and ISIS. It is a voice recognisable to anyone who has ever turned up an amp to drown out the din of the everyday, a voice that may help unite us when we need it most."
Paddock ML3917.M628 C76 2017

The poem of ecstasy ; Symphony no. 2
Scriabin, Aleksandr Nikolayevich, 1872-1915, composer
[London] : BBC Music Magazine, [2002]
The poem of ecstasy ; Symphony no. 2 / Alexander Scriabin -- Excerpts from top CDs of June 2002. Oláh nóta ; Rutén kolomejka / Bartók ; Piano sonata in E, D157. 3, Menuetto ; Trio / Schubert ; Äusserst rasch und mit Bravour (excerpt), op. 21 no 2 / Schumann ; Symphony no. 6. Allegro energico, ma non troppo (excerpt) / Mahler.
Paddock Compact Disc ML5 .B349 v.10 no.10

Quartet for violin, viola, cello and piano : 1976
Bolcom, William, composer
[New York, NY] : Edward B. Marks Music Company : [2014?]
Barcarolle/ketjak -- Largo fantastico : (Nachtstück) -- Intermezzo -- Finale.
Paddock M412 .B65 no.1 2014

It takes two : for cello and piano (2013)
Matthews, David, 1943-
London : Faber Music Hire Library, 2013, [2015]
Paddock M236.M38 I8 2015

Warren Zevon : desperado of Los Angeles
Plasketes, George, author
Lanham, Maryland : Published by Rowman & Littlefield, 2016
Join me in L.A. -- The asylum IconocLAst -- Knee deep in Gore with Glee -- Rock bottom : the crack up and resurrection -- Swear to god I'll change -- Looking for the next best thing -- Intruder in the dirt -- That amazing grace sort of passed you by -- Die another day : a desperado deteriorata.

Warren Zevon was one of the most original songwriters to emerge from the prolific 1970s Los Angeles music scene. Beyond his most familiar song - the rollicking 1978 hit "Werewolves of London" - Zevon's smart, often satirical songbook is rich with cinematic, literary, and comic qualities; dark narratives; complex characters; popular culture references; and tender, romantic ballads of parting and longing. Warren Zevon: Desperado of Los Angeles is the first book-length, critical exploration of one of popular music's most talented and tormented antiheroes. George Plasketes provides a comprehensive chronicle of Zevon's 40-year, 20-record career and his enduring cultural significance. Beginning with Zevon's classical training and encounters as a youth with composers Robert Craft and Igor Stravinsky, Plasketes surveys Zevon's initiation into the 1960s through the Everly Brothers, the Turtles, and the film Midnight Cowboy. Plasketes then follows Zevon from his debut album with Asylum Records in 1976, produced by mentor Jackson Browne, through his successes and struggles from a Top Ten album to record label limbo during the 1980s, through a variety of music projects in the 1990s, including soundtracks and scores, culminating with a striking trio of albums in the early 2000s. Despite his reckless lifestyle and personal demons, Zevon made friends and alliances with talk show host David Letterman and such literary figures as Hunter S. Thompson and Carl Hiaasen. It was only after his death in 2003 that Zevon received Grammy recognition for his work. Throughout this book, Plasketes explores the musical, cinematic, and literary influences that shaped Zevon's distinctive style and songwriting themes and continue to make Zevon's work a telling portrait of Los Angeles and American culture.
Paddock ML420.Z475 P53 2016

Der zwerg = The dwarf
Alexander Zemlinsky. Der zerbrochene Krug = The broken jug / Viktor Ullmann
[Halle/Saale] : Arthaus Musik, 2010
Der zwerg -- Der zerbrochene Krug.

Full recognition of their works and genius still awaits Alexander Zemlinsky and Viktor Ullmann, more than sixty-five years after their deaths. Their works are powerful, vibrant, life-affirming and tragic in turn. Their lives and personal histories were tragic, but their music transcends it all.
Paddock DVD M1500.Z46 Z84 2010

String quartet no. 7
Ames, William
New York, N.Y. : American Composers Alliance, ©1969
Paddock M452 .A53 no.7 1969

Fourth piano concerto for piano and orchestra
Wuorinen, Charles
[New York] : Edition Peters, [2009?], ©2003
Paddock M1010 .W87 no.4 2009

Short fantasy : violin and piano
Aitken, Hugh
[Place of publication not identified] : [publisher not identified], 1980
Paddock M221.A47 S5 1980

Five divertimenti for four strings
Reif, Paul, 1910-1978
New York, N.Y. : General Music Pub., ©1968
Paddock M452.R3856 D5 1968

Mierda de música
textos de Rodrigo Fresán and eleven others
Barcelona : Blackie Books, 2017
Paddock ML3470 .M547 2017

In that bright world : [for voices and gamelan]
Diamond, Jody, composer
Lebanon, NH : Frog Peak Music, [2016]
Paddock M1531.D53 I68 2016z

Werke = Works
Strauss, Richard, 1864-1949, composer
Wien : Verlag Dr. Richard Straus : [2016- ]
Paddock Ref M3 .S769 2016

Sonaatit viululle ja pianolle = Sonatas for violin and piano
Kuula, Toivo, 1883-1918, composer
Helsinki : Fennica Gehrman, [2015]
F-durri (1906) = F major (1906) -- E-molli, op. 1 = E minor, op. 1.
Paddock M219.K88 S66 2015

Sonate Nr. 2 G-Dur op. 14, für Flöte, Violoncello und Klavier
Pleyel, Ignaz, 1757-1831, composer
[Rheinfelden] : Edition Kossack, [2015]
Paddock M322.P54 S66 2015

Bomarzo : opera in two acts
Ginastera, Alberto, 1916-1983, composer
New York, NY : Boosey & Hawkes, [2015]
Acto I. Praeludium -- El filtro -- Interludium I -- Niñez di Pier Francesco -- Interludium II -- El horóscopo -- Interludium III -- Pantasilea -- Interludium IV -- A orillas del Tiber -- Interludium V -- Pier Francesco Orsini, duque de Bomarzo -- Interludium VI -- Fiesta en Bomarzo -- Interludium VII -- El retrato de Lorenzo Lotto --
Paddock M1503.G492 B66 2015

Rapsòdia catalana : violoncel i piano (reducció d'orquestra) = violoncello and piano (orchestral reduction) = violonchelo y piano (reducción de orquesta)
Blancafort, Manuel, 1897-1987, compser
Barcelona : Editorial de Música Boileau, [2014]
Paddock M1017.B62 R37 2014

Richard Strauss : der Komponist und sein Werk : Überlieferung, Interpretation, Rezeption : Bericht über das internationale Symposium zum 150. Geburtstag, München, 26.-28. Juni 2014
herausgegeben von Sebastian Bolz, Adrain Kech und Hartmut Schick
München : Allitera Verlag, 2017
Paddock ML410.S93 R48 2017

Sonate in D für Klavier = Sonata in D major for pianoforte, op. 28
Beethoven, Ludwig van, 1770-1827, composer
Kassel : Bärenreiter, [2016]
Paddock M23 .B416 op.28 2016

Sonate in A für Klavier = Sonata in A major for pianoforte, op. 101
Beethoven, Ludwig van, 1770-1827, composer
Kassel : Bärenreiter, [2016]
Paddock M23 .B416 op.101 2016

Łatwe utwory. Zeszyt 1 = Easy pieces. Book 1
Bacewicz, Grażyna, composer
Kraków : Polskie Wydawnictwo Muzyczne, 2015
Preludium = Prelude -- Melodia = Melody -- Marsz = March -- Kołysanka = Lullaby -- Scherzino = Scherzino.
Paddock M221.B334 L3 2015

Pavane couleur du temps : for string quintet: violin, violin, viola/clarinet, cello, cello/bass
Martin, Frank, 1890-1974, composer
Cambridge, UK : SJ Music, 2010
Paddock M552.M37 P38 2010

Clarinet trio
Lindberg, Magnus, 1958- composer
London : Boosey & Hawkes, [2015]
I. Ljud stort, ljud = (Sound big, sound) -- II. Som det stilla vi söker = (Like the tranquility we seek) -- III. Slå våg, slå = (Crash wave, crash).
Paddock M322.L56 T75 2015

Roots, radicals and rockers : how skiffle changed the world
Bragg, Billy, author
London : Faber & Faber, 2017
The Rock Island Line -- Ration book jazz -- Blues in brass -- Pilgrimage to New Orleans -- Back to basics -- What kind of music are they playing? -- Stumbling towards a new dawn -- The new Edwardians -- The highbrow of swing -- Will TV kill the British Sunday? -- Sunshine on Soho -- Red scare refugees -- Skiffle artificial -- The adventures of an Irish hillbilly -- Youth in revolt -- The people's music -- Here's three chords -- Lonnie opens the door -- Going so fast -- This'll make you skiffle -- Country, bluegrass, and blues -- Expresso bongo -- For peace and harmony -- Skiffle on the skids -- Maximum R & B -- The British are coming.

"Emerging from the jazz clubs of the early 1950s, skiffle -- a uniquely British take on American folk and blues -- caused a sensation among a generation of kids who had grown up during the dreary post-war years. These were Britain's first teenagers, looking for a music of their own in a culture dominated by crooners and mediated by a stuffy BBC. Sales of guitars rocketed from 5,000 to 250,000 a year, and -- as with the punk rock that would flourish two decades later -- all you needed to know were three guitar chords to form your own group, with your mates accompanying on tea-chest bass and washboard. Against a backdrop of Cold War politics, rock and roll riots and a newly assertive working-class youth, Billy Bragg charts -- for the first time in depth -- the history, impact and legacy of Britain's original pop movement. It's a story of jazz pilgrims and blues blowers, Teddy Boys and beatnik girls, coffee-bar bohemians and refugees from the McCarthyite witch-hunts, who between them sparked a revolution that shaped pop culture as we have come to know it"--Page 2 of dust jacket.
Paddock ML3536 .B73 2017

So much things to say : the oral history of Bob Marley
Steffens, Roger, author,
New York, NY : W.W. Norton & Company, Inc., [2017]
Draws on forty years of intimate interviews with band members, family, lovers, and confidants, many speaking publicly for the first time, to offer an oral history depicting the reggae icon's life.
Paddock ML420.M3313 S77 2017

String quartet no. 6 (2013)
Glass, Philip, composer
[New York, N.Y.] : Dunvagen Music Publishers ; [2016]
Paddock M452 .G52 no.6 2016

String quartet
Amram, David
New York : C.F. Peters, ©1968
Paddock M452.A57 Q3 1968

Quartet no. 7
Fortner, Jack, 1935-
Paris : Jobert, ©1970
Movement -- Night music -- Fragments -- Jean Tinguely.
Paddock M452 .F668 no.7 1970

Doce preludios americanos = Twelve American preludes : op. 12 : for solo piano
Ginastera, Alberto, 1916-1983, composer
New York : Carl Fischer, [2016]
1. Triste -- 2. Para los acentos (Accents) -- 3. Danza criolla (Creole dance) -- 4. Vidala -- 5. En el 1er modo pentáfono menor (In the first pentatonic minor mode) -- 6. Homenaje a Roberto García Morillo (Tribute to Roberto García Morillo) -- 7. Para las octavas (Octaves) -- 8. Homenaje a Juan José Castro (Tribute to Juan José Castro) -- 9. Homenaje a Aaron Copland (Tribute to Aaron Copland) -- 10. Pastoral -- 11. Homenaje a Heitor Villa-Lobos (Tribute to Heitor Villa-Lobos) -- 12. En el 1er modo pentáfono mayor (In the first pentatonic major mode).
Paddock M25.G55 A44 2016

Breaking down the walls of heartache : how music came out
Aston, Martin, author
Milwaukee, WI : Backbeat Books, an imprint of Hal Leonard, LLC, 2017
Paddock ML3470 .A88 2017

The women of quyi : liminal voices and androgynous bodies
Lawson, Francesca R. Sborgi, author
New York, NY ; Routledge, 2017
Paddock ML1751.C58 T53 2017

The Overlook Hotel suite : for orchestra
Moravec, Paul, 1957- composer
[Verona, New Jersey] : Subito Music, [2015]
Paddock M1003.M66 O84 2015

Sugar man : the life, death and resurrection of Sixto Rodriguez
Bartholomew-Strydom, Craig, author
London : Corgi Books, 2016
Paddock ML420.R757 B37 2016

String quartet (1947)
Starer, Robert
New York, N.Y. : Mercury Music Corp., ©1951
Paddock M452 .S82 no.1 1951

String quartet no. 2
Weinberg, Henry, 1931-
[New York] MCA Music [1970]
Paddock M452 .W456 no.2 1970

Vier Stücke : für Streichtrio, op. 105
Wellesz, Egon, 1885-1974
[Wien] : Verlag Doblinger, [©1974]
Paddock M351 .W45 op.105 1974

Studies for string quartet. Set I
Crosse, Gordon
London : Oxford University Press, ©1976
Recitativo -- Aria -- Finale.
Paddock M452 .C94 op.34 set 1

第1版
岑学贵, author
Wuhan : Hua zhong shi fan da xue chu ban she, 2016
Baker Berry East Asian ML3746.7.G84 C46 2016

Quatuor 1952 : rev. 1971
Ringbom, Nils-Eric, 1907-1988
Helsinki : Fazer, ©1974
Paddock M452 .R564 1974

Collected songs for voice and piano. Volume 1
Asplund, Christian, 1964- composer
Lebanon, NH : Frog Peak Music, [2007]
A people -- Ancient -- Cake -- Emma Smith speaks her piece -- I think continually -- Leave softly -- Loveth -- Matters of great importance -- Parting -- Psalm : prayer of forgiveness -- Resting -- She slept -- Theorem -- Upon this rock -- When I take petals and strew them.
Paddock M1620.A86 C64 2007

One page pieces
Goode, Daniel, composer
Lebanon, NH : Frog Peak Music, [1999]
Paddock M1470.G66 O5 1999

3 waltzes for two pianos, op. 454
Bentzon, Niels Viggo, 1919-2000, composer
[Copenhagen] : Edition Wilhelm Hansen, [2013?]
Paddock M214.B45 op.454 2013

The pasture
Cowell, Henry, 1897-1965, composer
[New York, N.Y.] : Edward B. Marks Music Corporation, [2014?]
Paddock M1621.C69 P3 2014

Habitare fratres in unum : Psalmus 133 (132) : für Chor (S A/Ct T B) a cappella oder Vokalensemble (S/Ct A/Ct T B) a cappella (2012)
Pärt, Arvo. composer
Wien : Universal Edition, [2014]
Paddock M2092.P378 H33 2014

Capriccio for solo violin, op. 29, [1991]
Martinsson, Rolf, composer
Stockholm : Gehrmans Musikförlag, 2013
Paddock M42 .M3785 op.29 2013

Bartók complete critical edition = Zeneműveinek kritikai összkiadása = Kritische Gesamtausgabe
Bartók, Béla, 1881-1945, composer
München : G. Henle Verlag : 2016-
Series I. Stage works -- Series II. Vocal works -- Series III. Orchestral works -- Series IV. Chamber works -- Series V. Piano works. Volume 37. For Children : for piano : early version and revised version = Gyermekeknek : zongorára : Korai és átdolgozott változat = Für Kinder : für Klavier 3: Frühfassung und revidierte Fassung / Bela Bartok ; edited by László Vikárius in collaboration with Vera Lampert -- Series VI. Piano reductions -- Series VII. Appendix.
Paddock M3 .B37 2016

Fantasi og Rondo for Fløjte og Klaver (Marts 1955)
Bentzon, Niels Viggo, 1919-2000, composer
[Copenhagen] : Edition Wilhelm Hansen, [2013?]
Paddock M242.B458 F3 2013

Autumn rhythm : idyll for woodwind quintet after a painting by Jackson Pollock
Fuchs, Kenneth, 1956-
[New York?] : Piedmont Music Company : ©2006
Paddock M557.2.F83 A8 2006

Canto XVIII : for accordion (free bass or Stradella bass)
Adler, Samuel, 1928- composer
Boca Raton, FL : Ludwig Masters Publications, [2013]
Paddock M175.A4 .A35 no.18 2013

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